Here are 86 books that Scare Me fans have personally recommended if you like
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I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.
A Southern Gothic historical horror, Hoodoo is a story of fair and foul folk magic in 1930s Alabama. Hoodoo Hatcher is the only person in his family without a knack for the hoodoo that gave him his name—and that’s a problem, because the evil Stranger is coming for him, and he’ll need all the courage and smarts he can summon to keep himself and his family safe. To me, the greatest joy of this wonderful book is Hoodoo’s distinctive, humorous voice, and Ron Butler brings him perfectly to life in his performance; it’s not easy for an adult to make a child’s voice sound authentic, but Butler knocks it out of the park.
Twelve year old Hoodoo Hatcher was born into a family with a rich tradition of practicing folk magic - hoodoo, as most people call it. But even though his name is Hoodoo, he can't seem to cast a simple spell. Then a mysterious man called the Stranger comes to town, and Hoodoo starts dreaming of the dead rising from their graves. Even worse, he soon learns the Stranger is looking for a boy. Not just any boy. A boy named Hoodoo. The entire town is at risk from the Stranger's black magic, and only Hoodoo can defeat him. He'll just…
While one-off stories are fantastic, I love that children's series lets readers return to trusted characters. Series allow children to see a wider arc of character development and decision-making—often imperfect and in transition—when they are trying to figure out how to identify and connect with the world themselves. That shared experience over time is why I only write series myself—to let kids evolve alongside their favorite characters.
Most know VE Schwab for her YA Series, though she's also written some exemplary middle-grade books.
Her City of Ghosts series is one of my favorites, mainly because of the relationship between Cassidy and Jacob. I find there are few books for kids with great boy-girl friendships, and this one is made even better by the fact that poor Jacob is dead—or caught into the veil between life and death—or something.
Readers of the three books will learn why and travel deep into the spooky shadows of the most haunted cities in the world.
Ever since Cass almost drowned (okay, she did drown, but she doesn't like to think about it), she can pull back the Veil that separates the living from the dead . . . and enter the world of spirits. Her best friend is even a ghost.
So things are already pretty strange. But they're about to get much stranger.
When Cass's parents start hosting a TV show about the world's most haunted places, the family heads off to Edinburgh, Scotland. Here, graveyards, castles, and secret passageways teem with restless phantoms. And when Cass meets a girl who shares her "gift,"…
I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.
I’ve described this half-jokingly to adult horror fans as “baby’s first Misery.” When young Alex is kidnapped by a wicked witch named Natacha, he must tell her a new scary story every night... or face the consequences. More than a fun, shivery adventure, this book Is a godsend to kids who love scary stories, assuring them that there’s nothing weird or wrong about their interests (and scaring them silly in the process). Even if your children have seen the movie, the book adds new layers to the story and its themes, and it’s delightful to hear Kirby Heyborne offering a different take on the characters’ voices; I will never be able to read Natacha’s dialog without hearing his unhinged shrieking in my head.
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
There are two things that I’ve always loved in my books: animal POV and spooky vibes.
This book has both! In so many ways, the things we face in our everyday life can feel like a horror story, or feel like monsters. For a fox, that would be things like rabies, hunters, fires, etc.
The prose was so good and so vivid, and I really worried with each different story how the little foxes were going to survive. One of my absolute favorites.
Christian McKay Heidicker draws inspiration from witches, vampires, H. P. Lovecraft, and Edgar Allen Poe to craft his middle-grade debut, a chilling portrait of survival and an unforgettable tale of friendship.
When fox kits Mia and Uly are separated from their litters, they quickly learn that the world is a dangerous place filled with monsters. As the young foxes travel across field and forest in search of a home, they'll face a zombie who hungers for their tender flesh, a witch who wants to wear their skins, a ghost who haunts and hunts them, and so much more.
Once upon a time, I came to the realization that I had no idea what my parents were thinking, much less anyone else. This has turned into a life of repeated musing over how much I do and don't understand about other people. More recently, my mother's death brought to light the many different ways family and friends remembered her, with joy and pain, loss and wariness. I chose this topic for the list because these books help highlight and explore the mysteriousness of family and memory and how a person can be whole and complete and sure of what they've lived through, only to turn and see a new angle never before recognized.
I love how much Mercy learns about herself. I also really admire the time and space and, above all, respect Briggs's investments in Mercy's witting and unwitting explorations of her powers and heritage. And how Mercy reacts to revelations about her mother and mostly unknown father. I, at least, admire when Mercy is allowed to get cranky and try to pick and choose what she wants to keep or discard, approve or disapprove.
All this, and it's a heck of a roller coaster ride. I rode the slow build-up, increasingly bracing myself for the first big drop, and then whoop-whoop-whoop, I whirled up and down and sideways to the end.
The sixth novel in the international No. 1 bestselling Mercy Thompson series - the major urban fantasy hit of the decade
'I love these books!' Charlaine Harris
'The best new fantasy series I've read in years' Kelley Armstrong
MERCY THOMPSON: MECHANIC, SHAPESHIFTER, FIGHTER
Car mechanic Mercy Thompson has always known there was something different about her, and not just the way she can make a VW engine sit up and beg. Mercy is a shapeshifter, a talent she inherited from her long-gone father. And she's never known any others of her kind. Until now.
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
I grew up a child of the movies, open to watching anything at least once and countlessly rewatching the movies I loved. When not in front of a television, I was instead in front of a book, playing the words of the page out in my imagination. Now I write thrillers of multiple varieties (action, techno, paranormal, etc.), still visualizing words as movies playing out in my mind. Over the years, I’ve seen the quality of novel adaptations grow (e.g., Harry Potter, The Martian, etc.), and yet these staples of my youth have always stuck with me as lost opportunities to deliver a superior work to the general movie-watching audience.
At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.
That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.
But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
As a publishing professional for over 20 years, I’ve worked in a variety of jobs and positions with some of the biggest pop culture creators and brands. Just before the pandemic, I finally took time to invest in myself as a writer and set out to combine my lifelong passions for film, TV, music, video games, and books–with my skills as an award-winning poet–to write my debut novel, from my “certain point of view” as a first-generation Asian American. The books on my list here are from some of the authors that I admire–who are also “one of us”: the bookworms, the pop culture geeks, the hopeless romantics.
I am a lifelong Stephen King fan. I was that potbellied kid, perpetually with a stack of books, who insisted that the librarian let me check out Skeleton Crew, even if she told me it would absolutely give me nightmares. One of many, and often. I read the classics like The Stand and It–and watched the TV and film adaptations of Uncle Stevie’s best. Stephen King’s love of pop culture (music, movies, comic books) is evident in most of what he writes, no less so than in his magnum opus: The Dark Tower series.
Want to see where Marvel Comics, Harry Potter, and Stephen King's other fictional characters start to clash and co-mingle? Well, I’m sure you do, because you know. By the time you get to Book V: The Wolves of the Calla–you are already along for the ride and you know how thin that…
WOLVES OF THE CALLA is the fifth volume in Stephen King's epic Dark Tower series. The Dark Tower is now a major motion picture starring Matthew McConaughey and Idris Elba.
In the fifth novel in StephenKing's bestselling fantasy series, Roland and his ka-tet are bearing through the forests of the Mid-World on their journey to the Dark Tower.
Tracking their every move is a group of farmers from the town of Calla Bryn Sturgis. The trackers have been warned that the Wolves, a band of masked riders, are about to gallop out of the dark land of Thunderclap and raid…
The main reason I care about the relationship of war, conscience, and religion is because I believe strongly in the separation of church and state. A country’s methods of pursuing its best interests, include the use of power and warfare. Religions, however, make central: love your neighbor as much as you love yourself. People need to develop a conscience about what principle matters most. In the Civil War, the old tenet, an “eye for an eye,” was used to justify killing others for reasons of advantage or revenge. But I want to be involved instead in creating peace and justice for all.
The historical figure, Dietrich Bonhoeffer, is a striking exemplar of courage in response to the atrocities of World War II. Denise Giardina’s historical fiction book, Saints and Villains, portrays the interplay of Bonhoeffer’s moral values as a Nazi resister and as a German theologian. Factually, Bonhoeffer could have fled from the horrors of war, but he chose not to do so and ended up involved in a failed plot to assassinate Hitler. I don’t think of Bonhoeffer’s characterization as a model of virtue, but I rooted for his ordinariness, his questions, and doubts that made him morally complex. My own writing benefited from reading this book that focused on fictionalizing a complicated historical figure.
What is the price of acting morally in a time of great evil, when sin and necessity seem twinned? Saints and Villains is a strikingly resonant novel that dramatizes this painful dilemma through the fictional re-creation of the life of Dietrich Bonhoeffer. This emblematic figure risked his life--and finally lost it--through his participation in the failed plot to assassinate Hitler and topple the Nazi regime. In a gripping and sweeping narrative that moves from Berlin to London to New York City, encompassing shattering historical events, clandestine meetings, perilous missions abroad, and eventual imprisonments and death, Denise Giardina brings to life…
I'm a fiction author and minister from Upstate New York. As a young boy, I had many supernatural experiences. My earliest memory is of a supernatural basis. For me, the unseen world, and those things that others either deny exist or have relegated to ancient history and myth, have always been real to me. Reading, films, video games, and all other forms of storytelling were ways for me to experience the strange and the mysterious. What I found as I walked through such places as Middle Earth, Narnia, and Ice Wind Dale, was that the stories of these characters that overcame adversity, failures, and weaknesses to become heroes inspired me as well.
Okay, if you try to tell me that Star Wars doesn’t have a magic system, then I will fight you right here and now. I mean it, I will actually fight you. In all honesty, Star Wars is sci-fantasy, not really sci-fi. I think every kid and even adult from my generation can remember trying to move something using the force. In fact, I still wave my hand in front of electric doors and pretend I am a Jedi. Oh, don’t judge me, you know you do it too. Jedi and Sith are, after all, simply space wizards. They even dress the part. Well, maybe more like space clerics, but you get the point. Why I chose this book is because I feel that it gets into a lot of discussion on how each side views the force and its applications. I am particularly fascinated by Malgus and his ideology…
The second novel set in the Old Republic era and based on the massively multiplayer online game Star Wars®: The Old Republic™ ramps up the action and brings readers face-to-face for the first time with a Sith warrior to rival the most sinister of the Order’s Dark Lords—Darth Malgus, the mysterious, masked Sith of the wildly popular “Deceived” and “Hope” game trailers.
Malgus brought down the Jedi Temple on Coruscant in a brutal assault that shocked the galaxy. But if war crowned him the darkest of Sith heroes, peace would transform him into something far more heinous—something Malgus would never…
