Here are 92 books that Sea of Tranquility fans have personally recommended if you like
Sea of Tranquility.
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I’ve always looked at the world with a sense of wonder. As a child, I was drawn to the magical and the fantastical, but a budding fascination with the scientific method eventually led me to discover the beauty and wonder of the natural world. I assumed science fiction would scratch that itch, but too many genre novels left me feeling empty, like they were missing something essential—what it feels like to be human. Novels that combine a wonder of the world with an intimate concern for character hit just the right spot for me. Maybe they will for you as well.
I love this book for its Matroyska doll-style structure: The first five sections tell stories in different periods— from the mid-19th century to the 22nd—loosely connected by repeating characters and media, each ending abruptly and without resolution. The sixth section, set in the 24th century, is the spine of the novel, told in its entirety. Then Mitchell revisits the time periods in reverse chronological order, resolving each story, ending where we began in the mid-19th century.
It was a highly satisfying experience that changed my view of how a story could be told. It is widely considered one of the finest novels of the 21st century. It covers ideas I would normally balk at, like reincarnation and the existence of eternal consciousness. Still, the storytelling is so powerful that it all came across as believable to me. I loved the way Mitchell demonstrated how an idea in one time period…
Six lives. One amazing adventure. The audio publication of one of the most highly acclaimed novels of 2004. 'Souls cross ages like clouds cross skies...' A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan's California; a vanity publisher fleeing his gangland creditors; a genetically modified 'dinery server' on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation - the narrators of CLOUD ATLAS hear each other's echoes down the corridor of history, and their destinies are changed in ways great…
I’ve always loved to dip into speculative worlds as a way of gaining a new perspective on conundrums in the real world. In the real world, so many of us are plagued by concerns or frustrations having to do with connection and commitment, and those concerns transcend whatever place or moment we’re living in. So, by dropping those concerns into a surreal setting, I get another way to tussle with them.
As a writer who’s interested in what comes next—after climate change, after fascism—I love how Diane Cook uses broad brush strokes to show us the future, without going into too much history or detail.
Instead of hyper-focusing on what the future holds for us, Cook directs our attention to one small, outlier community that’s doing weird things. This is a great technique: she paints a picture of a future world by painting a picture of a fringe group that’s trying desperately to be different from the main one.
A mother-daughter drama drives the plot forward, and we learn about the rules and ruminations of the fringe group as the characters sort out their power struggles.
In both reading and writing fiction, the inciting incident – the murder, accident, or main event of a story – is less fascinating to me than the rich characters that surround it. I’m deeply interested in the lives of women and the ties between them, be they family or not. Whether we’re talking about familial sisters or sisterhood as a broader concept, the tensions, fierce loyalties, oppressions and liberations of women are where my interests will always lie. To my own sister and every one of the wise women who have cheered me on and helped shape my life so far, power to you all! I hope you enjoy these recommendations.
What if, all over the world, women suddenly discovered they now had all the power? Questions around equality are always at the center of my own writing and much of what I read, so this book went straight to the top of my reading pile when it was released!
This is a dystopian novel with a difference – it turns the status quo of millennia upon its head to create a world in which girls and women can literally dominate men with a flick of the fingers and a flash of electrocution. Bad men are overthrown, and new sisterhoods are formed, but as with all types of control, it doesn’t take long for power to turn to abuse. Everyone, men and women alike, should read it.
WINNER OF THE WOMEN'S PRIZE FOR FICTION ONE OF BARACK OBAMA'S BEST BOOKS OF 2017
'Electrifying' Margaret Atwood
'A big, page-turning, thought-provoking thriller' Guardian
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All over the world women are discovering they have the power. With a flick of the fingers they can inflict terrible pain - even death. Suddenly, every man on the planet finds they've lost control.
The Day of the Girls has arrived - but where will it end?
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'The Hunger Games crossed with The Handmaid's Tale' Cosmopolitan
'I loved it; it was visceral, provocative and curiously pertinent . . . The story has stayed…
When sixteen-year-old Ashlee Sutton's home life falls apart, she is beset by a rare mental illness that makes her believe she's clairvoyant. While most people scoff at her, she begins demonstrating an uncanny knack for sometimes predicting the future, using what could either be pure luck or something more remarkable.…
Growing up in the seventies in the UK was a fertile time for lovers of the uncanny, with memorable children’s dramas like Children of the Stones, The Changes and Ace of Wands. Like many others, I keenly collected junkshop editions of Herbert Van Thal’s horror anthologies. Occultism was in the air in the troubled, economically stagnating Age of Aquarius, and though too young to see them, we schoolboys all knew of The Exorcist, Rosemary’s Baby, and The Omen. A friend gave me a Lovecraft biography for my 18th birthday, and though I’d read none of his work, I went on to become fascinated by him and his Weird Tales compadres.
A friend complained about being saddled with reading this bible-thick book by a fellow creative writing student on his MA course. Never having heard of it, though I’ve since discovered it’s a major cult favorite, I flicked through it and quickly became intrigued by its faux academic footnotes and citations, quirky layout (pages might contain a single line of text as the narrative accelerates, for instance) and tale of paranormal investigation.
‘Postmodern’, though apt, makes it sound tedious; actually, it’s an intriguing, clever, and in places touching take on the psychic investigator genre, using a myriad of haunted house motifs from the trashy (The Amityville Horror; ‘Found footage’ movies) to the cerebral (cultural theory, references to Umberto Eco). While self-consciously ‘clever’, it delivers sincerely on the uncanniness I want from a haunted house tale.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
This book scratches my genre itch and is also “literary” at the same time. Cronin’s superb world-building is so subtle that you don’t realize that the book’s world and ours are separate until you are half-way through the book and see that there were clues all along the way.
Amy Harper Bellafonte is six years old and her mother thinks she's the most important person in the whole world. She is. Anthony Carter doesn't think he could ever be in a worse place than Death Row. He's wrong. FBI agent Brad Wolgast thinks something beyond imagination is coming. It is. THE PASSAGE. Deep in the jungles of eastern Colombia, Professor Jonas Lear has finally found what he's been searching for - and wishes to God he hadn't. In Memphis, Tennessee, a six-year-old girl called Amy is left at the convent of the Sisters of Mercy and wonders why her…
Since first reading dystopian novels as a teenager, I’ve been fascinated by the new worlds that authors create and the fight that the protagonist endures to survive a hostile world. The difference from then to now is that it was previously a mostly male-dominated world. We like to see ourselves reflected in the protagonist, so I’ve been delighted to find so many strong and powerful women at the core of many contemporary dystopian novels. I find that they often include more thoughtful and complex characters with subtle storytelling.
Many dystopian books focus on the horror and give us little information about the event that led to the situation. In this one, I loved that I got a lot of backstory; I liked getting to know the main character, Candace, and learning how she ended up in her predicament.
The details of her job in publishing was strangely fascinating, the mundanity of her work life set against the dystopia was a unique perspective, it was also filled with humor that I found refreshing.
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.
"A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." ―Michael Schaub, NPR.org
“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle
NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review…
In 2038 a devastating pandemic sweeps across the world. Two decades later, Britain remains the epicenter for the Fornax variant, annexed by a terrified global community.
David Malik is as careful as any man to avoid contact with the virus. But when his sister tests positive as an asymptomatic carrier,…
I’ve always loved to dip into speculative worlds as a way of gaining a new perspective on conundrums in the real world. In the real world, so many of us are plagued by concerns or frustrations having to do with connection and commitment, and those concerns transcend whatever place or moment we’re living in. So, by dropping those concerns into a surreal setting, I get another way to tussle with them.
I love how George Saunders creates really weird alternate realities, but doesn’t make a big deal about it.
In Liberation Day, we learn about the inner lives of people who seem to be enslaved by being “pinioned” to a wall after they’ve been programmed to perform as storytellers for their owners. Because we’re learning about this world from the pinioned narrator, we are not subjected to any lecturing or moralizing about the situation.
Instead, we hear about his romantic yearning for his owner’s wife, and that’s the tension around which the story is built. He only gives us the details that are necessary for us to understand his yearning, giving the reader just enough information to suss out the scenario in which he finds himself captive.
Named a book of the year 2022 by the Sunday Times, The Times, Guardian, Irish Times, New Statesman, BBC and Waterstones
'One of the best science fiction short stories to be published in the 21st century so far' SFX Review
'Saunders is funny and kind as ever, and his narrative virtuosity puts him up there with the best' Anne Enright, Guardian
'A triumph of storytelling' i paper
'A joy. Effortlessly stylish, funny and smart' Daily Mail
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The first short story collection in ten years from the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the Bardo
MacArthur…
I’ve always looked at the world with a sense of wonder. As a child, I was drawn to the magical and the fantastical, but a budding fascination with the scientific method eventually led me to discover the beauty and wonder of the natural world. I assumed science fiction would scratch that itch, but too many genre novels left me feeling empty, like they were missing something essential—what it feels like to be human. Novels that combine a wonder of the world with an intimate concern for character hit just the right spot for me. Maybe they will for you as well.
This book is probably the most out-of-place of the five novels on this list. Where the others make their high-concept elements obvious early, the author chooses a different route in this one.
Like so many of his novels, Bret Easton Ellis opens his story with shallow and vapid characters behaving in absurd ways and uttering dialogue so outrageous I wondered if the entire enterprise was a joke. But despite the hilarious parody of substance-free celebrity and the inane repetition of idiotic phrases like “baby,” this story ultimately has more to say than, ahem, less than zero. It’s a takedown of capitalism and a bankrupt culture, so biting it would make Philip K Dick proud.
The second half of the novel, in fact, reads like PKD himself.
The New York Times bestselling author of American Psycho and Less Than Zero delivers a gripping and brilliant dissection of our celebrity obsessed culture. • “Arguably the novel of the 1990’s…Should establish Ellis as the most ambitious and fearless writer of his generation…a must read.” —The Seattle Times
Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with one beautiful model and having an affair with another on the eve of opening the trendiest…
I was a teacher and a professor who showed generations of students how to find x, how to prove figure 1 was similar to figure 2, how to make a machine search through millions of bits of data for an answer. An inspiration for a story struck me one day early in retirement as I was daydreaming. I began to write and have never stopped. It turns out that “if-then” is not so different from “what if.” The first is more like destiny, the second like free will. One is science, the other is fiction. “What if” has led me into strange lands.
I loved this book because it has mathematics to the nth degree! Some of it in the form of inside jokes like “easy to use partial differential equations” that made me laugh out loud. Some of it, such as “equations that had sadness as a constant,” are in a “techno-poetic” style that I strive to achieve in my own writing. But this “meta-science fiction” novel is also filled with musings on writing and creativity. The self-referential recursion of a book within a book within a book makes the paradoxes of time travel even more interesting. The “reality portions” in which the main character pursues his quest to “find his father” are as deep and well done a theme as any I have read in sci-fi.
With only TAMMY - a slightly tearful computer with self-esteem issues - a software boss called Phil - Microsoft Middle Manager 3.0 - and an imaginary dog called Ed for company, fixing time machines is a lonely business and Charles Yu is stuck in a rut.
He's spent the better part of a decade navel-gazing, spying on 39 different versions of himself in alternate universes (and discovered that 35 of them are total jerks).…
A test of leadership, loyalty, and legacy. Rylie Addison faces the greatest leadership challenge of her life. As climate change ravages the world, leaving millions displaced, Rylie is handpicked by the enigmatic Maja Garcia of Gaia Enterprises to govern Terra Blanca, an unprecedented man-made island community for climate refugees.
I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy.
This clever novel takes the old premise, “What would happen if you went into the past and met yourself?” and magnifies it by multiple degrees.
Returning to the time of the great Chicago fire, the hero ends up meeting several past and/or future versions of himself, each time making his situation more complicated. A quick, enjoyable read.