100 books like Glamorama

I love this book for its Matroyska doll-style structure: The first five sections tell stories in different periods— from the mid-19th century to the 22nd—loosely connected by repeating characters and media, each ending abruptly and without resolution. The sixth section, set in the 24th century, is the spine of the novel, told in its entirety. Then Mitchell revisits the time periods in reverse chronological order, resolving each story, ending where we began in the mid-19th century.

It was a highly satisfying experience that changed my view of how a story could be told. It is widely considered one of the finest novels of the 21st century. It covers ideas I would normally balk at, like reincarnation and the existence of eternal consciousness. Still, the storytelling is so powerful that it all came across as believable to me. I loved the way Mitchell demonstrated how an idea in one time period… show more.

I was unprepared for the surreal brilliance of this book. The novel initially appears to be a work of nonfiction written to deconstruct The Navidson Record, a documentary film that describes an unusual residence in Virginia. This house, owned by Will Navidson and his wife Karen Green, appears to be larger inside than outside. This sounds impossible, of course, but that’s what makes this book so wonderful. No matter how impossible the subject matter may seem, Danielewski’s approach renders even the craziest supernatural plot elements as if they were happening in everyday life. And in this case, everyday life is a waking nightmare.

What I love about this book (and all the books on this list) is it marries a high-concept plot with complex characters struggling with the same real-world problems all of us do. Another main character, Johnny Truant, discovers the manuscript and becomes obsessed with its story.… show more.

I loved this one because it read like the kind of post-apocalyptic fiction Stephen King might have written—a sprawling novel of civilizational fall with a huge cast of characters on an enormous canvas that nonetheless tells intimate stories. Yes, it’s technically a vampire novel and a pandemic novel, but unlike other stories in the genre (though I’m not sure this book belongs to a genre), it brings empathy. A heart. Because maybe the virals (the word “vampire” rarely appears in the text) aren’t evil but sick, which could be considered a metaphor for addiction, poverty, or any maligned social group.

The first part of the book takes place in the current day and describes the origins of the virus and the rapid fall of the civilization that follows. In contrast, the second picks up the story 90 years later when only a few tenuous colonies of uninfected humans remain. These… show more.

This book is a literary novel set in part on the Moon. That’s not a sentence you’ll read often, which is a big part of why I love this novel—it’s not what I expected, even though there’s a big hint in the title.

Like many readers, my introduction to Emily St. John Mandel was her post-apocalyptic novel Station Eleven. In that story, the most interesting characters aren’t concerned with simple survival…if they are going to fight to live, they want a culture worth fighting for. When I picked this book up, I deliberately chose not to read the story summary and was completely caught off guard by how the novel unfolded. Typically, stories questioning time and our perception of reality do so by sending the protagonist on a dangerous quest looking for answers.

Like all my favorite novels, the scope is intimate and vast in this one. The story… show more.

I was so overwhelmed by the perfection of this American masterwork that I sought out the founder of The Thomas Wolfe Society, the greatest Thomas Wolfe collector who ever lived and who will ever live, and became his very close friend.

This is a huge book, with the music of pitch-perfect prosody from beginning to end, and yet it's only part of a much greater whole—every one of Wolfe's books connect together in some way, forming a massive cadency of music in words. If you examine them, there's only two main branches (Eugene Gant as the protagonist in one, and Monk Webber as the protagonist in the other). But it's really all one big expanding fable. This volume has, in my opinion, the richest writing, from the opening proem to the tiny diamond-sharp moving-picture painting of the final line.

Sam Lipsyte’s sentences are demented and perfect. He’s one of the funniest writers I have ever read.

The story behind this book is one of publishing legend. Here's the way I've always heard it told: Lipsyte’s first book, The Subject Steve, was a brutal satire of contemporary American life that had the deep misfortune of being published on September 11, 2001. (Yes, I know, it wasn’t the worst thing that happened on 9/11, but still.)

He followed it with Home Land, a vitriolic, sleazy, hilarious novel in the form of epic pissy dispatches to a high school alumni newsletter. As narrators go, Lewis Miner is as unimprovable as he is unredeemable. This book was passed around to every publishing house in New York City, read and cherished by dozens of editors who were scared to put their colophon where their heart was.

It’s hard to remember now, but… show more.

I loved this book when I read it years ago, and I immediately started reading anything I could find by this compelling author.

Through his fine writing, I was able to live in the world of Asher, a young artist grappling with the conflict of being true to his work without defying the tenets of his religion. 

Bright Lights, Big City published in 1984 written by Jay McInerney captures 80s NYC from an outsider who experiences it head-on. I was drawn to the novel because I lived the same world and went to the club Heartbreaks but as an insider. McInerney’s lead character is a copy editor for a reputable publishing house and he is madly in love with his wife who is now a hot model and no longer has any interest in him. On top of that his mother just died of cancer and his younger brother comes to NYC hoping he will be strong for him. But he has no strength at all turning to cocaine for solace. Good read that captures a time and place as I tried to do in my own novel. Unfortunately, the movie adaptation with Michael J. Fox is a disappointment.

Oh man, this book! It’s everything I want: Sweet, simple, cute, nostalgic, at times, just awful. Gutterboys taught me that a book with a soul and a soundtrack and a firm jab in the gut is the type of book I want to make. Set in the 80s, Jeremy is a naïve suburban Jewish teen who falls crazy-stupid in love with a gorgeous older hustler. Colin won’t date Jeremy, but he does take him on a New York adventure that will only unhinge innocent Jeremy more and more. If you like that intoxicatingly toxic unrequited gay love, give it a go!

This was the first “real” book I read where the characters were gay and no one was being ridiculed for it. I was fourteen years old when I checked it out from the library and I was astounded by it. It helped me understand that I could just be gay and there was nothing wrong with that. Or me.