Here are 100 books that Tell the Wolves I'm Home fans have personally recommended if you like
Tell the Wolves I'm Home.
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I’ve loved learning about history since childhood, as attested by my bookshelves full of American Girl series, Laura Ingalls Wilder, and The Royal Diaries (Cleopatra was my favorite). After writing my first book about reenactors pretending to be French explorers, I worked as a history writer for Smithsonian Magazine. I especially love the philosophical and political questions of how we still interact with the past and how history is presented. I hope you’ll enjoy thinking about that and learning some history from these books!
This is the only fiction on a list otherwise full of nonfiction, but it more than deserves a place on this list. There are so many things to love about this book—its audacious opening line, the lush writing, the twisted relationships—but what I think history lovers might appreciate most is how deeply entwined the characters get with the history of Antiquities.
After all, the main group of characters in this dark academia only come together because they’re all studying Greek and Latin. In fact, the plot hinges on their obsession with Antiquity—but I won’t get too much more into that. I just recommend picking the book up and going along for the ride.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
I remember how it was to be an awkward teen, misunderstood, questioning, and having nowhere to turn. I remember living in a violent world where I had to grow up to survive. The world was a scary place for a neurodivergent who lived more in her head than in real life. I want to be able to bring stories to our young people where they might see themselves and not feel so alone because we all are a bit awkward, a bit misunderstood, and filled with stories that deserve to be told.
Coming out sometimes happens slowly. This book is about two boys who meet over one summer and become best friends. Although they’re different, they find the pieces of themselves that fit together.
Throughout the story, it felt as if they were meant to be together. The Universe made it so. All Ari had to do was believe.
This Printz Honor Book is a "tender, honest exploration of identity" (Publishers Weekly) that distills lyrical truths about family and friendship.
Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When they meet at the swimming pool, they seem to have nothing in common. But as the two loners start spending time together, they discover that they share a special kind of friendship--the kind of friendship that changes lives and lasts a lifetime. And it is through their friendship that Ari and Dante will learn…
Some men need killing. Whether monsters, serial killers, or husbands, women often face off with danger and must put a stop to it. How they do that fascinates me as a former psychotherapist. Must her life be in imminent danger, his finger depressing the trigger, for her to shoot? What if he terrorized or stalked her, but at the moment of death, she sneaks up on him? What if this guy killed her family, and she seeks revenge? Where we draw these lines in fiction informs who we are as humans and the very nature of our souls. And each of the books on my list, prism-like, reveals a separate facet.
I’m listing this novel first because who’s worse than the devil? He’s the embodiment of a woman’s fears, there when we walk into a parking lot after dark, our keys clenched between our fingers in a makeshift weapon. And in a myriad of other forms. The devil is hard to get away from, especially as a woman.
In this novel, two childhood friends have to face off with the literal devil. And what they do to him—with him—is an anthem of female friendship, a love letter to our girlhood friends, and a book whose final line is as lasting as those years in our lives, the ones we believe at the time will never, ever have to end.
The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act different. She s moody. She s irritable. And bizarre incidents keep happening whenever she s nearby. Abby s investigation leads her to some startling discoveries and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil? Like an unholy hybrid of Beaches and The Exorcist, My Best Friend s…
My soul still possesses a little of my teenage self, which is why I set my latest book in 1987. Whitney Houston had one of the biggest songs, Dirty Dancing was released, and a little girl nicknamed Baby Jessica was rescued from a well. I’m told this makes The Totally True Story of Gracie Byrne “historical fiction” which, honestly, is a little alarming, because sometimes 1987 doesn’t seem like that long ago. Other times it feels ancient. I picked a few of these books because they’re full of nostalgia for a slower, analog time. But mainly I chose them for the voice, characters, and great writing.
The Saturday Night Ghost Club wraps a poignant story about grief and loss inside a nostalgic 1980s package that brings to mind the best of Steven Spielberg and Stephen King.
I’m always a sucker for a group of misfits who band together and learn some important life lessons, and Davidson takes that outline and fills it in with Uncle Calvin, Jake, Billy, and Dove. Uncle Calvin will break your heart, the boys’ friendship will warm it, but the real MVP for me is fierce, wild Dove.
The vibe of this book is sleepovers in wood-paneled game rooms, staying out past bedtime under a full moon, and being on the cusp of leaving childhood fears behind, while learning that the adult world sometimes holds more darkness than you knew.
An irresistible and bittersweet coming-of-age story in the vein of Stranger Things and Stand by Me about a group of misfit kids who spend an unforgettable summer investigating local ghost stories and urban legends
"A celebration of the secret lives of children, both their wonders and their horrors . . . Immensely enjoyable, piercingly clever, and satisfyingly soulful." -Jason Heller, NPR
Growing up in 1980s Niagara Falls - a seedy but magical, slightly haunted place - Jake Baker spends most of his time with his uncle Calvin, a kind but eccentric enthusiast of occult artifacts and conspiracy theories. The summer…
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
Rasheed Newson's powerful debut is an eye-opening exploration of historical injustice and the resilience Black and queer people in particular have cultivated to overcome it.
The protagonist, Trey, comes into his political awakening through his work volunteering at an AIDS hospice, with many parallels to my own journey. Though this book is set in the past, it offers profound insights into the systemic issues that persist today.
A NEW YORK TIMES NOTABLE BOOK · A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE
The debut novel from television WRITER/PRODUCER OF THE CHI, NARCOS, and BEL-AIR tells a fierce and riveting queer coming-of-age story following the personal and political awakening of a young, gay, Black man in 1980s New York City.
"Consistently engrossing." —New York Times Book Review
“Full of joy and righteous anger, sex and straight talk, brilliant storytelling and humor... A spectacularly researched Dickensian tale with vibrant characters and dozens of famous cameos, it is precisely the book we’ve needed for a long time.” —Andrew Sean Greer,…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
A few years ago, I had the chance to write about Allan Gurganus for Harper’s magazine. That gave me a reason to read his entire oeuvre. There’s a lot of great stuff in there, but Plays Well With Others is my favorite. Published in 1997, it was the eagerly awaited follow-up to Oldest Living Confederate Widow Tells All, Gurganus’s smash hit debut, which had come out in 1989. That book sold several million copies and was adapted into a TV miniseries as well as a Broadway show.
Unfortunately, Plays Well could not escape the long shadow cast by Widow. But I am here to tell you that this story of a queer friend-group weathering the worst of the AIDS crisis in 1980s New York City is a sui generis work of genius: a sexually graphic, laugh-out-loud funny, emotionally devastating tour-de-force, as beautiful and bonkers as it is…
In his widely read, prizewinning Oldest Living Confederate Widow Tells All, Allan Gurganus gave fresh meaning to an overexplored American moment: 1860-65. He now turns that comic intensity and historical vision to another war zone: entry-level artistic Manhattan 1980-95. In his first novel since Widow, Gurganus offers us an indelible, addictive praise-song to New York's wild recent days, their invigorating peaks and lethal crashes.
It's 1980, and Hartley Mims jr., a somewhat overbred Southerner, arrives in town to found his artistic career and find a Circle of brilliant friends. He soon discovers both Robert Christian Gustafson, archangelic boy composer of…
I grew up feeling invisible in media, and absent in history. My Iranian history was hidden from me by a culture that believed shielding young people from trauma was the right thing to do, and my queer history was hidden from me by a homophobic time. I’m passionate about the power of seeing yourself represented in storytelling and in history, and have devoted much of my life to telling queer stories, and queer historical stories. As a parent, as a queer Iranian storyteller, as a passionate believer in art as a tool for empathy, these are books I think will both entertain readers and inspire them to love their fellow humans a little more.
My personal wish is that Americans start reading a whole lot more books from other countries, especially books that shine a light on the queer experience around the world.
Ours is a global community, and we can’t fall into the trap of thinking diversity only exists in our own country and language. Lucas Rocha’s novel tells the story of three Brazilian teens who are dealing with the impact of HIV in their own unique ways. It’s engrossing, tender, and transporting.
Anyone who loves this should also seek out the work of Vitor Martins, and should demand more books in translation so we can travel through literature.
Henrique has had HIV for three years. Ian has just tested positive. Victor got with Henrique last night and thinks he might have it.
Ian, Victor and Henrique must navigate treatment, friendship and love, and eventually learn to trust each other.
Because with judgement and ignorance lurking round every corner, the real challenge isn't the disease - it's other people.
Brazilian author Lucas Rocha unveils the common misconceptions and prejudices that still surround HIV in the twenty-first century, showing how far we've come while shining a light on just how far we have yet to go.
I’ve been interested in medicine and how stories influence the decisions that people make for as long as I can remember. Watching family and friends make choices about their own healthcare was always fascinated to me and I was always curious as to why some narratives had more staying power than others. After getting my BA in history, I was lucky enough to talk to someone who suggested that I study folklore. I ended up with both a MA and PhD in folklore and became a professor who studies the intersection of folklore and how it affects the medical decisions we all make in our own lives and the lives of others.
Emily Martin’s work was some of the first things I read when I wanted to understand how we understand medicine.
There’s such a gap between the health information we’re given and what we actually believe and Martin really covers how Americans have understood the concept of immunity and how we’re influenced by popular culture and the media.
This book is absolutely crucial for understanding both how we look at immunity and understanding how doctors are not free of bias.
Argues that changing attitudes towards sickness and immunity are reflected in other views, such as the trend towards temporary employees who can be let go when no longer needed
As a journalist and an author, I’ve been covering the subject of scary viruses for twenty years—ever since I walked through Ebola habitat in a forest in northeastern Gabon, on assignment for National Geographic. I’ve interviewed many of the eminent experts—from Peter Piot to Marion Koopmans to Tony Fauci—and have spent field time with some of the intrepid younger disease ecologists who look for viruses in bat guano in Chinese caves and in gorilla blood in Central African forests. My book Spillover, published in 2012, drew much of that research together in describing the history and evolutionary ecology of animal infections that spill into humans.
Peter Piot was a young microbiologist at a lab in Belgium, in 1976, when he was assigned to analyze specimens in a thermos bottle shipped up from Zaire, where villagers were dying of a horrific and unknown disease. The thermos contained a virus that came to be known as Ebola. This was the event, as his book vividly recounts, that led Piot to a long and distinguished career in infectious viral diseases, from Ebola to AIDS and beyond.
When Peter Piot was in medical school, a professor warned, "There's no future in infectious diseases. They've all been solved." Fortunately, Piot ignored him, and the result has been an exceptional, adventure-filled career. In the 1970s, as a young man, Piot was sent to Central Africa as part of a team tasked with identifying a grisly new virus. Crossing into the quarantine zone on the most dangerous missions, he studied local customs to determine how this disease-the Ebola virus-was spreading. Later, Piot found himself in the field again when another mysterious epidemic broke out: AIDS. He traveled throughout Africa, leading…
I first travelled to Zimbabwe in 1984, eager both to “build scientific socialism” but also to answer two big questions. How can people proclaim rage at certain injustices yet at the same time perpetuate them against certain other people? And, could I learn to be a better (more empathetic) man than my upbringing inclined me towards? Years of teaching in the rural areas, and then becoming a father taught me “yes” to the second question but for the first, I needed to continue to pursue that knowledge with colleagues, students, mentors, friends and family. Today, my big question is, how can we push together to get these monsters of capitalism, patriarchy, homophobia, racism, and ecocide off our backs?
A big mistake in much radical analysis is to characterize problems in dualistic terms that externalize responsibility from Africa (Rodney, of course, is wide open to that critique). Thus, colonialism is not just irredeemably bad but simple to identify and directly related to white skin. The end of formal colonialism provided new targets in sometimes caricature form: black-skin-white-mask neocolonialism and neoliberalism, notably. Such things undoubtedly exist. However, Kenworthy’s brilliant, gob-smacking analysis of the unintended consequences of life-saving technologies reveals levels of complexity and complicity that belie easy dualisms. How does something that promises liberation from mass suffering and death (anti-retroviral drugs) become a machine to entrench corrupt elites and opportunistic NGOs, to sell cheap textiles in America, and to exploit poor women’s unremunerated care work? Read, weep, and lose your illusions about corporate social responsibility.
As global health institutions and aid donors expanded HIV treatment throughout Africa, they rapidly ""scaled up"" programs, projects, and organizations meant to address HIV and AIDS. Yet these efforts did not simply have biological effects: in addition to extending lives and preventing further infections, treatment scale-up initiated remarkable political and social shifts.
In Lesotho, which has the world's second highest HIV prevalence, HIV treatment has had unintentional but pervasive political costs, distancing citizens from the government, fostering distrust of health programs, and disrupting the social contract. Based on ethnographic observation between 2008 and 2014, this book chillingly anticipates the political…
