Love The Prince and the Pauper? Readers share 93 books like The Prince and the Pauper...

I’m going to stick my neck out and say that, in my opinion, this book is the greatest ever retelling of the Arthurian story. Why do I love it? Primarily I think because his characters are so well-defined and crafted—they have feelings and families, emotions and frustrations—and are frequently not at all heroic. 

I love the elements of the book that play out within the animal kingdom—the rigid, controlled society of the Ants, the free and liberal existence of the Wild Geese—all brought to life by an author who was a renowned natural historian and who is using the power of his fantastical imagination to provide insight into the broad spectrum of political models and options for ruling. 

I first read this book when I was studying Politics and Philosophy as an undergraduate, and I was blown away by White’s insight, humanity, and the choices he… show more.

I yearn to lose myself in the intricate tapestry of Tolkien's world, where every word is a brushstroke on the canvas of imagination. I am captivated by the allure of ancient languages and the power of storytelling to transport the reader to realms beyond reality.

The epic struggle between good and evil, the weight of destiny, and the enduring bonds of friendship resonate deeply within me. I am eager to embark on this perilous journey, to witness the rise and fall of heroes, and to confront the ultimate test of courage and will. 

This book is a profound meditation on human resilience that never fails to move me. I'm constantly in awe of Hemingway's ability to weave so much meaning into such a deceptively simple tale. The way Santiago's unwavering determination shines through, even in the face of seemingly insurmountable odds, resonates deeply with me.

I find myself returning to this book time and time again, drawing inspiration from the old man's quiet strength and dignity. The vivid portrayal of man's relationship with nature—both its beauty and its harsh realities—leaves me breathless. What I love most is how Hemingway captures the essence of the human spirit in Santiago's struggle, reminding me that true victory lies not in the outcome but in the perseverance of the journey.

Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.

Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.

I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.

I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.

This is a fascinating, though quite odd, story about an alcoholic writer of novels and poetry. In middle age, the writer becomes famous. Fame propels him through a succession of increasingly bizarre sexual encounters with women. From this beginning, Bukowski proceeds to a surprising, conventional ending, almost a cliché, which stands out against the bizarre scenes preceding it. The writing in Women is incredibly expressive, compact, direct, and efficient. As a result, the story absolutely flies. Bukowski is the most creative literary stylist I have read; Women, his best work.

This book has become so familiar to us through cartoons and movies that we often forget how very weird it is as a piece of writing. The book begins when Alice, bored of her sister’s company, notices a white rabbit muttering to itself “Oh dear! Oh dear!”, and starts to become curious—not, mind you, because talking rabbits are impossible, but only because they are so very intriguing.

The rest of the book shares this bemused tone: Alice will be subjected to all sorts of indignities, including a near-beheading, but as a “good” Victorian girl, she will generally accept the bizarre reality that is presented to her. Carroll’s mastery of language is key to this effect. Nearly every character sounds sensible, turning well-formed logical sentences, but they never make much actual sense, and their speeches are riddled with so many puns, double meanings, and other linguistic tricks that one can never… show more.

I love love love an unreliable narrator! Especially when that narrator is a beautiful, elegant woman who turns out to have the ugliest soul imaginable. I think as a whole, our society tends to be extra afraid when they see conniving evil existing in a female’s mind, especially when she’s physically beautiful and well spoken.

At certain points in this book, I found myself weirdly rooting for Amy and chomping at the bit to see how far her “crazy” would take her. The twists and turns kept me racing through this book and left me wondering at the end, “What happens to them now?!”

I remember the first time someone told me to read this book, and I replied, “Bambi? Really? No thank you.” I, of course, had only known the Disney-ized version of the story. I assumed it was a book for toddlers, with cute little bunny rabbits and birds singing in the trees. I was very wrong. It is a profound coming-of-age story dealing with family, love, parents, adulthood, loss, intolerance, death, betrayal, and the horrors which humans can inflict on both the environment and each other. It was banned and burned in Germany in 1936 as it was seen as a political allegory of the Nazi Party. A powerful book, and, unfortunately, still a very timely one. 

The orphan girl Pollyanna moves in with her strict aunt in New England. Despite a difficult start, Pollyanna's exuberance and positivity affect everyone who meets her, and she spreads joy and love wherever she goes. I loved Pollyanna when I read it as a young girl and patterned my life after her positive thinking. Pollyanna, like myself, often finds her optimistic attitude tested, but she always learns to find happiness in every situation.

Twain definitely wasn’t the first to cover the topic of switching places. Shakespeare, who was writing 200 years before Twain, wasn't even the first to do it. However, he did it with a great deal of style and a lot of laughs in The Comedy of Errors. This is considered to be one of his great comedies and it's easy to see why. This is a tale about two sets of identical twins who get all mixed up. A whole bunch of hijinks happens next. 

This is a great example of Shakespeare and a plot that has been adapted several times since. And while it's funny, the plot also reveals some deeper truths within the characters and society as a whole. As always with Shakespeare, it's meant to make you think.