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I am a professor of French Literature and Creative Writing at The Ohio State University. A Franco-American writer, I am the author of books and essays published in both France and the United States, including Posthumous America, The Paradoxes of Posterity, American Pandemonium, and Sentinel Island. My work encompasses various genres (novel, short story, essay, and critical study) to explore recurring themes: exile and the representation of otherness; disinformation and the social impact of new technologies; nostalgia and the experience of mourning; the legacy of the Enlightenment and the Age of Great Discoveries; and America’s history and its troubled present.
Joseph Conrad's book stands as a seminal work exploring the depths of forbidden territories, both physical and psychological.
Set in the mysterious and impenetrable heart of the Congo, Conrad delves into the darkness of the human soul amidst the backdrop of colonialism. Through vivid imagery and haunting prose, he navigates the moral ambiguity of imperialism and the forbidden realms of the unknown.
Although Polish by birth, Joseph Conrad (1857–1924) is regarded as one of the greatest writers in English, and Heart of Darkness, first published in 1902, is considered by many his "most famous, finest, and most enigmatic story." — Encyclopaedia Britannica. The tale concerns the journey of the narrator (Marlow) up the Congo River on behalf of a Belgian trading company. Far upriver, he encounters the mysterious Kurtz, an ivory trader who exercises an almost godlike sway over the inhabitants of the region. Both repelled and fascinated by the man, Marlow is brought face to face with the corruption and despair…
Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives.
This book is an unusual, magical story about differences and how we often react to those who don’t conform to the norms in society.
The plot is tremendously intertwined with suspense, the type that unexpectedly creeps up on you and surprises you every time. You are instantly hooked from start to finish.
Unputdownable. I was totally immersed from the first page. It's an unforgettable book. If you believe in non-conformity, then this book is for you.
Soon to be an original film on Disney+ streaming service!
Before ELEANOR AND PARK, there was STARGIRL. The seminal life-affirming YA novel celebrating first love and self-acceptance - now in a beautiful new edition for the next generation of readers.
She's as magical as the desert sky. As mysterious as her own name. Nobody knows who she is or where she's from. But everyone loves her for being different. And she captures Leo's heart with just one smile.
STARGIRL is a classic of our time that celebrates being true to ourselves and the thrill of first love. A life-changing read…
Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives.
This book has been described as one of the century’s truly necessary books.
If you are interested in holocaust literature, then this is a starting point. It's biographical writing at its best. No stone is left unturned in the writer’s account of his time spent in a concentration camp. A story of survival, this book is humanly honest in the portrayal of the unthinkable.
Reading this book for the first time was an experience not to be repeated. It is an essential read for everyone.
With the moral stamina and intellectual pose of a twentieth-century Titan, this slightly built, duitful, unassuming chemist set out systematically to remember the German hell on earth, steadfastly to think it through, and then to render it comprehensible in lucid, unpretentious prose. He was profoundly in touch with the minutest workings of the most endearing human events and with the most contempible. What has survived in Levi's writing isn't just his memory of the unbearable, but also, in THE PERIODIC TABLE and THE WRENCH, his delight in what made the world exquisite to him. He was himself a "magically endearing…
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” I also spent over thirty years in the corporate world and was exposed to many situations reminiscent of those described in my fiction and in these recommended books. While I support enterprise, “enlightened capitalism” is preferable to the bare-knuckle type we have today, and which seems to resurface whenever regulation weakens. I also find writing novels closer to my lived experience connects me intimately with readers who are looking for socio-political, realist literature.
Avery Mann, a retired pharmaceuticals executive, is in crisis.
His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election. Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian beekeeper living on Vancouver Island hold the key to Avery’s recovery, a man holding secrets that put lives in jeopardy? Avery races across the country to find out, with crooked bosses, politicians, and assassins on his tail. Joseph spins a cautionary tale of corporate and political greed that is endemic to our times.
Avery Mann, a retired pharmaceuticals executive, is in crisis. His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election.
Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian bee keeper living on Vancouver Island hold…
Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives.
This book is a very human story of teenage vulnerability and social instability.
Tense and gritty, this book doesn’t disappoint. Honest in its portrayal of drug misuse and abuse it perhaps isn’t for the faint-hearted. Ideal for those who seek to understand the underbelly of society. Written in a no-nonsense style, this is a novel that naturally flows.
Hard to put down, I read this book in a day. Well written, this is a story where you quickly immerse yourself in the characters who are so unnervingly real.
1
author picked
Junk
as one of their favorite books, and they share
why you should read it.
This book is for kids age
13,
14,
15, and
16.
What is this book about?
It was a love story. Me, Gemma and junk. I thought it was going to last forever.
Tar loves Gemma, but Gemma doesn't want to be tied down. She wants to fly. But no one can fly forever. One day, finally, you have to come down. Melvin Burgess' most ambitious and complex novel is a vivid depiction of a group of teenagers in the grip of addiction. Told from multiple viewpoints, Junk is a powerful, unflinching novel about heroin. Once you take a hit, you will never be the same again.
Some creative writers believe that stories carry a responsibility. The duty to entertain, of course, but also to educate, challenge and question the character(s) of the most powerful, the wealthiest. I am one of them. As an author, screenwriter, stage, and film actor, I’ve always believed in using stories as a platform to convey positively disruptive ideas, to highlight potentially destructive ideologies, to combat imperialism, expansionism, racism, and other toxic practices while delivering a neutral message devoid of political affiliations and emotional responses with no logical ground. Not unlike my latest novel, America is a Zoo, I am the product of a passionate soul, one who’s apolitical by design, yet political by conviction.
Satires are mostly identified with laughter and larger-than-life figures moving in equally absurd settings with this… theatrical tone used to amplify, highlight very real issues. But satirical novels also demand change. Chuck Palahniuk’s novel,Adjustment Day, is both fun and challenging, and expertly executed.
What is it about? A mysterious blue-black book carries directives leading to an “Adjustment Day.” It is shared among private circles, triggering a countdown to an earth-shattering schism.
Brilliant, layered, and complex, a must-read: a nightmarish vision of our twisted and fractured societal body.
Adjustment Day is an ingenious darkly comic work in which Chuck Palahniuk does what he does best: skewer the absurdities in our society. Geriatric politicians bring the nation to the brink of a third world war to control the burgeoning population of young males, while working-class men dream of burying the elites. Adjustment Day's arrival makes real the logical conclusion of every separatist fantasy, alternative fact, and conspiracy theory lurking in the American psyche.
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
A story about a biographer who pokes into the corners of a Nobel-winning author’s salacious life to write an exposé is juicy enough, but what happens when the latter uses the opportunity to write a counter-exposé on the former? Unstructured in plot and other novel-craft, this book is laden with pithy quotes on the writing life. The biographer and his subject are libidinous, adulterous, and self-absorbed, a testament to the fact that a writer has to be appreciated separately from their work. Also on display are the strategies employed by the publishing industry to keep the reputation and marketability of a once best-selling author alive, long after their effective shelf-life.
Mamoon is an eminent Indian-born writer who has made a career in England -- but now, in his early seventies, his reputation is fading, his book sales have dried up and his new wife has expensive tastes. Harry, a young writer, is commissioned to write a biography to revitalise Mamoon's career. He greatly admires Mamoon's work and wants to uncover the truth of the artist's life, but Harry's publisher seeks a more salacious tale of sex and scandal to generate headlines. Meanwhile, Mamoon himself is mining a different truth altogether -- but which one of them will have the last…
I’ve loved cinema since I was 9 years old growing up in New York City and my grandmother took me to see The Ten Commandments at the Paradise Theater, Loew’s magnificent flagship theater in the Bronx. The theater’s famous canopy of twinkling stars on the ceiling was the perfect magical venue, and I was thunderstruck not only by the epic sweep of the movie but also by the opulence of the theater, which mirrored the monumental pyramids that Ramses constructs in the film. Ever since, my passion for movies has been as all-consuming as DeMille’s jello sea was for the infidel Egyptians who doubted the power of special effects and cinematic illusion.
Another book with an episodic structure, The Confidence-Man concerns an assorted group of Mississippi steamboat passengers whose individual hypocrisies are confronted by the mysterious character of the title.
Melville’s ship of fools features a variety of types, some of whom are caricatures of American literary figures including Emerson, Hawthorne, and Poe. The book was published in 1857 on April Fool’s Day, an irony equal to the publication of Bram Stoker’s Dracula on Valentine’s Day, and a gesture that Wiseman, himself a great ironist, surely would appreciate.
Certainly, it is no surprise that Wiseman has referred to The Confidence-Man as his favorite novel. One might even find Melville’s elaborate prose style analogous to Wiseman’s careful editing and his ability to confront spectators with their own biases and preconceptions, as the eponymous confidence-man does in the book.
On April Fool's Day in 1856, a shape-shifting grifter boards a Mississippi riverboat to expose the pretenses, hypocrisies, and self-delusions of his fellow passengers. The con artist assumes numerous identities — a disabled beggar, a charity fundraiser, a successful businessman, an urbane gentleman — to win over his not-entirely-innocent dupes. The central character's shifting identities, as fluid as the river itself, reflect broader aspects of human identity even as his impudent hoaxes form a meditation on illusion and trust. This comic allegory addresses themes of sincerity, character, and morality in its challenge to the optimism and materialism of mid-19th-century America.…
When I voyaged into the ancient world in the readings of my youth, it led me to realize that the gay-straight divide in modern perceptions of sexuality and relationships is an artifice. It was constructed by the conceit of the ascetic religions that the only legitimate purpose of sex is the production of children within a sanctified marital relationship. In Antiquity, the divide followed a more natural course between the groups who were the sexually active partners (mainly adult men) and those who were sexually passive (mainly women, youths, and eunuchs). My hope is to disperse some of the confusion that the obscuration of this historical reality has caused.
Who knew that the emperor Nero appointed an Advisor on Tastefulness, who also penned a bawdy and gritty novel about the adventures of several friends in the Roman Empire in the 1st century AD? Fairly few, and the even more surprising fact is that hundreds of pages of his text survive today. You can still read either in Latin or in English translation about two young men proposing to fight for the affections of the youth Giton and you can join them all in a visit to an archetypal Roman brothel. There is nothing else remaining that provides a more direct and authentic insight into daily experiences and relationships in ancient Rome.
`The language is refined, the smile not grave, My honest tongue recounts how men behave.'
The Satyricon is the most celebrated work of fiction to have survived from the ancient world. It can be described as the first realistic novel, the father of the picaresque genre, and recounts the sleazy progress of a pair of literature scholars as they wander through the cities of the southern Mediterranean. En route they encounter type-figures the author wickedly satirizes - a teacher in higher education, a libidinous priest, a vulgar freedman turned millionaire, a manic poet, a superstitious sea-captain and a femme fatale.…
I am fascinated by work, especially women at work. I am an immigrant, a child of immigrants, a former scientist, and for most of life, have been conditioned to work because if I could not work, then why else was I here? Yet work is not strictly an emblem of immigrant grit or the model minority mindset. It can be made funny, surreal, existential, and it’s a rich subject to tackle. More often than not, work is treated as taboo. It’s ignored or deemed too prosaic to discuss. Who wants to see what goes on insidethe factory? I do. I’m obsessed with stories that showcase the factory.
Here is a dark comedy for the office worker. Office dysfunction is unique but also ubiquitous and lends itself well to, of course, Kafkaesque and Orwellian absurdity. One day, people just start getting fired, which leads to growing paranoia and more dysfunction. I like stories that don’t explain too much. Thanks to the pandemic, life, especially work life, has become increasingly amorphous and unreal. What is balance anymore? Where is the line? It’s refreshing to be immersed in a world even more bizarre than the one that workaholics now seem to be living in.
Ever wondered what your boss does all day?Or if there is a higher - perhaps an existential - significance to Microsoft Word malfunctions? This astonishing debut is a scathingly funny look at a group of office workers who have no idea what the unnamed corporation they work for actually does.When it looks like the company may be taken over, fear of redundancy unleashes a deliciously Kafkaesque plot full of the tedium and mistrust of corporate life and the backstabbing bitchiness of our survival-of-the-fittest instincts. We meet Pru, the ex-grad student-turned-spreadsheet drone; Laars, the hysteric whose work anxiety follows him into…
I’m a former independent publisher and current writer of memoir and fiction. My degree was in zoology (animal biology), which got me my first job in educational publishing. After a solid career in textbooks, I switched over to trade publishing and finally writing. I may have left the "hard science" behind, but I continue to be fascinated by human and animal behavior, which shows up in my reading and writing.
The animal is a number of racehorses. The human is a collection of owners, trainers, jockeys, and more, yielding a comprehensive look at human and animal behavior in the horse racing industry. A strong, intimate novel. I used to ride but never very well, and I’ve always wondered what a horse’s “thoughts” involved. Author Smiley gave me a feel for that as she applied her own assumptions to one horse in particular.
#1 NATIONAL BESTSELLER A NEW YORK TIMES NOTABLE BOOK
"A WISE, SPIRITED NOVEL . . . [IN WHICH] SMILEY PLUMBS THE WONDROUSLY STRANGE WORLD OF HORSE RACING." --People
"ONE OF THE PREMIER NOVELISTS OF HER GENERATION, possessed of a mastery of craft and an uncompromising vision that grow more powerful with each book . . . Racing's eclectic mix of classes and personalities provides Smiley with fertile soil . . . Expertly juggling storylines, she investigates the sexual, social, psychological, and spiritual problems of wealthy owners, working-class bettors, trainers on the edge of financial ruin, and, in a typically bold…
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