59 books like Hermetech

Barker is known best as a master of body horror, and this book certainly has some grotesque images. But it’s also a gorgeous meditation on memory, identity, love, and the use and misuse of great power.

Along with a vivid travelogue of the five realms that make up Imagica, Barker explores the use of the body itself as a canvas; malleable, changeable, and as fascinating as the view from the window of your train. That said, the view is often stunning, always inventive, and immersive enough that I feel I’ve walked the streets of Yzordderrex myself. 

Although The Scar is the second book in the Bas Lag series, I prefer it to Perdido Street Station (which is also glorious.) The Scar takes to the seas, a place I always prefer to be, in the form of the floating, roving city of Armada.

We come aboard (as it were) and experience life on Armada—its precincts, villages, towns, secrets, and its people—swordsmen and librarians and vampires and the mysterious pair who run the place—The Lovers (that’s the only name we get) through the eyes of Bellis Coldwine, a prickly, difficult, but fascinating woman who would literally rather be anywhere else.

I get where she’s coming from but I would absolutely book a cruise on Armada!

It is set in the late 19th early 20th century in Manchester, England. A time of suffragists and a blossoming underground queer culture, both of which were violently opposed by state and police. Set in this time, place and atmosphere is the story of Edie and Gnome. The first chapter shows them in perfect, natural harmony with each other. As Edie grows up, her intersex nature (given a gloriously magical bent by Garland) is repressed and made a cause of shame via their mother’s abuse. Without full expression and acceptance, Edie/Gnome's relationship becomes destructive and toxic. The Night Brother is a journey of acceptance and balance woven into a wider narrative about feminine roles in society and the struggle to transcend them.

It is a delight to follow Garland’s beautiful prose both as it delves into the violent and gritty aspects of Victorian Manchester and when it soars into fantastical… show more.

The world of The Changeling is strange and exhilarating. At first we are presented with what seems like a mundane NYC, but then the edges start to bleed as a more fantastical, deliciously disturbing world seeps into and disrupts the ordinary.

At the core of the story is a family and the lengths they go to protect each other. There are so many reasons this book resonated with me, but particularly for this reason—the idea that if only you pay close attention, you will see that a more fantastical world dwells at the edge of our own.

This is an idea I tackle in my own book, where myths and legends, and fairytales come to life. I thoroughly enjoyed this book and I highly recommend it. Everyone who reads The Changeling will be… changed.

I found this new memoir riveting partly because it was so different from my own life experiences. My favourite sections were about the author's childhood in Northern Rhodesia [which became Zambia on independence]. Rod Madocks's childhood years seemed to structure his life for better and worse: leaving Zambia at the age of thirteen to be sent to boarding school in England has an increasingly negative effect for years to come but there are some humorous aspects. I was also deeply drawn to the portraits of the author’s parents as elderly people which was poignant after I as the reader had got to know them so well in the descriptions of his childhood. Rod Madocks is a wordsmith supreme—I hope this book becomes a classic.

The experience in this book of orphaned siblings living in the streets of Lusaka is harrowing. The children’s narration of their experience is told in a matter-of-fact way which makes it more poignant because they have accepted their fate. A recommended read for anyone who likes stories about the dark side of growing up and feels like a good cry. This is because although Chimuka the protagonist is fictional; they are thousands of real Chimuka’s growing up on the streets. 

This engrossing memoir drops us into the heart of Zambia as the author—another novice on a big adventure—evolves into an unflappable hut-dweller, dealing bravely and humorously with the absolute unfamiliarity of her Peace Corps assignment. 

Intrepid and disarming, Christine is the only muzungu (white person) in her village—tall, blonde, and frequently klutzy, her misadventures on full display to her curious neighbors. I fell in love with the author and her quest to overcome even the thorniest cultural challenges, all related in present tense so we’re right there with her.

My own African adventure unfolded many years earlier in the urban jungle of Lagos, so this is a captivating account of an entirely different African experience.

A classic of ethnographic description and symbolic analysis based upon fieldwork among the Ndembu of Zambia—a must read for anyone interested in sociological and psychological implications of ritual belief and practice in a small-scale, non-literate, kinship-based society. 

A stellar example of what is lost by cancelling "colonialist" literature and discarding the very concepts of "culture" and "religion" as relics of Western intellectual imperialism. 

In 10 essays on color symbolism, circumcision rites, rites of passage, social dynamics, and more, Turner lays the groundwork for his proposition that ritual is the key to religion and religion is the key to culture. 

The late Nick Wood, a science fiction writer, clinical psychologist, former journalist, humanitarian, and anti-apartheid activist born in Zambia and raised in South Africa, was always learning.

This is reflected in all his writing, including most of the stories in his collection. Largely science fiction stories in a variety of settings: from post-apocalyptic worlds, settled moons, and climate-changed earths, these stories are highly focused on the social and environmental aspects of humanity even in the most science fictional scenarios.

These stories, intersectional, emotionally resonant, exciting, thoughtful, and varied. Learning Monkey and Crocodile is a wonderful way to sample some of South Africa’s interesting science fiction corpus from a voice that has now left us, but which will not be forgotten.

Namwali Serpell’s The Old Drift is a cross-genre book that addresses matters of colonialism and a future Africa with brashness and philosophy. Its subversive text is far-reaching in poignant fiction imbued with intimacy and cultural convergence. The story pays special attention to mothers and children, the importance of identity, and the intense need we have as humans to belong.