Here are 100 books that Home Land fans have personally recommended if you like
Home Land.
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Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Lorrie Moore is another one of my favorite writers and someone I’ve been lucky enough to write about on multiple occasions. Her first novel, Anagrams, is smart, fun, and resolutely—even defiantly—weird. Her second novel, Who Will Run the Frog Hospital? is all those things and more.
Berie, the narrator, is on a bad vacation in Paris, where her marriage is teetering on the brink of collapse. Instead of dealing with her obnoxious husband, she thinks back to the summer she turned fifteen and the profound friendship she forged with a girl she worked with at a Disney-knockoff theme park in upstate New York.
Like Home Land, this novel has its cultists, and I’m happy to count myself among them. Moore, like Lipsyte, is a stylist as unmistakable as she is unprecedented, someone whose sentences I would recognize anywhere. This slim coming-of-age novel bears all her hallmarks—comic timing, gimlet…
"Touches and dazzles and entertains. An enchanting novel." --The New York Times
In this moving, poignant novel by the bestselling author of Birds of America we share a grown woman’s bittersweet nostalgia for the wildness of her youth.
The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Just to get this out of the way: Adam is one of my closest friends. We both started our second novels New Year’s week of 2014 on a trip we took for the explicit purpose of starting new novels. I spent the next ten years trying to write my book, but Adam finished Sensation Machines in a more reasonable time frame. It was published in the summer of 2020, a basically impossible time to promote a book because we were all in lockdown. (Yes, I know, it wasn’t the worst thing that happened that summer, but still.)
It is a marriage story, a murder mystery, a cultural satire, a tech farce, and a reckoning with all the lessons we failed to learn from the last financial crisis. And it’s a great Brooklyn novel, in the tradition of Zadie Smith’s The Autograph Man (also a second novel!) and Jonathan Lethem’s The…
A razor-sharp, darkly funny, and deeply human rendering of a Post-Trump America in economic free fall
Michael and Wendy Mixner are a Brooklyn-based couple whose marriage is failing in the wake of a personal tragedy. Michael, a Wall Street trader, is meanwhile keeping a secret: he lost the couple’s life savings when a tanking economy caused a major market crash. And Wendy, a digital marketing strategist, has been hired onto a data-mining project of epic scale, whose mysterious creator has ambitions to solve a national crisis of mass unemployment and reshape America’s social and political landscapes. When Michael’s best friend…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
I think Jamaica Kincaid’s novel is one of the great books of the 20th century. Though it barely breaks 160 pages, it is packed with more voice, personal and national history, political critique, style, humor, and heart than many novels five times its size.
I am a fan of all of Kincaid’s books, but there’s something truly special about this one. It’s a quantum leap forward from her (also very good!) debut novel, Annie John. In addition to re-reading for pleasure, I also reread Lucy every time I teach it, and it never fails to delight and surprise and inspire me as much as it did the first time.
The coming-of-age story of one of Jamaica Kincaid's most admired creations--available now in an e-book edition.
Lucy, a teenage girl from the West Indies, comes to America to work as an au pair for a wealthy couple. She begins to notice cracks in their beautiful façade at the same time that the mysteries of own sexuality begin to unravel. Jamaica Kincaid has created a startling new heroine who is destined to win a place of honor in contemporary fiction.
Nine Stories Told Completely in Dialogue is a unique collection of narratives, each unfolding entirely through conversations between its characters. The book opens with "God on a Budget," a tale of a man's surreal nighttime visitation that offers a blend of the mundane and the mystical. In "Doctor in the…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
A few years ago, I had the chance to write about Allan Gurganus for Harper’s magazine. That gave me a reason to read his entire oeuvre. There’s a lot of great stuff in there, but Plays Well With Others is my favorite. Published in 1997, it was the eagerly awaited follow-up to Oldest Living Confederate Widow Tells All, Gurganus’s smash hit debut, which had come out in 1989. That book sold several million copies and was adapted into a TV miniseries as well as a Broadway show.
Unfortunately, Plays Well could not escape the long shadow cast by Widow. But I am here to tell you that this story of a queer friend-group weathering the worst of the AIDS crisis in 1980s New York City is a sui generis work of genius: a sexually graphic, laugh-out-loud funny, emotionally devastating tour-de-force, as beautiful and bonkers as it is…
In his widely read, prizewinning Oldest Living Confederate Widow Tells All, Allan Gurganus gave fresh meaning to an overexplored American moment: 1860-65. He now turns that comic intensity and historical vision to another war zone: entry-level artistic Manhattan 1980-95. In his first novel since Widow, Gurganus offers us an indelible, addictive praise-song to New York's wild recent days, their invigorating peaks and lethal crashes.
It's 1980, and Hartley Mims jr., a somewhat overbred Southerner, arrives in town to found his artistic career and find a Circle of brilliant friends. He soon discovers both Robert Christian Gustafson, archangelic boy composer of…
Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives.
A true storyteller, Orwell invites us into a world of harrowing poverty in which individuals rage against a changing modern society.
An excellently crafted novel; you can almost smell and touch the grime littered throughout this novel. What struck me most was the seamless plot and intriguing characters.
Extremely well-written, fast-paced, gripping, and full of twists and turns, this is a must-read. The finale is quite unexpected. A real old-fashioned page-turner you will probably read more than once in your lifetime.
A pre-cursor to his more famous works of Animal Farm and 1984, Keep the Aspidistra Flying is Orwell's social commentary on capitalism's constraints. Orwell captures the struggles of an aspiring writer with almost pitch-perfect attention to psychological detail, exploring the gulf between art and life. Gordon Comstock is a poor young man who works in a grubby London bookstore and spends his evenings shivering in a rented room, trying to write. He is determined to stay free of the "money world" of lucrative jobs, family responsibilities, and the kind of security symbolized by the homely aspidistra plant that sits in…
Some creative writers believe that stories carry a responsibility. The duty to entertain, of course, but also to educate, challenge and question the character(s) of the most powerful, the wealthiest. I am one of them. As an author, screenwriter, stage, and film actor, I’ve always believed in using stories as a platform to convey positively disruptive ideas, to highlight potentially destructive ideologies, to combat imperialism, expansionism, racism, and other toxic practices while delivering a neutral message devoid of political affiliations and emotional responses with no logical ground. Not unlike my latest novel, America is a Zoo, I am the product of a passionate soul, one who’s apolitical by design, yet political by conviction.
Satires are mostly identified with laughter and larger-than-life figures moving in equally absurd settings with this… theatrical tone used to amplify, highlight very real issues. But satirical novels also demand change. Chuck Palahniuk’s novel,Adjustment Day, is both fun and challenging, and expertly executed.
What is it about? A mysterious blue-black book carries directives leading to an “Adjustment Day.” It is shared among private circles, triggering a countdown to an earth-shattering schism.
Brilliant, layered, and complex, a must-read: a nightmarish vision of our twisted and fractured societal body.
Adjustment Day is an ingenious darkly comic work in which Chuck Palahniuk does what he does best: skewer the absurdities in our society. Geriatric politicians bring the nation to the brink of a third world war to control the burgeoning population of young males, while working-class men dream of burying the elites. Adjustment Day's arrival makes real the logical conclusion of every separatist fantasy, alternative fact, and conspiracy theory lurking in the American psyche.
In May 1941, Bartlesville, Oklahoma, hums with talk of spring flowers, fishing derbies, and the growing war in Europe. And for the residents of a quiet neighborhood boarding house, the winds of change are blowing.
Self-proclaimed spinster, Bessie Blackwell, is the reluctant owner of a new pair of glasses. The…
I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.
Dawn Powell is one of the most overlooked literary figures in America from this time. Her acid wit (and gender) immediately begs comparison to Dorothy Parker. A New Yorker transplanted from Ohio, she wrote many plays and novels from the 30s to the 60s. Wicked Pavilion was published in 1954 and is a delicious satire of a group of artists who frequent a small bistro near Washington Square Park – hard-drinking writers, poets, and painters. It features a hilarious subplot of a painter who stages his own death so the value of his paintings will increase. The antidote to Henry James, Dawn Powell writes like Edith Wharton on laughing gas.
The “Wicked Pavilion” of the title is the Café Julien, where everybody who is anybody goes to recover from failed love affairs and to pursue new ones, to cadge money, to hatch plots, and to puncture one another’s reputation. Dennis Orphen, the writer from Dawn Powell’s Turn, Magic Wheel, makes an appearance here, as does Andy Callingham, Powell’s thinly disguised Ernest Hemingway. The climax of this mercilessly funny novel comes with a party which, remarked Gore Vidal, “resembles Proust’s last roundup,” and where one of the partygoers observes, “There are some people here who have been dead twenty years.”
Do you trust anyone without a sense of humor? Neither do I. I’ve always had an odd sense of humor. Laughter is good for the soul. I don’t know if I’m an expert, but I’ve certainly spent decades watching and reading comedies. And while I love writing serious and dark fiction, something cute and funny now and then feels like a nice balance. My personal taste runs from slapstick to standup to snappy scenes and witty dialog. I like smart humor, and because I had the wittiest dad, I can even appreciate a well-done dad joke.
I read just about anything – dark fiction, cozy mysteries, thrillers, and even plenty of non-fiction. But, while I rarely read memoirs, I will if it’s someone I truly admire.
Enter Betty White. I’ve always been a fan of her quick, one-liner wit, and this book doesn’t disappoint. But even the non-witty parts are packed with a punch. Betty’s wisdom is heartfelt and spot-on.
The New York Times bestseller from the beloved actress and Hollywood icon who's made us laugh on shows from The Mary Tyler Moore Show to Golden Girls to Saturday Night Live!
In this candid take on everything from the unglamorous reality behind red-carpet affairs to her beauty regimen ("I have no idea what color my hair is, and I never intend to find out"), Betty White shares her observations about life, celebrity, and love (for humans and animals). Filled with photos, If You Ask Me is funny, sweet, and straight to the point-just like Betty.
When I was eighteen, I had an experience I call religious: I was sitting outside of an ivy-covered building at my undergraduate school and reading the opening words of Vergil’s Roman epic, The Aeneid (in Latin, but I didn’t know Latin yet). The sky became clearer; it shone with different light. It became clear to me at that moment that I was supposed to be a poet. So, yeah, I went on to learn lots of stuff, including languages, so that I could read poetry in them. I did all that to serve the greater goal of being a poet.
This book taught me that you can surf the line between realism and the incredible (even the ridiculous). The main character, Oedipa Maas, is my favorite heroine because of her openness to every tantalizing possibility (and the possibilities keep ramifying infinitely).
Everything in this book is both fully a symbol and fully itself.
By far the shortest of Pynchon's great, dazzling novels - and one of the best.
Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humour, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness and marriage combine to leave Oepida in isolation on the threshold of revelation, awaiting The Crying of Lot 49.
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
I am obsessed with personal development, having attended seminars to walk across hot coals and jump from crazy heights to test my limits, and I have read hundreds of books and watched hundreds of videos on self-improvement. But sometimes the best lessons come in fiction, and kid’s books do this so wonderfully. And they are a lot quicker to read and absorb! They also teach with humour, rhythm, and joy, and can change a child’s life simply by letting them escape into a world of laughter and joy, expanding their imaginations, and letting them absorb the lessons, sometimes without even realising it.
The Short and Incredibly Happy Life of Riley is a book that, well, the first time I read it my mind was blown. This is a self-help book for all humans in a picture book. It takes our thirst to live forever, to always want more, be more, see more, do more, look better, and compares that with the wonderful Riley, who is happy with some fruit and maybe a couple of slugs on Tuesday or Friday.
He likes a little stick that can scratch his back.
He looks like Riley. Why would he want to look like anything else?
This is a beautifully written and illustrated book on being grateful for what we have.
