Here are 32 books that Dear Wendy fans have personally recommended if you like
Dear Wendy.
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I’m only a writer because I was a musician first. I worshiped music—as a performer, listener, and later a critic—for its ability to enshrine me in a purely emotional world. My favorite lyrics were poetry in motion; my favorite melodies escaped description. And through sharing my feverish acclamations of particular albums and songs, I found community with others who also pledged themselves to art that’d definitively split their lives into “before” and “after.” My writing career was born from cathartic devotion and remains devoted to recounting the rapture of self-formation, of being reflected in the mirror of something that saw you before you even knew to see yourself.
Based on the title alone, I knew Yi’s debut novel would hit me like a crossbow to the heart. “Y/N” Is a prevalent shorthand for a particular kind of self-insert fan fiction, and having grown up in online fandom spaces, I have a lot of nostalgia for (and now plenty of necessary distance from) the passion that often explodes within and beyond those communities.
And still, I wasn’t prepared for the journey that Yi took me on. Nominally about one woman's spiraling obsession with a Korean pop idol, Y/N charts the inexplicable journey between a “regular person” and a “fan" before morphing into something sinisterly, beautifully, and singularly unhinged.
"Wondrous and weird." -New York Times "Gorgeous." -New Yorker "High Brow x Brilliant." -NY Mag (Approval Matrix) "So good it's hard to believe." -New York Times Book Review Podcast "Rare." -n+1 "A true novel of the era." -Elle "Piercing, feverish, and frequently astonishing." -Entertainment Weekly "Utterly brilliant, shining, and mesmerizing." -Cosmopolitan "Freakish and hallucinatory." -Vulture "Absurdly funny." -Ms. Magazine "Savage." -Vanity Fair "Playful, immersive yet unreal." -Esquire "Riveting and innovative." -TIME "Curious, cerebral . . . with moments of tender poetry." -Times Literary Supplement "It."-SSENSE "Sophisticated." -Chicago Review of Books "Strange, haunting, and undeniably beautiful." -Publishers Weekly (Starred Review) "One…
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book breaks all the rules because, well, Ji-won, a young Korean-American girl, literally breaks the rules (and the law) by becoming a serial killer in the face of societal expectations. I love a woman who’s not concerned with being or acting pretty, and we see that in Ji-won far before she ever gets a bite of her first blue eye.
The commentary in this novel is sharp, and much of what Ji-won experiences resonates with me as a Korean-American. Though she is by no means a role model, it was satisfying to see someone who might typically be overlooked go on a grotesque, revenge-fueled violence spree. This book was intelligent and subversive in all the right ways.
Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective.
Ji-won's life tumbles into disarray in the wake of her Appa's extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying... yet enticing.
In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George's, who is Umma's obnoxious new boyfriend. George has already overstayed his welcome in her family's…
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book features Princess Ying Yue, a character who defies numerous conventions, including traditional gender norms and the expectation that royalty must prioritize duty over love. I adored the complex dynamic between Ying and her two princes; I really couldn’t predict which direction the love triangle would go from the outset. There were so many twists and turns, but everything came together in a satisfying end.
This book was so creepy, eerie, and unsettling, yet beautifully written and carefully crafted with a rare elegance. The worldbuilding completely enamored me, and the creepy Mirror World is something that I’ll be thinking about for a long time.
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book is full of rule-breakers, but not in the way you’d think. Rhea and her friends try to combat gentrification in their South L.A. neighborhood in the most unconventional way imaginable by inventing a fake gang; however, they are soon blamed for a very real murder.
I lived in West Baltimore for a time and saw the effects of gentrification taking over my neighborhood even in the short two years that I was there, so this book really resonated with me on a personal level. The premise reminded me of those memes of people claiming to shoot out the windows every few months to keep the rent low. While it’s a joke, there is a very real fear behind it, and this is a complex issue that Adia tackles with such a fresh voice and nuanced approach.
Winner of the 2024 Coretta Scott King John Steptoe New Talent Award
A raised fist against the destructive forces of gentrification and a love letter to communities of color everywhere, Jade Adia's unforgettable debut tells the darkly hilarious story of three best friends willing to do whatever it takes to stay together.
The gang is fake, but the fear is real.
Rhea’s neighborhood is fading away—the mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her.…
I’ve always loved cartoons and anime. I’m also bisexual and non-binary. Growing up, gay representation was hard to come by, so when we did get it, we were always super excited, whether it was good or not so good. Luckily, I’ve gotten to watch the world change and grow more accepting, but sometimes it’s still difficult to find good rep when you don’t know where to look. I try to fill my books with good representation so that my readers can feel seen in a way I didn’t, and I want to spread the word about some great LGBT manga that I love and made an impact on me.
I rarely see asexual representation in the media, but with this book, I got a beautiful story about a girl finding her worth outside of a relationship while she starts to understand her own sexuality.
Like the main character, Chika, I have often heard people write off asexuality, saying things like “Oh, you just haven’t met the right person!” which can make asexual people feel isolated or “broken” - another experience Chika has as well.
Watching her learn about her own feelings and come to terms with who she is is a powerful experience that I, and many other young LGBTQ+ readers, will feel connected to. Getting to experience a story that so eloquently describes experiences like these always warms my heart because I know that it helps people feel a connection, and I’m always happy to see more representation.
A poignant coming-of-age story about a young woman coming into her own as she discovers her identity as aromantic asexual. When it comes to love, high schooler Chika wonders if she might be an alien. She's never fallen for or even had a crush on anyone, and she has no desire for physical intimacy. Her friends tell her that she just "hasn't met the one yet," but Chika has doubts... It's only when Chika enters college and meets peers like herself that she realizes there's a word for what she feels inside-asexual-and she's not the only one. After years of…
I was raised in a don't-blink-or-you'll-miss-it town in southeast Tennessee. I was embarrassed by where I came from for a long time, and worked on getting rid of my tell-tale accent. Then, as the years went on, I figured out who I am as a person was shaped by being a small-town Southern girl. So I embraced my Southerness. When I started writing fiction, it never occurred to me to set my books anywhere but small towns, and every one of them is. I’m fact, with the exception of one, all my books are set in Tennessee. At this point, I can't imagine notwriting small-town stories.
The title made me curious about this book but I wasn't sure what to expect.
What I found was an interesting cast of characters. The strong-willed heroine tried to use lists and logic to control her emotions (something I might have done a time or two). The hero was swoon-worthy in both physical and personality terms. There was a mystery that reached deep into the past.
The story played out with humor, emotion, and a strong sense of the Southern. All things I love in a novel.
Hotel executive Wendy Marsh puts her career on hold when she inherits half of her family’s inn. Her to-do list? It’s simple: teach her spoiled cousin how to manage Fountenoy Hall, then hightail it back to her structured, careful life in Atlanta. Romance has never been part of Wendy's plan – so what is it about the sexy history professor researching the inn that she finds so tempting?Rob Upshaw would be enjoying his time at the Inn at Fountenoy Hall if he wasn’t secretly hunting for a family treasure lost during Prohibition. Only a few minor inconveniences stand in his…
I have a real love of classic fiction and my first novel The Pretender is a modern-day adaptation of Mark Twain’s The Prince and the Pauper. I discovered this story as a child when a relative gave me a copy to read on the journey home from Scotland. While aspects of the story are frequently copied, the essence of the original novel felt forgotten. It’s such a beautiful story with many of the themes still relevant today that I decided to adapt it so a modern audience could rediscover and fall in love with it all over again. As an author, I draw a lot of inspiration from the classics.
Peter Pan has always been a bit of a dark story, I remember as a child being quite concerned about how easy it was to kill Tinkerbell and why Peter needed his shadow stitched back on! Second Star is a modern but dark retelling of this children’s fable, set in sunny California and amongst the surfing community, we follow a 17-year-old Wendy as she searches for her missing brothers. Stepping into a dark world, she finds herself drawn to the Cove’s enigmatic leader Pete but she is also pulled towards his dangerous and drug-dealing nemesis, Jas. This novel shows how a classic can be used as inspiration but the author is still able to make the story their own and I always enjoy reading that.
A twisty story about love, loss, and lies, this contemporary oceanside adventure is tinged with a touch of dark magic as it follows seventeen-year-old Wendy Darling on a search for her missing surfer brothers. Wendy's journey leads her to a mysterious hidden cove inhabited by a tribe of young renegade surfers, most of them runaways like her brothers. Wendy is instantly drawn to the cove's charismatic leader, Pete, but her search also points her toward Pete's nemesis, the drug-dealing Jas. Enigmatic, dangerous, and handsome, Jas pulls Wendy in even as she's falling hard for Pete. A radical reinvention of a…
I resonate with these stories; I feel a kinship with authors of books about teen sexual abuse. My heart breaks for another innocent young person, and I am also inspired by the different ways we find healing and peace. I am so grateful for my healing journey that I want to share what helped me with others who are looking for greater peace with their struggles and scars. I am proud to join the ranks of these authors because we all shine a spotlight on the harm done by this too-common abuse of the trust and innocence of teenage girls.
Like me, Wendy’s parents weren’t paying close enough attention to her during her formative teenage years. This makes us vulnerable and, therefore, good targets for teachers or coaches to prey upon our availability and eagerness to be seen. This combination of parental absence and the betrayal of innocence and trust by an adult ‘friend’ who seduces us into a sexual relationship has a huge impact on our later years.
In Wendy’s case, their shared love of writing makes their relationship more complex. In my case, the 1970s was a time of ‘free love’ and sexual liberation, which added further confusion to my limited understanding of right and wrong.
Wendy C. Ortiz was an only child and a bookish, insecure girl living with alcoholic parents in the San Fernando Valley of Los Angeles in the late 1980s and early 1990s. Her relationship with a charming and deeply flawed private school teacher 15 years her senior appeared to give her the kind of power teenagers wish for, regardless of consequences. Her teacher - now a registered sex offender - continually encouraged her passion for writing while making her promise she was not leaving any written record about their dangerous sexual relationship. This conflicted relationship with her teacher may have been…
I am a therapist, and I work with people from all walks of life and with all manner of suffering. I am drawn to memoirs because I consider it the real self-help genre of literature. Like good therapy, a good memoir will make sense of a story: how it happened, why it happened, how it affected the person, and what they did (do) to face it, and thrive in spite of it. As a writer, I take pride in bringing that same quality to my work. I have been asked many times, “How can you bear to reveal all that stuff about yourself, especially when it’s unflattering?” The answer is always “Isn’t that the part that matters? Isn’t that the part where the growth occurred? Isn’t that what makes the story worth telling?”
Wendy Plump’s VOW is the only memoir I have ever read that reveals what it is like to be the “cheating” partner (there are many books that address being cheated on). This is NOT a book touting infidelity or polyamory. It is simply an extremely honest accounting of a marriage riddled by affairs (both partners), how the author coped with the fallout, and grew into a more mature and insight-driven version of herself. This very topic activates so much judgment by so many people (just read some of the seething, scathing reviews on Amazon), but the truth is, human beings DO cheat, they DO commit infidelity, and Wendy Plump, who is a terrific, elegant writer and storyteller, has addressed this topic with great candor. It takes an extremely brave person to tell this type of story; hence, this book is brave and beautiful.
There are so many ways to find out. From a cell phone. From a bank statement. From some weird supermarket encounter. One morning in early January 2005, Wendy Plump's friend came to tell her that her husband was having an affair. It was not a shock. Actually, it explained a lot. But what Wendy was not prepared for was the revelation that her husband also had another child, living within a mile of their family home.
Monogamy is one of the most important of the many vows we make in our marriages. Yet it is a rare spouse who does…
I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
This story surprised me. I didn’t expect what this book had to offer. You get a lot of the story and the main character Ingrid’s voice through letters that she writes to her mom.
What I like most is that it appears to be a typical young adult contemporary story, but you know it’s not, and when you get to the end you know why.
After making a deal with her mother, Ingrid finds herself on a hardcore, three-week wilderness trek with a group of "at risk youth". There must have been some mistake. But as the laborious days go by, memories come flooding back, and Ingrid begins to wonder if she belongs with these troubled teens more than she would like to admit.
