Here are 90 books that The Changeling fans have personally recommended if you like
The Changeling.
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My upbringing in refined Bucharest, surrounded by books and Romania's rich folklore, as well as my youth excursions in the idyllic Transylvanian countryside, instilled in me a love for storytelling. Although I have a medical degree, my insatiable curiosity about historical figures' lives, journeys, and the landscapes they encountered has driven me to investigate and write about these enthralling tales. This allowed me to share the wonders of travel through historical and contemporary fiction with a strong historical foundation - and a dog or two. On my blog I share enchanting gems from Romania’s past, while on social media I promote Romania’s history and culture under the hashtag #Im4Ro.
I'd heard a lot about Norse myths on social media recently, but I was unfamiliar with them.
The idea of Gaiman weaving his narrative magic through the tapestry of these ancient tales intrigued me, and it surely made for an exciting read.
Even if you're unfamiliar with Norse mythology (as I was), this retelling will awe you with the strangeness and wonder of these ancient tales. Norse Mythology is more than a book; it's an invitation to a hypnotic world inhabited by gods, giants, undead goats, betrayals, a mischievous squirrel, elves, dwarves, and Valkyries.
This collection is an enthralling journey through a selection of Norse myths, narrated with Neil Gaiman's trademark wit and simplicity.
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin's son, incredibly strong yet not the wisest of gods; and Loki-son of a giant-blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the…
I am an art historian, curator, and speculative fiction writer from Croatia, and I’ve always been in love with folklore, mythology, and all things ancient. In my work, I always try to blend real historical details with magic, and I adore secondary worlds that are immersive and solid enough to walk into yet different from our own.
This is a perfect wintry read for me: a book set in the dark, snow-laden forests filled with dangerous creatures who stepped right out of the Russian folk tales.
I love the main protagonist, Vasya, a brave, stubborn girl who fights to protect her family. I found the story immersive and unputdownable, filled with darkness and enchanting beauty, and I wholeheartedly recommend it, as well as its two sequels in the Winternight Trilogy.
_____________________________ Beware the evil in the woods...
In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church.
But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods. . .
I’m a writer of epic fantasy and paranormal romance, and my obsession is writing about the fashion, food, language, and social politics of the worlds I create. World building is vital if you intend to create a lived-in backdrop for your story, but intricate, elaborate world building will only take you so far. You (the author) must have a cast of characters equally well developed. I’ve tried to take lessons away from every book I’ve read and every author I’ve interviewed and worked to balance characters to fall in love with against places that feel absolutely alive. Their joy/terror/love/hate/experience becomes the readers. It’s that combination that makes a book unforgettable.
Barker is known best as a master of body horror, and this book certainly has some grotesque images. But it’s also a gorgeous meditation on memory, identity, love, and the use and misuse of great power.
Along with a vivid travelogue of the five realms that make up Imagica, Barker explores the use of the body itself as a canvas; malleable, changeable, and as fascinating as the view from the window of your train. That said, the view is often stunning, always inventive, and immersive enough that I feel I’ve walked the streets of Yzordderrex myself.
The story of three people on an epic journey through five Dominions to the border of the greatest mystery of all - the First Dominion. On the other side, if they dare to venture, lies the Holy City of the Unbeheld, where their highest hopes or deepest fears will be realized.
I'm an anarcho-feminist who has a special interest in magic; I consider it my guilty pleasure. I write dark and gritty stories that delve into gender, trauma, and mental illness, yet discover hope and freedom in the pit of darkness. I'm best known as a horror writer, but it’s more accurate to say that I create dark-fantasy and speculative fiction. My themes reflect the darkness which feels ubiquitous in the world, especially now in this age of extremes and pandemics, but I always search for the glimmer of light, the flame of hope that we can make a better future. I've always been fascinated by the Goth aesthetic and enchanted by post-punk threnodies.
The setting for Hermetech is a post-apocalyptic landscape. As with Imajica, the central quest is to heal a ruptured world. Futuristic science and magic coexist in the story as a group of disparate and dysfunctional travellers retrieve Ari and escort her (and the reader) through strange, broken lands and along unfriendly and dangerous roads.
It is a highly imaginative, speculative fantasy with another character who blends and transcends gender and steals a reader’s heart. Zambia Crevecoeur is deeply flawed and tragic, and it is hir journey (emotional rather than geographical) which drew me into this extraordinary novel.
A near future Earth is dying due to human interference; Tech-Green is doing its best to repair the damage and is insisting that humankind leaves the planet to give it time to heal. Ari Famber, is the result of a genetic experiment she knows nothing about. Leila Saatchi, a friend of Ari's dead father, has promised to find her and protect her from others who may seek to use Ari for their own ends. Leila's naturotech pagan group arrives at Taler's Bump, Ari's home, with the intent on awakening her latent, potentially world-changing potential. In Arcady city, a massive sprawl…
I’m a writer of epic fantasy and paranormal romance, and my obsession is writing about the fashion, food, language, and social politics of the worlds I create. World building is vital if you intend to create a lived-in backdrop for your story, but intricate, elaborate world building will only take you so far. You (the author) must have a cast of characters equally well developed. I’ve tried to take lessons away from every book I’ve read and every author I’ve interviewed and worked to balance characters to fall in love with against places that feel absolutely alive. Their joy/terror/love/hate/experience becomes the readers. It’s that combination that makes a book unforgettable.
Although The Scar is the second book in the Bas Lag series, I prefer it to Perdido Street Station (which is also glorious.) The Scar takes to the seas, a place I always prefer to be, in the form of the floating, roving city of Armada.
We come aboard (as it were) and experience life on Armada—its precincts, villages, towns, secrets, and its people—swordsmen and librarians and vampires and the mysterious pair who run the place—The Lovers (that’s the only name we get) through the eyes of Bellis Coldwine, a prickly, difficult, but fascinating woman who would literally rather be anywhere else.
I get where she’s coming from but I would absolutely book a cruise on Armada!
A human cargo bound for servitude in exile... A pirate city hauled across the oceans... A hidden miracle about be revealed... This is the story of a prisoner's journey. The search for the island of a forgotten people, for the most astonishing beast in the seas, and ultimately for a fabled place - a massive wound in reality, a source of unthinkable power and danger.From the author of Perdido Street Station, another colossal fantasy of incredible diversity and spellbinding imagination, which was acclaimed in The Times Literary Supplement as: 'An astonishing novel, guaranteed to astound and enthral the most jaded…
I'm an anarcho-feminist who has a special interest in magic; I consider it my guilty pleasure. I write dark and gritty stories that delve into gender, trauma, and mental illness, yet discover hope and freedom in the pit of darkness. I'm best known as a horror writer, but it’s more accurate to say that I create dark-fantasy and speculative fiction. My themes reflect the darkness which feels ubiquitous in the world, especially now in this age of extremes and pandemics, but I always search for the glimmer of light, the flame of hope that we can make a better future. I've always been fascinated by the Goth aesthetic and enchanted by post-punk threnodies.
It is set in the late 19th early 20th century in Manchester, England. A time of suffragists and a blossoming underground queer culture, both of which were violently opposed by state and police. Set in this time, place and atmosphere is the story of Edie and Gnome. The first chapter shows them in perfect, natural harmony with each other. As Edie grows up, her intersex nature (given a gloriously magical bent by Garland) is repressed and made a cause of shame via their mother’s abuse. Without full expression and acceptance, Edie/Gnome's relationship becomes destructive and toxic. The Night Brother is a journey of acceptance and balance woven into a wider narrative about feminine roles in society and the struggle to transcend them.
It is a delight to follow Garland’s beautiful prose both as it delves into the violent and gritty aspects of Victorian Manchester and when it soars into fantastical…
'Echoes of Angela Carter's more fantastical fiction reverberate through this exuberant tale of a hermaphrodite Jekyll and Hyde figure...enjoyably energetic' SUNDAY TIMES
Late nineteenth-century Manchester is a city of charms and dangers - the perfect playground for young siblings, Edie and Gnome. But as they grow up, they grow apart, and while Gnome revels in the night-time, Edie wakes each morning, exhausted and uneasy, with only a dim memory of the dark hours.
Convinced she deserves more than this half-life, she tries to break free from Gnome and forge her own future. But Gnome is always right behind, somehow seeming…
Most people don’t realize how deeply ingrained folklore is to our daily lives. Superstitious habits like tossing spilled salt over the shoulder seem silly now, but had grave implications a hundred or more years ago. I love books that draw lines between folklore and reality, that weave tales laced with superstition, especially through the lens of modern issues. Stories like these have always helped me to not only understand myself better, but the world around me. The things people do and say aren’t nearly as important as why. Folklore, like changeling stories, I’ve found, is the key to human understanding.
Little Darlingswas the first book I’d read in a long time that made me feel seen.
When Lauren came home from the hospital after delivering twins only to find her life had not become as picture perfect as she was led to believe, I felt a keen connection. Told with visceral desperation, Lauren’s story is one we can all relate to—a story of self-doubt and a mad scramble for validation.
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
There’s something deliciously attractive about this book.
The language Bradbury uses draws me in every time I visit it, and it keeps me hooked. This was another book I found as a kid, and it left its hooks in me from when I was young.
Is it morbid? There are definitely morbid parts to it. And it deals with life-and-death situations, but it’s just so good. I never wanted it to end.
One of Ray Bradbury’s best-known and most popular novels, Something Wicked This Way Comes, now featuring a new introduction and material about its longstanding influence on culture and genre.
For those who still dream and remember, for those yet to experience the hypnotic power of its dark poetry, step inside. The show is about to begin. Cooger & Dark’s Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery. The carnival rolls in sometime after midnight, ushering in Halloween a week early. A calliope’s shrill siren song beckons to all…
Most people don’t realize how deeply ingrained folklore is to our daily lives. Superstitious habits like tossing spilled salt over the shoulder seem silly now, but had grave implications a hundred or more years ago. I love books that draw lines between folklore and reality, that weave tales laced with superstition, especially through the lens of modern issues. Stories like these have always helped me to not only understand myself better, but the world around me. The things people do and say aren’t nearly as important as why. Folklore, like changeling stories, I’ve found, is the key to human understanding.
Cuckoo Song is not just a book about growing up, it’s a book about growing up in an environment where you suddenly don’t fit in.
Triss is a character I instantly related to. Once young adulthood hit, I found I’d pulled away from the rest of my family, a black sheep. Wrong. InCuckoo Song, Triss bravely faces her darkest fears in order to find the truth of herself. And though it might be terrifying, it is her truth, and she will claim it.
Read this thought-provoking, critically acclaimed novel from Frances Hardinge, winner of the Costa Book of the Year and Costa Children's Book Awards for The Lie Tree.
When Triss wakes up after an accident, she knows something is very wrong. She is insatiably hungry, her sister seems scared of her, and her parents whisper behind closed doors. She looks through her diary to try to remember, but the pages have been ripped out. Soon Triss discovers that what happened to her is more strange and terrible than she could ever have imagined, and that she is quite literally not herself. In…
Most people don’t realize how deeply ingrained folklore is to our daily lives. Superstitious habits like tossing spilled salt over the shoulder seem silly now, but had grave implications a hundred or more years ago. I love books that draw lines between folklore and reality, that weave tales laced with superstition, especially through the lens of modern issues. Stories like these have always helped me to not only understand myself better, but the world around me. The things people do and say aren’t nearly as important as why. Folklore, like changeling stories, I’ve found, is the key to human understanding.
Though Kent’s first novel,Burial Rites, was an absolute triumph, The Good People broke me in ways I am still discovering.
Based on a true story in Ireland, this book places a child at the center, surrounded by superstition and fear. He doesn’t speak or walk, which makes some folks believe he is a changeling. But the women who protect him demonstrate immense empathy as they try to navigate this world plucked out of a Grimm fairy tale.
Reading this book made me more deeply understand the power of kindness.
From the author of Burial Rites, "a literary novel with the pace and tension of a thriller that takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train and Into the Water).
Based on true events in nineteenth century Ireland, Hannah Kent's startling new novel tells the story of three women, drawn together to rescue a child from a superstitious community.
Nora, bereft after the death of her husband, finds herself alone and caring for her grandson Micheal, who can neither speak nor walk. A handmaid, Mary, arrives to help…
