Fans pick 66 books like Boy and Going Solo

I found this new memoir riveting partly because it was so different from my own life experiences. My favourite sections were about the author's childhood in Northern Rhodesia [which became Zambia on independence]. Rod Madocks's childhood years seemed to structure his life for better and worse: leaving Zambia at the age of thirteen to be sent to boarding school in England has an increasingly negative effect for years to come but there are some humorous aspects. I was also deeply drawn to the portraits of the author’s parents as elderly people which was poignant after I as the reader had got to know them so well in the descriptions of his childhood. Rod Madocks is a wordsmith supreme—I hope this book becomes a classic.

After graduating, the narrator's family set him up with a job on Wall Street but it just isn't for him despite his upbringing preparing him for this kind of route. A few months later, he sets off on a round-the-world trip. The book features the first eighteen months of this journey spent in Australasia scraping a living in any way he can with occasionally outlandish casual jobs including beekeeping, running a youth hostel, and working on a production line in a cardboard box factory. He comes across a young woman, another traveller, sleeping beneath a table of honey pots and they begin a passionate yet fraught love affair.

Not only is this a great story, it is also punctuated with Bloom's vivid descriptions of landscapes and people he encounters along the way. There are meditations on the quirky details of life and reminiscing on an unusual childhood.

I've chosen this one not only because it's about growing up in Cairo, where I spent five years of my adult life as a teacher in an international school, but also for its astute analysis of how and why the memories we form in childhood differ fundamentally from those we acquire as adults. Another reason for its inclusion on my list is that it belongs to two childhood memoir subgenres for which I have a particular penchant, those by authors raised by people who were neither their biological nor adoptive parents and those by under-appreciated women novelists.

A memoir that deals with the everyday life of an office worker in 1950s/60s London seems like a joke and, indeed, when it came out, it was treated as such but there is some kind of poetry in this exploration of the humdrum. The manuscript was discovered in the slush pile by a rare editor who grasped the humour of what would appear to be an empty life but a life that Smith is content with. She lived with her parents until her twenties then moved into various lodgings, descriptions, and inhabitants of which are examined in detail. Smith had many short-term boyfriends, usually meeting them at a 'social club'.

Chapters are minimalistic and quirky but I wondered if some could be expanded and if she had missed some opportunities. Not a lot happens as Smith moves through life as a secretary making her observations, some grotesque, some unusual, some… show more.

Many are familiar with the hugely popular Chocolate Factory book and the films made about it. But I remember reading this lesser-known sequel in 4th grade, and then dressing up like Willy Wonka to do a book report presentation about it for class. I even included a “magic trick” with the hat. I liked that it furthered the original character’s adventures and got even sillier with the Vermicious Knid aliens, aging pills, and taking elevators into space. It stretches kids’ brains imaginatively and takes the story in the least predictable directions, which is something I strive to achieve in my writing.  

Yes, this is the published shooting script of the film.

When I read the premise of this story, I knew it would be special. I remember the author stating he got the idea of someone receiving a postcard through the post with the words "You have been deleted from X’s memory. Do not attempt to contact her" and how it intrigued him. From that idea, the entire idea of deleting the memory of a romantic relationship gone wrong, unfolded.

I love story ideas that stop me from breathing. The film (and script) is lovely, yet holds a twist or two up its sleeve. It is, underneath the science, a tragicomic love story. Genius.

When I had my son almost nine years ago, I dreamed of the day I’d be able to share my favorite childhood books with him. Matilda, which I remembered as a riveting, oddball page-turner, did not disappoint. As I read to him, we cheered for tiny Matilda to topple the mythically bad school principal, Miss Trunchbull, and we laughed until we cried when Matilda’s mother scolded her kind-hearted teacher, Miss Honey, for reading too much.

We still quote the line to each other that cracked us up: “Looks is more important than books, Miss Hunky.” I don’t know why it’s so funny, my son said at the time, but it is.

This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.

You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.

I was heavily influenced by the storytelling and humor in this memoir, as well as the comic and childish cover and illustrations. Although I had a very different upbringing, I wrote in a similar style. Roald Dahl's tales of his own childhood are completely fascinating and fiendishly funny, especially for adults. He tells of crazy conflicts in his English schools with headmasters and teachers, and I had similar experiences. He writes of a visit to a chocolate factory, whereas our town’s factories were not so innocent. The air was filled with the by-products of pesticide, herbicide, plastics, fertilizer, and steel castings production, as well as a slaughterhouse. Roald Dahl employed a professional illustrator to add humor, whereas I decided to learn how to draw, coming up with over 50 illustrations to amplify the humor.

I love reading, rereading, and teaching with this book. Whenever I open it, I learn something new or remember crucial aspects that enhance my understanding of television as a medium, my enjoyment of specific shows or genres I watch, and find new ways of engaging with production, representation, and performance aspects.

I have now taught with it since his earlier 2011 volume (Critical Approaches) and am only sad that this one appears to be the final edition. It is chock-full of intriguing case studies and deft explanations of what makes television television.