88 books like Muzungu

After graduating, the narrator's family set him up with a job on Wall Street but it just isn't for him despite his upbringing preparing him for this kind of route. A few months later, he sets off on a round-the-world trip. The book features the first eighteen months of this journey spent in Australasia scraping a living in any way he can with occasionally outlandish casual jobs including beekeeping, running a youth hostel, and working on a production line in a cardboard box factory. He comes across a young woman, another traveller, sleeping beneath a table of honey pots and they begin a passionate yet fraught love affair.

Not only is this a great story, it is also punctuated with Bloom's vivid descriptions of landscapes and people he encounters along the way. There are meditations on the quirky details of life and reminiscing on an unusual childhood.

I've chosen this one not only because it's about growing up in Cairo, where I spent five years of my adult life as a teacher in an international school, but also for its astute analysis of how and why the memories we form in childhood differ fundamentally from those we acquire as adults. Another reason for its inclusion on my list is that it belongs to two childhood memoir subgenres for which I have a particular penchant, those by authors raised by people who were neither their biological nor adoptive parents and those by under-appreciated women novelists.

Like so many people of my generation, I have the writing of Roald Dahl in my blood. I learned to read with his children’s classics then, as an older child, watched his disturbing yet rivetingly spooky Tales of the Unexpected on television. The stories from his life in these two volumes are often more incredible than his fiction, and certainly equally outlandish. The people he encountered can certainly be traced to the characters he created in his career as an author. This is one of the few books I can re-read. 

A memoir that deals with the everyday life of an office worker in 1950s/60s London seems like a joke and, indeed, when it came out, it was treated as such but there is some kind of poetry in this exploration of the humdrum. The manuscript was discovered in the slush pile by a rare editor who grasped the humour of what would appear to be an empty life but a life that Smith is content with. She lived with her parents until her twenties then moved into various lodgings, descriptions, and inhabitants of which are examined in detail. Smith had many short-term boyfriends, usually meeting them at a 'social club'.

Chapters are minimalistic and quirky but I wondered if some could be expanded and if she had missed some opportunities. Not a lot happens as Smith moves through life as a secretary making her observations, some grotesque, some unusual, some… show more.

The experience in this book of orphaned siblings living in the streets of Lusaka is harrowing. The children’s narration of their experience is told in a matter-of-fact way which makes it more poignant because they have accepted their fate. A recommended read for anyone who likes stories about the dark side of growing up and feels like a good cry. This is because although Chimuka the protagonist is fictional; they are thousands of real Chimuka’s growing up on the streets. 

This engrossing memoir drops us into the heart of Zambia as the author—another novice on a big adventure—evolves into an unflappable hut-dweller, dealing bravely and humorously with the absolute unfamiliarity of her Peace Corps assignment. 

Intrepid and disarming, Christine is the only muzungu (white person) in her village—tall, blonde, and frequently klutzy, her misadventures on full display to her curious neighbors. I fell in love with the author and her quest to overcome even the thorniest cultural challenges, all related in present tense so we’re right there with her.

My own African adventure unfolded many years earlier in the urban jungle of Lagos, so this is a captivating account of an entirely different African experience.

The setting for Hermetech is a post-apocalyptic landscape. As with Imajica, the central quest is to heal a ruptured world. Futuristic science and magic coexist in the story as a group of disparate and dysfunctional travellers retrieve Ari and escort her (and the reader) through strange, broken lands and along unfriendly and dangerous roads.

It is a highly imaginative, speculative fantasy with another character who blends and transcends gender and steals a reader’s heart. Zambia Crevecoeur is deeply flawed and tragic, and it is hir journey (emotional rather than geographical) which drew me into this extraordinary novel.

A classic of ethnographic description and symbolic analysis based upon fieldwork among the Ndembu of Zambia—a must read for anyone interested in sociological and psychological implications of ritual belief and practice in a small-scale, non-literate, kinship-based society. 

A stellar example of what is lost by cancelling "colonialist" literature and discarding the very concepts of "culture" and "religion" as relics of Western intellectual imperialism. 

In 10 essays on color symbolism, circumcision rites, rites of passage, social dynamics, and more, Turner lays the groundwork for his proposition that ritual is the key to religion and religion is the key to culture. 

The late Nick Wood, a science fiction writer, clinical psychologist, former journalist, humanitarian, and anti-apartheid activist born in Zambia and raised in South Africa, was always learning.

This is reflected in all his writing, including most of the stories in his collection. Largely science fiction stories in a variety of settings: from post-apocalyptic worlds, settled moons, and climate-changed earths, these stories are highly focused on the social and environmental aspects of humanity even in the most science fictional scenarios.

These stories, intersectional, emotionally resonant, exciting, thoughtful, and varied. Learning Monkey and Crocodile is a wonderful way to sample some of South Africa’s interesting science fiction corpus from a voice that has now left us, but which will not be forgotten.

Namwali Serpell’s The Old Drift is a cross-genre book that addresses matters of colonialism and a future Africa with brashness and philosophy. Its subversive text is far-reaching in poignant fiction imbued with intimacy and cultural convergence. The story pays special attention to mothers and children, the importance of identity, and the intense need we have as humans to belong.