Fans pick 86 books like Dispelling Wetiko

This book profoundly influenced my thinking process, combining the worlds of mathematics, art, and music. I was captivated by how the book explores the deep connections between Gödel’s incompleteness theorems, Escher’s art, and Bach’s art of counterpoint.

The book’s puzzles and thought experiments pushed me to think more abstractly and critically. Despite being dense, I found it incredibly rewarding and eye-opening. I recommend this book to anyone interested in logic, creativity, and the nature of human thought. It’s a masterpiece!

This was the book that impelled me to write my own account of superstition. I could have also recommended his masterpiece, The Selfish Gene, which I read as a teenager and got me into science in the first place but this unforgiving attack on religion spurred me to write a more balanced view that considered religion as a naturally emerging consequence of cognitive development. In fairness, The God Delusion does briefly mention evidence in support of a natural inclination, but this is outweighed by an agenda (that I do not share) to eradicate religion as pernicious indoctrination. Whatever your opinion of Dawkins, he is undeniably one of the most gifted science writers with a clarity of argument combined with a poetic beauty of prose.

I was hooked from the opening pages! I resonated with the author’s personal stories of how he felt the wrongness of many things as a child like I did. I had an early sense of how broken things were—struggling parents who drank too much, Catholic school that taught me how sinful I was, working-class neighbors who beat their children, clear-cutting of forests near me, and more.

I loved the author’s gorgeous, almost poetic language and short 2-3 page chapters with trenchant headings like Separation, Breakdown, Interbeing, Cynicism, Evil, Miracle. I completely agree with the premise that the ills of the world have an underlying story, what he calls the “story of separation,” which is breaking down, and we are headed towards a new “story of interbeing.”

This book shifted my entire paradigm. Watching the movie felt like unlocking a hidden key to life, and I knew I needed more. When I discovered there was a book, I dove in right away. It quickly became my daily manual for shifting beliefs and reinforcing the teachings from the film. My favorite part is how Rhonda Byrne makes the Law of Attraction feel clear and actionable.

The idea that our thoughts shape our reality really resonated with me and became a core part of my being. This book is a powerful tool I return to whenever I need a reminder of my own manifesting power.

Imagine waking up to discover you’ve become the City of New York. And meeting the avatar of São Paulo walking around trying to be a mentor. As a New Yorker, I’m all for it, and I was hooked right from the start of this urban fantasy. Aliens are trying to eat the cities of Earth, but the cities fight back by choosing champions from among their populations.

New York, being New York, has six—one for the City as a whole and one for each borough because we do things right here. I got such a kick out of every borough’s particular personality and approach to being part of the whole, when just the other day, these were all ordinary people pursuing their own aims. Sudden, magical, consequential reinvention. Love it.

I love how much Mercy learns about herself. I also really admire the time and space and, above all, respect Briggs's investments in Mercy's witting and unwitting explorations of her powers and heritage. And how Mercy reacts to revelations about her mother and mostly unknown father. I, at least, admire when Mercy is allowed to get cranky and try to pick and choose what she wants to keep or discard, approve or disapprove.

All this, and it's a heck of a roller coaster ride. I rode the slow build-up, increasingly bracing myself for the first big drop, and then whoop-whoop-whoop, I whirled up and down and sideways to the end.

No list of crows and ravens in fiction can ignore this book. While I don’t like crows being depicted as the bad guys, I do love King’s depiction of crows throughout this thriller as powerful and intelligent. However, those abilities come in part or maybe wholly because the crows are in service to the Devil. 

In this ultimate Good vs. Evil story, villain Randall Flagg is a shape-shifter who sometimes appears in the form of a crow. Crows have other, somewhat vague, and therefore scary roles in the saga. Sometimes, the crows come across as spies for Flagg’s army, and sometimes, they seem to appear as harbingers foreshadowing an appearance by Flagg. The birds in this book definitely lean sinister, but hey, it is a Stephen King novel, after all.

Maximillian is perfect for readers who want a funny story. The underlying message is cleverly woven in—clever like Maximillian who concocts a plan to try to keep a fluffy pet bunny (which, of course, is not an appropriate pet for a child in a family of villains). Kids want their parents to be proud of them, and sometimes that collides with their true desires, and this book masterfully shows that there is common ground, even when it appears there isn’t.

This is one of the books that made me wonder at the world. What begins as a conventional story of a boy haunted by an “imaginary friend” turns into something far more complex and frightening. For most of the novel I had no idea of a theological element in the book, so when that element hit it was a surprise, at least to me. The effect reminded me of Rudolf Otto’s description of meeting a supernatural being as “mysterious, tremendous, and fascinating”—I was pulled in even as I was drawn away.

As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?

The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.