Here are 100 books that Bioshock fans have personally recommended if you like
Bioshock.
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Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
I couldn’t look at society the same way after reading this tale of how a group of schoolboys stranded on an island descends, step by step, into savagery. The savagery is inside all of us, and the veneer of civilization that our education puts on it is very thin and easily cracks. Haunting.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
I’ve been fascinated with the paranormal since I was a little girl and used to talk to the old lady on the edge of my bed. That old lady turned out to be my grandma, who had passed when I was in my mother’s womb. My entire family is touched by the curiosity and love that comes with the paranormal, so much so my mother is a working psychic medium. For years, I have spent every birthday attending haunted houses with a paranormal team to “investigate.” For some strange reason, I love to be terrified, and I fear I will never stop chasing the thrill.
This was my first peek into the world of paranormal ghost stories through books. Before this spooky thriller, truth be told, I didn’t know there was such a genre as ghost thrillers.
I will forever be grateful to Riley Sager for not only opening me up to such a captivating genre but for writing such an amazing story.
This bookgives you the present perspective of a woman returning to a haunted house that ran her family away 25 years ago, alongside the perspective of what happened 25 years ago when she was a child from the lens of a “NYT-selling novel” written by her father.
In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
What was it like? Living in that house.
Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later…
As a child, my family and I would make scary movies to watch at our own annual family film festival. Horror has always been a passion of mine. The way horror can evoke emotions in you that you can’t otherwise access is a special kind of high. As a horror movie/game/book aficionado, I’ve tried to weave elements of horror into my stories. My favorite types of scary stories are the ones that would stand on their own, even if the ghosts were taken away. I am so passionate about horror with heart, which can be hard to find in a world of slasher movies and true crime.
I’ve always been fascinated by the Salem Witch Trials (my youngest daughter is even named Salem), and so, in my search for a good modern take on them, I stumbled across this book. The fact that it was based on a true story immediately drew me in.
Like other books on this list, this story isn’t outright horror. It’s subtle. Rather than using ghosts and violence to scare the reader, this book focused on mob mentality, hysteria, and bias in a way that was so real and relatable that it felt like this could actually happen to me or someone I know.
I think the most effective horror puts you into a situation that’s so familiar and plausible that it keeps you looking over your shoulder. In my opinion, people are always much scarier than ghosts, and so this book that studied mob mentality chilled me with just how easily…
A chilling mystery based on true events, from New York Times bestselling author Katherine Howe.
It’s senior year, and St. Joan’s Academy is a pressure cooker. Grades, college applications, boys’ texts: Through it all, Colleen Rowley and her friends keep it together. Until the school’s queen bee suddenly falls into uncontrollable tics in the middle of class.
The mystery illness spreads to the school's popular clique, then more students and symptoms follow: seizures, hair loss, violent coughing fits. St. Joan’s buzzes with rumor; rumor erupts into full-blown panic.
Everyone scrambles to find something, or someone, to blame. Pollution? Stress? Are…
As a child, my family and I would make scary movies to watch at our own annual family film festival. Horror has always been a passion of mine. The way horror can evoke emotions in you that you can’t otherwise access is a special kind of high. As a horror movie/game/book aficionado, I’ve tried to weave elements of horror into my stories. My favorite types of scary stories are the ones that would stand on their own, even if the ghosts were taken away. I am so passionate about horror with heart, which can be hard to find in a world of slasher movies and true crime.
I love Edgar Allan Poe. His stories are so visceral and yet so simplistic in their scares. Of all of the stories by Poe, however, I think this book was a bit of a sleeper agent for me. It wasn’t until COVID-19 happened that I really saw how terrifying this story really was.
The idea of the rich hiding out from a plague that’s destroying the world was much too relatable in 2020. Just like in other titles in this list, the actual ghost itself isn’t necessarily what’s scary. It’s what the ghost represents. Not just death but pride, privilege, selfishness, guilt, and apathy.
Re-reading this book back in 2020 was an experience much too understandable, and it really scared me in a way it hadn’t before. The message Poe was trying to convey stuck with me in a new and horrifying way.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Arguably America's most influential short story writer, Edgar Allan Poe's tales of suspense never fail to spook…
As host of ImmerseOrDie, I've tested over 600 indie novels so far, searching for books that can hold me in their spell for at least 40 minutes. Unfortunately, self-publishing is rife with the quirks and gaffs that burst such glamours: bad spelling, bad formatting, ludicrous dialogue... Even allowing three failures before bailing, only 9% survived. And reading those to completion whittled the herd still further.
So here then are the surviving 1%. A glittering few, plucked from the muck so that you don't have to. I don't promise you'll love them, but I do make one guarantee: they do not suck.
And in the Swamps of Indie, that is high praise indeed.
The books that grab me most firmly are the ones where the premise itself gets me in a headlock and screams: "READ ME!" at the top of its lungs while twisting my ear until I give in. Case in point: Catskinner's Book.
After years of failure, long-time loser James Ozwrycke has finally assembled a life. Sort of. He's got a tiny apartment and a crappy job, which might not be much to you, but it's enough to pay the bills and fuel his video game habit, and that's the best life James has ever known. So how did he manage to score this skid row utopia? By entering an unusual agreement. All he has to do is let a demon use his body every now and then. You know, to kill people. But that's not so bad. Is it?
Catskinner's Book is a science fiction/urban fantasy novel set in a surreal world unlike any that you have seen before. James Ozryck has a monster in his head. All of his life the entity that he calls Catskinner has made him a fugitive, afraid to get too close to anyone, afraid to stay in one place for too long. Catskinner kills, without compassion and without warning, and is very good at it. Now James has learned that Catskinner is not the only monster in the world, a world that has suddenly become a far stranger and more dangerous place than…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Everfair is one of several recent alternate histories that challenge the usual focus on the same sorts of events in the same parts of the world and the all-too-frequent disturbing obsession with “what if the bad folks had won?” questions (South in the Civil War, Axis in WWII).
Shawl imagines a different, better history for the Congo—liberated from European control and gifted with a new source of energy. Her interesting characters from many backgrounds around the globe come together to fight for their sometimes conflicting, sometimes flawed visions for a better future.
This is the visionary aspect of speculative fiction at its most powerful.
Everfair is a wonderful Neo-Victorian alternate history novel that explores the question of what might have come of Belgium's disastrous colonisation of the Congo if the native populations had learned about steam technology a bit earlier. Fabian Socialists from Great Britian join forces with African-American missionaries to purchase land from the Belgian Congo's "owner," King Leopold II. This land, named Everfair, is set aside as a safe haven, an imaginary Utopia for native populations of the Congo as well as escaped slaves returning from America and other places where African natives were being mistreated. Shawl's speculative masterpiece manages to turn…
When I was a teenager, I thought we could create a perfect world—or if not quite perfect, at least much, much better than the one we are currently destroying. Actually, I still think it’s possible, just a lot harder and a lot more dangerous than I originally thought. I’ve been interested in all the efforts to imagine and create utopias, which sometimes produce hells instead of heavens, ever since. I have evolved (I think it’s progress) from being a high school Maoist to something more mature while watching China’s attempts to improve the lives of its citizens with respect and sympathy.
This is modern China’s only full-fledged utopia (mostly written about 1900)—explaining how humanity gradually evolves to get rid of the “boundaries” dividing us by nation, class, race, and gender. It may take thousands of years, but history will create a truly democratic and equal society. Children will be raised in public nurseries, couples, including homosexuals, will enter into one-year (renewable) contracts. In thousands of years, the boundaries separating the species and even the gods will dissolve as well.
This volume translates one of the major works of modern Chinese philosophy and in so doing makes a major contribution to the study of comparative philosophy. The volume contains an extensive introduction structured as follows:
1. Biographical Sketch of K'ang Yu-wei 2. Ta T'ung Shu: The Book 3. A General Discussion of the One-World Philosophy of K'ang Yu-wei
I am a queer transgender woman living in the Appalachian South. When I moved here in 2015 I threw myself into doing community-based LGBTQ history. I co-founded the Southwest Virginia LGBTQ+ History Project, an ongoing queer public history initiative based in Roanoke, Virginia. As a historian and an avid reader, I am fascinated by how queer and trans people think about the past, how we remember and misremember things, and what role historical consciousness plays in informing the present and future.
Queer theory can sometimes be head-scratching, but the first time I readCruising Utopia (on a camping trip in the mountains), I found myself gazing anew at the trees above me and my lover by my side. The late great theorist pushes us to reconsider how queerness is experienced and remembered in quotidian times and spaces. From sharing a bottle of Coke with a lover to memorializing abandoned toilets in the New York City subway, Muñoz revels in the ecstatic potential of “queer utopian memory” and queer world-building. Cruising Utopia is a marriage of critical theory and thoughtful storytelling, giving readers a much-needed injection of hope in these thoroughly anti-queer times.
A 10th anniversary edition of this field defining work-an intellectual inspiration for a generation of LGBTQ scholars
Cruising Utopia arrived in 2009 to insist that queerness must be reimagined as a futurity-bound phenomenon, an insistence on the potentiality of another world that would crack open the pragmatic present. Part manifesto, part love-letter to the past and the future, Jose Esteban Munoz argued that the here and now were not enough and issued an urgent call for the revivification of the queer political imagination.
On the anniversary of its original publication, this edition includes two essays that extend and expand the…
I am a product of Sputnik and the threat of nuclear war. Both turned me into a long-time reader of science fiction and a perpetual student in trying to understand how the world works and why? If we have free will, why do so many things seem to be predetermined? If we are rational beings, why do so many of our choices seem so absurd? And if a new world is possible, why can’t we bring it into existence? I was a professor of politics for 30 years (and I was respected! See “Soylent Green.”) and most of my research and writing try to answer these questions.
Callenbach’s tale of ecological secession by Washington, Oregon, and Northern California remains an inspiration to those who believe another world is possible.
Callenbach imagined cheap solar electricity and newspapers being delivered through what was, essentially, street corner fax machines. Right on the first, wrong on the second. Unfortunately, Callenbach’s novel is sexist and even a little racist in places, and its utopian vision is unlikely to ever materialize.
Twenty years have passed since Northern California, Oregon, and Washington seceded from the United States to create a new nation, Ecotopia. Rumors abound of barbaric war games, tree worship, revolutionary politics, sexual extravagance. Now, this mysterious country admits its first American visitor: investigative reporter Will Weston, whose dispatches alternate between shock and admiration. But Ecotopia gradually unravels everything Weston knows to be true about government and human nature itself, forcing him to choose between two competing views of civilization.Since it was first published in 1975, Ecotopia has inspired readers throughout the world with its vision of an ecologically and socially…
Ever since I can remember I’ve been curious about history and how past events connect to our present; And how challenging it is to predict the future, even with all our advanced technologies. In the internet era, everything seems to be changing faster than ever before. I’m no expert, but I do know that if we don’t try to understand all the pieces of this complex puzzle, we’ll never be able to build the future we want. I don’t want to be left behind, so my book is an attempt at understanding the past and outlining a future of investing in people, the most undervalued asset class.
I love this book on many levels. Utopia is always just out of reach but with the scale of time, one could argue that we’re currently living in a utopia.
Even if we don’t have flying cars, more people have opportunities and access to resources than ever before in recorded history.
This book is for optimists and pessimists alike, as the author does a great job addressing the current issues we face and outlining a future worth building. A future of Universal Basic Income (UBI) and no national borders, where opportunities are shared more equitably.
If everyone read this book I know we’d be one step closer to reaching utopia.
Universal basic income. A 15-hour workweek. Open borders. Does it sound too good to be true? One of Europe's leading young thinkers shows how we can build an ideal world today.
"A more politically radical Malcolm Gladwell." -- New York Times
After working all day at jobs we often dislike, we buy things we don't need. Rutger Bregman, a Dutch historian, reminds us it needn't be this way -- and in some places it isn't. Rutger Bregman's TED Talk about universal basic income seemed impossibly radical when he delivered it in 2014. A quarter of a million views later, the…
