Here are 100 books that Nightbooks fans have personally recommended if you like
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I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.
A Southern Gothic historical horror, Hoodoo is a story of fair and foul folk magic in 1930s Alabama. Hoodoo Hatcher is the only person in his family without a knack for the hoodoo that gave him his name—and that’s a problem, because the evil Stranger is coming for him, and he’ll need all the courage and smarts he can summon to keep himself and his family safe. To me, the greatest joy of this wonderful book is Hoodoo’s distinctive, humorous voice, and Ron Butler brings him perfectly to life in his performance; it’s not easy for an adult to make a child’s voice sound authentic, but Butler knocks it out of the park.
Twelve year old Hoodoo Hatcher was born into a family with a rich tradition of practicing folk magic - hoodoo, as most people call it. But even though his name is Hoodoo, he can't seem to cast a simple spell. Then a mysterious man called the Stranger comes to town, and Hoodoo starts dreaming of the dead rising from their graves. Even worse, he soon learns the Stranger is looking for a boy. Not just any boy. A boy named Hoodoo. The entire town is at risk from the Stranger's black magic, and only Hoodoo can defeat him. He'll just…
While one-off stories are fantastic, I love that children's series lets readers return to trusted characters. Series allow children to see a wider arc of character development and decision-making—often imperfect and in transition—when they are trying to figure out how to identify and connect with the world themselves. That shared experience over time is why I only write series myself—to let kids evolve alongside their favorite characters.
Most know VE Schwab for her YA Series, though she's also written some exemplary middle-grade books.
Her City of Ghosts series is one of my favorites, mainly because of the relationship between Cassidy and Jacob. I find there are few books for kids with great boy-girl friendships, and this one is made even better by the fact that poor Jacob is dead—or caught into the veil between life and death—or something.
Readers of the three books will learn why and travel deep into the spooky shadows of the most haunted cities in the world.
Ever since Cass almost drowned (okay, she did drown, but she doesn't like to think about it), she can pull back the Veil that separates the living from the dead . . . and enter the world of spirits. Her best friend is even a ghost.
So things are already pretty strange. But they're about to get much stranger.
When Cass's parents start hosting a TV show about the world's most haunted places, the family heads off to Edinburgh, Scotland. Here, graveyards, castles, and secret passageways teem with restless phantoms. And when Cass meets a girl who shares her "gift,"…
I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.
This is my eleven-year-old son’s favorite book by master of kiddie horror K.R. Alexander, and I’ll admit that when I read the paperback, I didn’t understand why. The story of Kevin’s obsessive desire to win the annual haunted house contest—no matter what dark forces he angers in the process—was very good, but I thought some of Alexander’s other books were better. Then I listened to the audiobook, and I’ll be darned if I don’t agree with my son now. Michael Crouch infuses Kevin with exactly the right levels of vulnerability and desperation, making us understand every terrible decision he makes...even as we cringe in anticipation of the consequences.
A haunted house has come to life in this spine-tingling novel from the author of The Collector.
They've lost control of the haunted house.Every year, the town of Happy Hills holds its haunted house contest. In a spooky old manor, teams of kids come up with new ways to frighten people. The scariest team wins.But this year, all the teams are going to lose. Because this year the house itself has awakened . . . and it won't be happy until it's devoured all the people inside. What started out as a game has turned into something much more deadly.Is…
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
There are two things that I’ve always loved in my books: animal POV and spooky vibes.
This book has both! In so many ways, the things we face in our everyday life can feel like a horror story, or feel like monsters. For a fox, that would be things like rabies, hunters, fires, etc.
The prose was so good and so vivid, and I really worried with each different story how the little foxes were going to survive. One of my absolute favorites.
Christian McKay Heidicker draws inspiration from witches, vampires, H. P. Lovecraft, and Edgar Allen Poe to craft his middle-grade debut, a chilling portrait of survival and an unforgettable tale of friendship.
When fox kits Mia and Uly are separated from their litters, they quickly learn that the world is a dangerous place filled with monsters. As the young foxes travel across field and forest in search of a home, they'll face a zombie who hungers for their tender flesh, a witch who wants to wear their skins, a ghost who haunts and hunts them, and so much more.
I am an esoteric storyteller. One day a technician was installing our internet. When he found out we were from New Orleans, he told us a story about when he visited there and saw a ghost. To hear him, there was no doubt about his truthfulness, how it scared him and convinced him never to return to that city again. Here was an ordinary guy whose life view was turned upside down by the paranormal. I write about such things—urban fantasies. I include esoteric books as well as accounts of such experiences in my reading. For me, I believe there is much more to this world than meets the eye.
Though this book is divided into different perspectives, the main character is a writer, someone filled with imagination, who often questions his sanity and is being haunted. As a matter of fact, most of the characters in Peter Straub’s book are. But what exactly they are being haunted by becomes the question.
I love Straub’s portrait of the town of Milburn through the eyes of his guilt-ridden protagonists, The Chowder Club, who torture their guilty consciences by telling each other ghost stories. The way Straub time jumps around in this book is dizzying but truly gorgeous. Right at the prologue, I was pulled in as the haunting mystery unfolded, and the question hangs in the air: who and what is the real villain?
#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past...
What was the worst thing you’ve ever done?
In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives.
But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury…
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. There’s a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
The stories in this book all take place on the same day in 1915, when over a million women marched in New York for the right to vote. Stories like this appeal to me because so many of the women who worked tirelessly for this achievement are not familiar names. These stories give them a voice. One of my own ancestors was a suffragette. Maybe she was part of this march!
Stories From Suffragette City is a collection of short stories from the leading voices in historical fiction that all take place on a single day. The day one million women marched for the right to vote in New York City in 1915. A day filled with a million different stories, and a million different voices longing to be heard. Taken together, these stories from writers at the top of their bestselling game become a chorus, stitching together a portrait of a country looking for a fight, and echo into a resounding force strong enough to break even the most stubborn…
My print-journalist father covered the crime beat. He often took me with him to the police station and I got hooked on crime. My background is eclectic, a professional trumpet player with a BA in Mathematics and a Masters in Fine Arts. While teaching at Berklee College of Music in Boston, I discovered my dark side and began writing crime thrillers. Most are inspired by actual events or news reports about stalkers, domestic homicides, or serial killers. In 2001, I moved to New Orleans. My crime thriller series features NOPD Homicide Detective Frank Renzi. I'm fortunate to be able to consult three former NOPD homicide detectives who advise me on police procedures and investigations.
Picture Jack Reacher on an NYC subway car at 2 AM with a suicide bomber. Will she blow up the car and everyone in it? I love how Lee Child keeps us in suspense, not just for a page or two, for twenty-seven pages! Reacher finds out the woman had a dangerous secret, but everyone he talks to lies to him. Each chapter ends with a cliffhanger and more questions.
But many people want Reacher to stop asking questions: a former Delta Force operative running for the US Senate, two Al Qaeda agents, NYC cops, and FBI agents. They want Reacher to get lost and forget the suicide bomber. Fat chance! The complex plot will intrigue you. The climactic ending will terrify you even more than the suicide bomber.
Enhances his status as a mythic avenger. . .You'll be left with a thumping heart and a racing pulse but, be warned, Chapter 63 will give you nightmares." (Evening Standard)
Suicide bombers are easy to spot. They give out all kinds of tell-tale signs.There are twelve things to look for.No one who has worked in law enforcement will ever forget them.
New York City.The subway, two o'clock in the morning. Jack Reacher studies his fellow passengers.Four are OK.The fifth isn't. The train brakes for Grand Central Station.
Will Reacher intervene, and save lives? Or is he wrong?Will his intervention cost…
I am a historian, curator, and writer born and raised in New York City, a place whose history intrigued me from an early age. With a mother who moved from small-town New Jersey to Greenwich Village in the 1950s, and a father who had childhood memories of World War I in the Bronx, I think my interest was sort of preordained. I remain fascinated by cities as engines of change, as flashpoints for conflict, and as places that are simultaneously powerful and vulnerable.
In urban warfare, boulevards, parks, palaces, and prisons take on crucial meanings. This is the launch point for Rapport’s narrative of how the spatial layout of three cities—colonial New York, revolutionary Paris, and imperial London—inspired and channeled violent uprisings and reprisals. Rapport ranges from New York’s Commons, a park contested by patriots and redcoats in 1770, to Paris’s Faubourg Saint-Antoine neighborhood, whose artisans stormed the Bastille in 1789, and on to the network of taverns created by London radicals as clandestine hubs of revolutionary activism during the 1790s. A treat for anyone interested in how eighteenth-century cities became battlegrounds for the era’s insurgent movements for freedom and equality.
A lauded expert on European history paints a vivid picture of Paris, London, and New York during the Age of Revolutions, exploring how each city fostered or suppressed political uprisings within its boundaries
In The Unruly City, historian Mike Rapport offers a vivid history of three intertwined cities toward the end of the eighteenth century-Paris, London, and New York-all in the midst of political chaos and revolution. From the British occupation of New York during the Revolutionary War, to agitation for democracy in London and popular uprisings, and ultimately regicide in Paris, Rapport explores the relationship between city and revolution,…
Fantasy has always been a passion and an escape for me. It started with copious amounts of reading, then I found anime when I was only a child as Cardcaptors began to air on TV. I’ve watched hundreds of anime shows since then and continued my penchant for reading and writing almost exclusively in the fantasy genre. In college, I obtained a BA in English with an emphasis on Creative Writing, so I have a good grasp on literature analysis and many works. In addition, I studied Japanese for two years, lived in Japan for six months, and held a position at the anime club while I was in college.
Valiant is a great example of why I love the morally gray so much. Like in many anime, the characters are all shown to be dysfunctional to some degree and really stand by their choices with a good amount of agency that I adore. The MC’s loss and addiction make her a relatable lead as she struggles to navigate this dark, mysterious underworld she has ended up in. As with the anime Kakegurui, her and her friends’ addictions skew their judgment and make everyone susceptible to influence if they can get what they desire. The love interest was my favorite part of this book. He is rough, but he knows what he’s talking about and helps guide the MC to a better path.
A companion novel to Tithe, from bestselling author Holly Black!
When seventeen-year-old Valerie runs away to New York City, she's trying to escape a life that has utterly betrayed her. Sporting a new identity, she takes up with a gang of squatters who live in the city's labyrinthine subway system.
But there's something eerily beguiling about Val's new friends. And when one talks Val into tracking down the lair of a mysterious creature with whom they are all involved, Val finds herself torn between her newfound affection for an honorable monster and her fear of what her new friends are…
How did I – as a scholar of German literature – turn to economic topics? That had a certain inevitability. When I left for Paris in the early nineties, reading traces of anthropological knowledge in literature and aesthetics of the 18th century, I came across economic ideas on almost every page, in natural history, in medicine, in philosophy, in encyclopedias, in the theories of signs and in the teachings of beauty. There was circulation, communication, flows of exchange all over the place, and the Robinsons were the model. This reinforced the impression that the human being was engaged in aligning himself with homo oeconomicus. The question of modern economics has therefore become unavoidable for me.
With this grotesque odyssey of a hedge fund manager in New York, Don DeLillo’s novel takes us right into the arena of the modern financial market, touches on the question of whether that market lends itself to literary treatment, and offers a series of narrative and rhetorical figures to represent the riddle of the finance economy, its protagonists and their operations.
Eric Packer is a twenty-eight-year-old multi-billionaire asset manager. We join him on what will become a particularly eventful April day in turn-of-the-twenty-first-century Manhattan. He's on a personal odyssey, to get a haircut. Sitting in his stretch limousine as it moves across town, he finds the city at a virtual standstill because the President is visiting, a rapper's funeral is proceeding, and a violent protest is being staged in Times Square by anti-globalist groups. Most worryingly, Eric's bodyguards are concerned that he may be a target . . .
An electrifying study in affectlessness, infused with deep cynicism and measured detachment;…
