94 books like Hunter's Green

This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.

The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from the shadowy corners of the mansion to the constant watchfulness of the very creepy housekeeper, Mrs. Danvers. Rebecca has been in print for almost a hundred years, and that alone is evidence of its awesomeness.

In this modern feminist era, Maxim DeWinter might seem horribly patriarchal, but it’s utterly believable… show more.

Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.

Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.

I had to choose a mystery by the absolute master of the genre, Agatha Christie (bonus—my dog's name is Agatha, if that tells you how much I love her books). Agatha had a way of writing non-graphic mysteries that could still get under your skin...along with villains that were unforgettable, as was the case in this one. I won't say more since I don't want to give spoilers, but I'll never forget the creep factor of the whodunit in this book. And it's a bonus that Tommy and Tuppence Beresford are the sleuths—married sleuths for the win!

This is a significant departure from the notion of a “haunted house” most of us are familiar with. We expect an old house, haunted by the past, far from humankind, and left to rot and fester in isolation somewhere remote. The haunted house in Siddons’s novel, however, is right in the middle of an upper-class neighborhood in Atlanta, and it’s a brand-new build. Rather than being haunted by the ghosts of the past inhabitants, the house itself is a force of evil, corrupting all who cross its threshold in terrible, terrifying, and often deadly ways.

This book is a classic in gardening literature. I prize it so much that I keep grimy paws off my first-edition hardcover copy, and use a later paperback edition as a working copy. Abbie Zabar’s prose is authoritative and delightful to read; her drawings in pen and ink are exquisite. 

Zabar loves beautiful things in miniature. She dedicates this oeuvre, “To all those who want a little garden in their lives.” As in a little garden in a pot comprising annual culinary herbs or perennial herbal topiaries. Everything you need to know about pot culture, choice of container (she is mad about unglazed clay pots), herbs best suited for potting, and the art and craft of topiary is contained therein (pun intended). To round out the book are some simply delicious recipes (I can vouch for the lemon verbena tisane) and pleasing little projects employing potted herb cuttings.

The book is, to my knowledge, the only one that fully covers the evolution of marriage in the West, including historical details and interesting biological and anthropological data; it changes the way we are indoctrinated to think by showing that sex, love, and marriage were for most of the time completely separate things, while we now try as much to force the three items to be always together.

The most surprising part for people who have not been familiar with the history of these topics is how recent and geographically localized it is the expectation that love, sex, and marriage should be together.

In Public Vows, Nancy Cott explores how the history of marriage in the United States reflects the creation of a very public and political institution. As Cott shows, in the early years of the United States, the common law doctrine of coverture allowed white men to hold a monopoly over the country’s civil and political institutions. For Cott, marriage has always been a public institution with political implications. As Cott explains, the political undercurrents and legal aspects of marriage have often allowed men to have control over women in law and in custom. Cott’s study was a vital component for my own work as her analysis helped me to better understand how the early U.S. legal system privileged husbands and fathers over wives and daughters with regard to property, earnings, contracting, and guardianship rights. 

War Brides is a work of historical fiction that explores the lives of five young women from differing backgrounds who meet in a small English village in 1939. I love World War II stories about ordinary people on the Homefront. Despite a slightly misleading title, I was drawn to the strong characters who face the horrors surrounding them with the unwavering support of one another. Bryan has done extensive research into the time period and the traumatic effect the war had on British citizens. What sets this story apart is the inspiring friendship the women develop that endures over time despite the challenges of their differences, the terror of bombing raids that cause the deaths of their neighbors and friends, and an unforgivable deception.

In Portrait of a Marriage, Steinbeck scholar Susan Shillinglaw beautifully brings John Steinbeck’s first wife Carol into the spotlight. The impeccably researched narrative lays out the path of a ten-year marriage doomed to fail, even as Carol shapes John into one of America’s great writers. I couldn’t put it down. 

We now take effective birth control for granted. But it used to be illegal, even for married couples. It wasn’t legal for unmarried couples until 1972! But that didn’t stop Americans of every kind from making and using a wide variety of substances and contraptions to try and limit births. From mom-and-pop condom shops to the Pill, this book traces birth control’s transformation from an illicit trade associated with the obscene and pornographic to a legitimate business.