100 books like If This Is a Man and The Truce

I have been studying Celtic myth and history since I was in college and took a class on Arthurian literature. Drawing heavily from Irish and Welsh lore to build my “land beyond the veil” known as the Five Quarters, I have always been intrigued by the Celtic view of the land of the dead as a distinct world to which we go and then return, like two sides of the mirrored surface of a well. I hope you enjoy these mythic fantasy books as much as I did!

I am a professor of French Literature and Creative Writing at The Ohio State University. A Franco-American writer, I am the author of books and essays published in both France and the United States, including Posthumous America, The Paradoxes of Posterity, American Pandemonium, and Sentinel Island. My work encompasses various genres (novel, short story, essay, and critical study) to explore recurring themes: exile and the representation of otherness; disinformation and the social impact of new technologies; nostalgia and the experience of mourning; the legacy of the Enlightenment and the Age of Great Discoveries; and America’s history and its troubled present.

Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives. 

Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.

I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinn is an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?

My Hungarian father was 7 years old when he almost got deported to Polen by the Nazis, but was miraculously saved by his mother. He came to Sweden, where I´m born, and never looked back, completely focused on the future. So I, his only child, focus on memory and oblivion. It´s like we stand back to back—or like I´m a seamstress, trying to stitch the past with the present. In my British mother´s family history is Salonica, the magical Jewish city in the Ottoman Empire. My Spanish-Jewish grandfather spoke the same Castillian dialect that Cervantes used to write Don Quijote. And I´m born in Sweden. These are my universes and where my writing is born.  

My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction. 

My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction. 

My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction. 

My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction.