Here are 100 books that Plays Well with Others fans have personally recommended if you like
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Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Lorrie Moore is another one of my favorite writers and someone I’ve been lucky enough to write about on multiple occasions. Her first novel, Anagrams, is smart, fun, and resolutely—even defiantly—weird. Her second novel, Who Will Run the Frog Hospital? is all those things and more.
Berie, the narrator, is on a bad vacation in Paris, where her marriage is teetering on the brink of collapse. Instead of dealing with her obnoxious husband, she thinks back to the summer she turned fifteen and the profound friendship she forged with a girl she worked with at a Disney-knockoff theme park in upstate New York.
Like Home Land, this novel has its cultists, and I’m happy to count myself among them. Moore, like Lipsyte, is a stylist as unmistakable as she is unprecedented, someone whose sentences I would recognize anywhere. This slim coming-of-age novel bears all her hallmarks—comic timing, gimlet…
"Touches and dazzles and entertains. An enchanting novel." --The New York Times
In this moving, poignant novel by the bestselling author of Birds of America we share a grown woman’s bittersweet nostalgia for the wildness of her youth.
The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Just to get this out of the way: Adam is one of my closest friends. We both started our second novels New Year’s week of 2014 on a trip we took for the explicit purpose of starting new novels. I spent the next ten years trying to write my book, but Adam finished Sensation Machines in a more reasonable time frame. It was published in the summer of 2020, a basically impossible time to promote a book because we were all in lockdown. (Yes, I know, it wasn’t the worst thing that happened that summer, but still.)
It is a marriage story, a murder mystery, a cultural satire, a tech farce, and a reckoning with all the lessons we failed to learn from the last financial crisis. And it’s a great Brooklyn novel, in the tradition of Zadie Smith’s The Autograph Man (also a second novel!) and Jonathan Lethem’s The…
A razor-sharp, darkly funny, and deeply human rendering of a Post-Trump America in economic free fall
Michael and Wendy Mixner are a Brooklyn-based couple whose marriage is failing in the wake of a personal tragedy. Michael, a Wall Street trader, is meanwhile keeping a secret: he lost the couple’s life savings when a tanking economy caused a major market crash. And Wendy, a digital marketing strategist, has been hired onto a data-mining project of epic scale, whose mysterious creator has ambitions to solve a national crisis of mass unemployment and reshape America’s social and political landscapes. When Michael’s best friend…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
I think Jamaica Kincaid’s novel is one of the great books of the 20th century. Though it barely breaks 160 pages, it is packed with more voice, personal and national history, political critique, style, humor, and heart than many novels five times its size.
I am a fan of all of Kincaid’s books, but there’s something truly special about this one. It’s a quantum leap forward from her (also very good!) debut novel, Annie John. In addition to re-reading for pleasure, I also reread Lucy every time I teach it, and it never fails to delight and surprise and inspire me as much as it did the first time.
The coming-of-age story of one of Jamaica Kincaid's most admired creations--available now in an e-book edition.
Lucy, a teenage girl from the West Indies, comes to America to work as an au pair for a wealthy couple. She begins to notice cracks in their beautiful façade at the same time that the mysteries of own sexuality begin to unravel. Jamaica Kincaid has created a startling new heroine who is destined to win a place of honor in contemporary fiction.
Burne’s been hiding out in the forest since deserting the King’s Guard. Each time he tries to return to the village, he begins to panic. And then one day, he encounters a handsome stranger picking flowers and hides behind a tree instead of talking.
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Sam Lipsyte’s sentences are demented and perfect. He’s one of the
funniest writers I have ever read.
The story behind this book is one of publishing legend. Here's the way
I've always heard it told: Lipsyte’s first book, The Subject Steve, was a
brutal satire of contemporary American life that had the deep
misfortune of being published on September 11, 2001. (Yes, I know, it
wasn’t the worst thing that happened on 9/11, but still.)
He followed it with Home Land, a vitriolic, sleazy, hilarious novel in
the form of epic pissy dispatches to a high school alumni newsletter. As
narrators go, Lewis Miner is as unimprovable as he is unredeemable.
This book was passed around to every publishing house in New York City,
read and cherished by dozens of editors who were scared to put their
colophon where their heart was.
Welcome to the most twisted high-school reunion imaginable, from a rising star of American satire. 'Sam Lipsyte is a gifted stylist, precise, original, devious, and very funny.' Jeffrey Eugenides, author of 'Middlesex' 'It's confession time, fellow alumni. Ever since Principal Fontana found me and commenced to bless my mail slot, monthly, with the Eastern Valley High School Alumni Newsletter, I've been meaning to pen my update. Sad to say, vanity slowed my hand. Let a fever for the truth speed it now. Let me stand on the rooftop of my reckoning and shout naught but the indisputable: I did not…
I’ve been gay for half my life; the other half I was confused, questioning, and considered a pathologic deviant by the American Psychiatric Association. I am no longer confused, or considered pathologic or deviant. I’m a father, psychiatrist, and author who grew up in Nebraska. I was a good boy, followed all the rules, and lived the life that was expected of me. I fit in but I never felt like I belonged. I took back control of my life and threw off expectations of what I should be. I want others to believe that they can have a richer life by living the life they were meant to live.
Sometimes I regret not having experienced the sex and drugs enjoyed by my contemporaries who came out much younger in life. The Christodora brought me back to reality. The reality of those years was much darker than my fantasies.
Murphy sketches out the diverse group of intertwined characters that inhabit the Christodora, a gentrified building in Manhattan’s East Village. I wanted to be the artistic Mateo who pushes through life’s difficulties to live an actualized life. But I can’t escape that I could have been one of the AIDS victims for whom the activism Murphy describes was so critical. Or I might have been Hector, an AIDS activist who descends into substance abuse after losing his lover.
Christodora recounts the heartbreak of AIDS but ultimately is a story of the healing of broken lives.
“A sprawling account of New York lives under the long shadow of AIDS, it deals beautifully with the drugs that save us and the drugs that don’t.”—The Guardian (Best Books of the Year)
In this vivid and compelling novel, Tim Murphy follows a diverse set of characters whose fates intertwine in an iconic building in Manhattan’s East Village, the Christodora. The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly…
My passion for this topic dates back to my childhood and being impressed by the scary diseases and unhygienic toilets that were part of my family lore. I grew up to be a historian of medicine, which allowed me to indulge my interest in deadly diseases—at a safe historical distance! That curiosity led me to write the Gospel of Germs, a history of popular understandings of the germ theory of disease. Post-COVID, I am thinking about how to get ready for the next big pandemic that climate change and globalization will likely throw at us: will it be bird flu, dengue, mpox, or some new COVID variant?
Of the many riveting books written about the other “big one” of the 20th century—the AIDs pandemic, still ongoing—I especially love France’s account because it combines the power of a personal memoir with a “you are there” description of the plague’s unfolding in the United States.
I also like how France shows the positives in an otherwise tragic story. When faced with a deadly new disease, grassroots activists waged brilliant fights to get attention to its dangers and, in the process, changed American science for the good.
Winner of The Green Carnation Prize for LGBTQ literature
Winner of the Lambda Literary Award for LGBT non-fiction
Shortlisted for the Wellcome Book Prize 2017
'This superbly written chronicle will stand as a towering work in its field' Sunday Times
'Inspiring, uplifting and necessary reading' - Steve Silberman author of Neurotribes, Financial Times
How to Survive a Plague by David France is the riveting, powerful and profoundly moving story of the AIDS epidemic and the grass-roots movement of activists, many of them facing their own life-or-death struggles, who grabbed the reins of scientific research to help develop the drugs that…
As a young doctor, Carl Holman has experienced the horrors of World War I and the death of his lover, a fellow officer. Back home after the War, he befriends a young jazz musician who he hopes will become a companion he can share his life with. But this is…
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
Rasheed Newson's powerful debut is an eye-opening exploration of historical injustice and the resilience Black and queer people in particular have cultivated to overcome it.
The protagonist, Trey, comes into his political awakening through his work volunteering at an AIDS hospice, with many parallels to my own journey. Though this book is set in the past, it offers profound insights into the systemic issues that persist today.
A NEW YORK TIMES NOTABLE BOOK · A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE
The debut novel from television WRITER/PRODUCER OF THE CHI, NARCOS, and BEL-AIR tells a fierce and riveting queer coming-of-age story following the personal and political awakening of a young, gay, Black man in 1980s New York City.
"Consistently engrossing." —New York Times Book Review
“Full of joy and righteous anger, sex and straight talk, brilliant storytelling and humor... A spectacularly researched Dickensian tale with vibrant characters and dozens of famous cameos, it is precisely the book we’ve needed for a long time.” —Andrew Sean Greer,…
After writing a novel about the toll true crime can take on victims’ loved ones and the risk it runs of glamourizing killers while overshadowing victims, I’ve been on the hunt for true crime books that don’t fall into these traps. The titles on this list showcase beautiful writing and tell compelling stories without dehumanizing the victims or glamourizing the perpetrators.
In 1991, a maintenance worker at a Pennsylvania rest area discovered a man’s head in a trash barrel.
Even though he hadn’t touched blood, people suggested the worker should take an AIDS test. Green’s exceptional book opens with this moment, dropping the reader into early ‘90s AIDS panic and the brutal murders of a string of gay and bisexual men from Manhattan.
Green fleshes out the victims’ lives, showing how homophobia was their constant companion, even in the way the police and media treated their eventual murders. Diligently researched and compassionately written, Green’s book is a page-turner that never dehumanizes its victims or glorifies their killer.
**WINNER OF THE EDGAR® AWARD FOR BEST FACT CRIME**
A "terrific, harrowing, true-crime account of an elusive serial killer who preyed upon gay men in the 1990s." -The New York Times (Editor's Pick)
"In this astonishing and powerful work of nonfiction, Green meticulously reports on a series of baffling and brutal crimes targeting gay men. It is an investigation filled with twists and turns, but this is much more than a compelling true crime story. Green has shed light on those whose lives for too long have been forgotten, and rescued an important part of American history." -David Grann, #1…
My soul still possesses a little of my teenage self, which is why I set my latest book in 1987. Whitney Houston had one of the biggest songs, Dirty Dancing was released, and a little girl nicknamed Baby Jessica was rescued from a well. I’m told this makes The Totally True Story of Gracie Byrne “historical fiction” which, honestly, is a little alarming, because sometimes 1987 doesn’t seem like that long ago. Other times it feels ancient. I picked a few of these books because they’re full of nostalgia for a slower, analog time. But mainly I chose them for the voice, characters, and great writing.
Tell the Wolves I’m Home is literary and lyrical and it broke my heart into a thousand pieces while simultaneously piecing it back together again.
When June loses her beloved Uncle Finn at the height of the AIDs epidemic, she also loses the person who understands her the most. Then she forms a friendship with the partner he left behind, Toby, and together they help each other through the loneliness they both feel without him.
I liked that this book isn’t afraid to explore complicated relationships – especially between siblings. It also shines a light on a time when ignorance caused so much pain, through characters who are confused, flawed, and deeply human. The writing is beautiful.
NEW YORK TIMES BESTSELLER • A heartfelt story of love, grief, and renewal about two unlikely friends who discover that sometimes you don’t know you’ve lost someone until you’ve found them
“A dazzling debut novel.”—O: The Oprah Magazine “Tremendously moving.”—The Wall Street Journal “Touching and ultimately hopeful.”—People
1987. The only person who has ever truly understood fourteen-year-old June Elbus is her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can be herself only in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of…
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
I grew up feeling invisible in media, and absent in history. My Iranian history was hidden from me by a culture that believed shielding young people from trauma was the right thing to do, and my queer history was hidden from me by a homophobic time. I’m passionate about the power of seeing yourself represented in storytelling and in history, and have devoted much of my life to telling queer stories, and queer historical stories. As a parent, as a queer Iranian storyteller, as a passionate believer in art as a tool for empathy, these are books I think will both entertain readers and inspire them to love their fellow humans a little more.
My personal wish is that Americans start reading a whole lot more books from other countries, especially books that shine a light on the queer experience around the world.
Ours is a global community, and we can’t fall into the trap of thinking diversity only exists in our own country and language. Lucas Rocha’s novel tells the story of three Brazilian teens who are dealing with the impact of HIV in their own unique ways. It’s engrossing, tender, and transporting.
Anyone who loves this should also seek out the work of Vitor Martins, and should demand more books in translation so we can travel through literature.
Henrique has had HIV for three years. Ian has just tested positive. Victor got with Henrique last night and thinks he might have it.
Ian, Victor and Henrique must navigate treatment, friendship and love, and eventually learn to trust each other.
Because with judgement and ignorance lurking round every corner, the real challenge isn't the disease - it's other people.
Brazilian author Lucas Rocha unveils the common misconceptions and prejudices that still surround HIV in the twenty-first century, showing how far we've come while shining a light on just how far we have yet to go.
