100 books like If This Is a Man and The Truce

Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.

I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.

Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives. 

Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.

I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinn is an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?

I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.

My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction. 

I’ve always loved history and have written four novels set in the past. Maybe I was drawn to the past because I partly grew up in Bath–a city where you seem to be living in the eighteenth century. But recent history tells us who we are now, and I’ve always wanted to deal with the subject of the Holocaust since, at the age of thirteen, I came across a book about it in my town’s public library. At that time, nobody talked about it, and I was traumatized by it. How could human beings do such things? I think puzzling over that is partly why I became a writer.

My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction. 

My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction.