Here are 100 books that The Lamb Will Slaughter the Lion fans have personally recommended if you like
The Lamb Will Slaughter the Lion.
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I am a half-Mexican author who grew up in a tiny Alabama town, where I spent my summers playing with sticks in the woods and exploring such distinguished careers as Forest Bandit, Wayward Orphan, and Woodland Fairy Princess. After college, I ran away to New Zealand for seven months and only pretended to be a character from Lord of the Rings on special occasions. Nowadays, I live and work in South Carolina with my clingy (and, unfortunately, non-magical) cat.
McLemore’s prose is basically poetry, and this YA novel is a gorgeous combination of magical realism and Latine folklore. It is a modern fairy tale about forbidden romance, poisonous jealousy, family secrets, and the power of truth.
I fell in love with the lush atmosphere, complex characters, and exquisite storytelling. This one stayed with me for a long time after I’d closed the book.
From the author of The Weight of Feathers comes a young adult novel about a girl hiding the truth, a boy with secrets from his past, and four sisters who could ruin them both.
Recipient of a Stonewall Honor and longlisted for the National Book Award, McLemore delivers a second stunning and utterly romantic novel, again tinged with magic.
To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel’s wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known…
I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
As a fellow genderqueer/non-binary Asian writer, I’m happy to champion the first in Neon Yang’s Tensorate series. A YA novella set in a non-Western fantasy landscape, this book tackles issues of gender identity and choice head-on, introducing us to a society where children are referred to individually using they/them pronouns, and can select one of the binary genders when they come of age or chose to remain non-binary. We see the world through the eyes of twins Mokoya and Akeha as they come into their gender expressions and their powers in a feudal, monastic society largely reminiscent of those found in Asian history.
"Joyously wild stuff. Highly recommended." ―The New York Times
One of the 100 Best Fantasy Books of All Time, according to Time Magazine
A Finalist for the Hugo, Nebula, and World Fantasy Awards for Best Novella
The Black Tides of Heaven is one of a pair of unique, standalone introductions to Neon Yang's Tensorate Series, which Kate Elliott calls "effortlessly fascinating." For more of the story you can read its twin novella The Red Threads of Fortune, available simultaneously.
Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her…
As a genderqueer non-binary person who always felt alone and invisible, it has been incredible to see the change taking place, particularly in YA, as more and more trans and non-binary authors get to tell their stories. Had I been able to read even one of these books as a teen, I might’ve avoided many years of unhappiness. Also, I’ve always been drawn to fantasy and science fiction, perhaps due to my need and desire to escape mundane reality, but I truly love how these genres let the imagination run riot, particularly when authors imagine kinder and more accepting worlds for LGBT+ people.
I hate Ikea stores. To me, they are hellish landscapes and this book—set in a fictional store modelled after Ikea—just gets me! This novella is a hilarious romp through the multiverse, balancing swashbuckling adventure with quiet yet razor-sharp insight into the ebb and flow of romantic relationships. This story shows that navigating love can be even more complicated than navigating interdimensional wormholes!
Nino Cipri's Finna is a rambunctious, touching story that blends all the horrors the multiverse has to offer with the everyday awfulness of low-wage work. It explores queer relationships and queer feelings, capitalism and accountability, labor and love, all with a bouncing sense of humor and a commitment to the strange.
When an elderly customer at a Swedish big box furniture store ― but not that one ― slips through a portal to another dimension, it’s up to two minimum-wage employees to track her across the multiverse and protect their company’s bottom line. Multi-dimensional…
As a genderqueer non-binary person who always felt alone and invisible, it has been incredible to see the change taking place, particularly in YA, as more and more trans and non-binary authors get to tell their stories. Had I been able to read even one of these books as a teen, I might’ve avoided many years of unhappiness. Also, I’ve always been drawn to fantasy and science fiction, perhaps due to my need and desire to escape mundane reality, but I truly love how these genres let the imagination run riot, particularly when authors imagine kinder and more accepting worlds for LGBT+ people.
I left this book for last because it is, perhaps, the heaviest and most gut-wrenching. In this book, Emezi crafts an exceptional paranormal story showing the true-life difficulties (that is the life-threatening and openly hostile discrimination) faced by LGBT+ people in Nigeria. A fact that’s sadly true in many other African countries too. This book has so many layers, every scene dripping with nuance and a clear tenderness for the subject matter. It would have been easy for this story to remain steeped in tragedy, but Emezi manages to elevate their characters and narrative above that, providing an ultimately heartwarming story that leaves the reader with a sense of wonder and hope while never dismissing the severity of the reality so many LGBT+ people face on the African continent.
'Astonishing.' Stylist 'Electrifying.' O: The Oprah Magazine 'Brilliant and heartbreaking.' Marie Claire 'Propulsive and resonant.' Esquire
They burned down the market on the day Vivek Oji died.
One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father, and the heart-wrenching tale of one family's struggle to understand…
My interests as a historian involve examining how Americans organize to
change policy or politics through affiliations beyond political parties
and, by extension, thinking about how culture is made and supported
through institutions and businesses. These messy networks and
relationships ultimately define how we relate to one another in the U.S.
Indie music scenes are one way to trace all of these relationships,
from federal policy governing radio stations and what goes out over the
airwaves to the contours of local music scenes, to the business of
record labels, to ordinary DJs and music fans trying to access
information and new sounds that they love.
Before getting to radio, alternative scenes came together in the 1970s and 1980s through informal networks of shared tapes, backyard concerts, and zines. These scenes had politics all to themselves, which revolved around concepts of “authenticity.”
Duncombe’s book not only captures the range and meaning of zines in all their forms, but it unravels the deeper meaning of these DIY publications. As he writes, “Zinesters believe that authenticity can be found only in a person unshackled by the contrivances of society.” Zines thus offered the purest expressions of self, in theory, but soon, the zine scene developed its own codes of conduct and traditions – practices though that would inform the sound and practice of college radio.
What I love about this book is that it delves into theory (zinesters were like Rousseau? Who knew?!) but remains accessible, using the theory only to enlighten underappreciated aspects of zine culture.
An engaging and scholastic presentation of zines and modern culture
Much history and theory is uncovered here in the first comprehensive study of zine publishing. From their origins in early 20th century science fiction cults, their more proximate roots in 1960s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. He also analyzes how zines measure up to their utopian and escapist outlook in achieving fundamental social change. Packed with extracts and illustrations, he provides a useful overview of the…
I, Ira Nayman, have been writing stories set in the multiverse for almost twenty years, first with the Alternate Reality News Service set of books, then with my Transdimensional Authority/Multiverse novels and, most recently, with multiverse triptychs (the spark for The Dance). One of the things that I recently realized about my writing is that a lot of it focuses on the factors that shape our lives and make us the people we are. My ongoing fascination with the multiverse is because it is a great vehicle for exploring this idea by showing us how our lives could have turned out if circumstances or our choices had been different.
Do you think this multiverse business is something new from MCU Labs? H.G. Wells wrote about parallel universes in this book back in 1923.
Humble Mr. Barnstaple and some 1920 one-percenters pass through a dimensional rift into an alternate world called “Utopia.” Appropriately, there’s no disease or poverty, no war, and everybody’s into exploration and scientific progress. But there are also some worrying things (e.g. “eugenics-light”). Aldous Huxley’s anti-utopia Brave New World (1932) is partly a rebuttal of this book.
This book is more of a slow burn than the high impacts of wonder/terror in The Time Machine and The War of the Worlds. However, the resolution of the story is ingenious, and Well’s vision of humanity’s destiny is still relevant after 101 years.
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Welcome to Utopia.
When Mr. Barnstaple, an Earthling, is accidentally transported to Utopia with a group of others, he begins an adventure that will change how he views the world forever.
Utopia has no government. Utopia has no religion. People are governed only by their own conscience and desires, and Barnstaple is drawn into what he sees as a perfect society. But when a disease brought by the Earthlings threatens the existence of the Utopians, Barnstaple must make a choice: take over Utopia, or betray his own people…
Ever since I can remember I’ve been curious about history and how past events connect to our present; And how challenging it is to predict the future, even with all our advanced technologies. In the internet era, everything seems to be changing faster than ever before. I’m no expert, but I do know that if we don’t try to understand all the pieces of this complex puzzle, we’ll never be able to build the future we want. I don’t want to be left behind, so my book is an attempt at understanding the past and outlining a future of investing in people, the most undervalued asset class.
I love this book on many levels. Utopia is always just out of reach but with the scale of time, one could argue that we’re currently living in a utopia.
Even if we don’t have flying cars, more people have opportunities and access to resources than ever before in recorded history.
This book is for optimists and pessimists alike, as the author does a great job addressing the current issues we face and outlining a future worth building. A future of Universal Basic Income (UBI) and no national borders, where opportunities are shared more equitably.
If everyone read this book I know we’d be one step closer to reaching utopia.
Universal basic income. A 15-hour workweek. Open borders. Does it sound too good to be true? One of Europe's leading young thinkers shows how we can build an ideal world today.
"A more politically radical Malcolm Gladwell." -- New York Times
After working all day at jobs we often dislike, we buy things we don't need. Rutger Bregman, a Dutch historian, reminds us it needn't be this way -- and in some places it isn't. Rutger Bregman's TED Talk about universal basic income seemed impossibly radical when he delivered it in 2014. A quarter of a million views later, the…
I’m an avid reader turned author. I’m a Canadian YA Speculative Fiction author who takes books along as I hike, cycle, and go to the beach. I love audiobooks! In the years leading up to writing my first novel, I must have read over three hundred books. My favorites were Young Adult Fantasy and Science Fiction. When I ran out of happy, positive, and wholesome books, I started writing them. I feel like I'm often called back to my favorites, and hope more authors will jump on the happy train! Now that the world has literally turned into a Dystopian Society, perhaps more authors will start writing about hope and change.
I love Cecelia Ahern’s earlier books and this was her first YA duology. The second book is called Perfect. This society also praises beauty and perfection, but mistakes are punishable offenses with a serious consequence of being branded, literally, are Flawed. The book is chilling in so many ways, but what I loved about it is that making mistakes is an inherently ‘human’ thing to do. Older generations have been taught to avoid making mistakes at all costs, or at least never own up to them. The younger ones are learning that it’s all part of life and we should all have a little more compassion. We’re all doing the best we can with what we have.
In her breathtaking young adult debut, bestselling author Cecelia Ahern depicts a society in Flawed in which obedience is paramount and rebellion is punished. And where one young woman decides to take a stand that could cost her everything.
Celestine North lives a perfect life. She's a model daughter and sister, she's well-liked by her classmates and teachers, and she's dating the impossibly charming Art Crevan.
But then Celestine encounters a situation in which she makes an instinctive decision. She breaks a rule and now faces life-changing repercussions. She could be imprisoned. She could be branded. She could be found…
I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
I admit that Huxley’s final novel is a rather difficult one to read. It’s long, it goes on too long in some places, it’s kind of fiction and philosophy together, and it includes a book within a book. However, The Island is a work of genius.
There’s the utopian island of Pala (not dystopian), and all through the book, there’s the threat of the invading Rendang kingdom. It includes some Buddhist ideas with the birds on the island that say karuna (meaning compassion) and "attention" to remind islanders of the now, yet ultimately, in the end, the island is invaded, and the utopia becomes exposed as a fake.
For over a hundred years the Pacific island of Pala has been the scene of a unique experiment in civilisation. Its inhabitants live in a society where western science has been brought together with Eastern philosophy to create a paradise on earth. When cynical journalist, Will Farnaby, arrives to research potential oil reserves on Pala, he quickly falls in love with the way of life on the island. Soon the need to complete his mission becomes an intolerable burden and he must make a difficult choice.
In counterpoint to Brave New World and Ape and Essence, in Island Huxley gives…
When I was a teenager, I thought we could create a perfect world—or if not quite perfect, at least much, much better than the one we are currently destroying. Actually, I still think it’s possible, just a lot harder and a lot more dangerous than I originally thought. I’ve been interested in all the efforts to imagine and create utopias, which sometimes produce hells instead of heavens, ever since. I have evolved (I think it’s progress) from being a high school Maoist to something more mature while watching China’s attempts to improve the lives of its citizens with respect and sympathy.
This is the OG of utopias—written in 1516 about people living on a distant island. Later writers made up utopias set in the future, but More’s island is still fun to read about. A place where there is no private property, no one desires wealth, all citizens are equal, and all religions are tolerated—though there is no privacy (or premarital sex) either. Nobody knows whether More meant it as satire or longing, or even if we should translate u-topia as “no-place” or “good-place.”
First published in Latin in 1516, Utopia was the work of Sir Thomas More (1477–1535), the brilliant humanist, scholar, and churchman executed by Henry VIII for his refusal to accept the king as the supreme head of the Church of England. In this work, which gave its name to the whole genre of books and movements hypothesizing an ideal society, More envisioned a patriarchal island kingdom that practiced religious tolerance, in which everybody worked, no one has more than his fellows, all goods were community-owned, and violence, bloodshed, and vice nonexistent. Based to some extent on the writings of Plato…
