100 books like Dark Witch

I love books about books, so I was thrilled when Oxford's Bodleian Library and a bewitched alchemical manuscript turned up as the linchpin of this enchanting love story between a vampire and a reluctant witch.

While this story was made into a television series, do yourself a favor and read the entire trilogy. Harkness creates a compelling framework of history and heroics, love and loss, and friendship and betrayal for her underworld creatures to inhabit. And these are not your typical creatures of the night, but accomplished scholars, physicians, and scientists.

This book is one of those rare novels I wish I could read again for the first time and fall under its magical and mesmerizing spell anew.

I just flat out love this writer. Set in a galaxy far, far away, Jesse Mihalik has created a space opera featuring a set of daring siblings with superhuman powers who must battle to survive the cutthroat culture connected to their social status and the machinations of their power-hungry father who is always looking for advantageous alliances, regardless of the consequences to his children. I enjoy that she creates these amazing heroines who are vulnerable but fierce at the same time and they all ultimately find partners who love strong women. 

What drew me into this series was the first book, The Dragon of New Orleans, where a desperate dragon who has been hexed saves a woman who is terminally ill by giving her his tooth. She turns out to be a powerful witch who is unaware of her powers until they are awakened by the dragon’s magic. I loved the self-discovery that takes place and how as her powers grow she used them to protect her lover. The rest of the series brings in other dragon siblings as well as human and vampire characters in adventures that span several states and another dimension. I have a few more to read. 

I don't remember how I found this series, but I was immediately taken with the fast-paced romance stories featuring tough-as-nails women who find dragons as their mates. It’s tough to combine blood-thirsty and sexy, but somehow she pulls it off while mixing the species. Of all the series I’ve come across this one probably has the most raw sex, but it seems to work and isn’t too much to take. Sex is such a tricky thing in novels., it really needs to be done well or it’s a distraction. Again what I like in this series, is that the women drive the narrative. 

Elizabeth Bowen once described the Ireland-England relationship as ‘a mixture of showing-off and suspicion, nearly as bad as sex’. Her 1928 novel demonstrates this beautifully, eviscerating the attitudes of  Anglo-Irish grandees in their Big House as the country around them crackles with guerilla war and showing the incomprehension between the Irish (at all social levels) and the British soldiers sent ostensibly to keep the peace.

Though it ends in tragedy, social comedy, as so often, shows the brutal realities beneath the surface. And the atmosphere of the Irish landscape, at once idyllic and brooding, comes alive in Bowen’s supercharged prose.

This recently published excavation of Simone de Beauvoir’s The Second Sex is almost as thick as Beauvoir’s massive tract, but don’t let that put you off. The photo of Beauvoir on the cover conveys an insouciant “Yeah, sure” attitude, and Meryl Atman uncannily channels that sentiment into a dazzlingly authoritative and entertaining discussion of why the overwhelming majority of the criticism of Beauvoir’s famous tome happens to be misguided and wrong. The book is about gender, race, sexuality, class, and privilege, but it isn’t a polemic. It is an exercise in critical reading at its most invigorating.

Many women continue to embrace a radical feminist perspective, and one of the important feminist writers today is the UK journalist and organizer Julie Bindel. Her reporting on sex trafficking has been essential to understanding the worldwide exploitation of women and girls.

She published this book in 2021 to restate the liberatory goals of feminism and critique the impediments created not only by conservatives but also by liberals. Bindel pulls no punches and takes no prisoners—she’s never afraid to confront the powerful and respond to her critics. One of the great experiences of the past year was being interviewed by Bindel for her podcast on men and feminism. Finally, Bindel reminds us that one of the biggest lies about feminists is that they have no sense of humor. 

I loved this atmospheric debut, often described as a collection of interlinked short stories. Set on an isolated group of islands off the coast of Virginia, the stories span more than two centuries of the same family’s history: from the 19th century and far ahead into a post-apocalyptic, post-pandemic future. There are intimations that a supernatural ‘second sight’ runs in the family and the book’s Southern Gothic vibe is nothing short of intriguing. But for all the hints of magic realism, the focus on female characters contending with obstacles of class and gender at different points in history is rooted in an understandable reality. Beautifully written descriptions of the natural environment, poignant characters, and local color all demonstrate Taylor’s imagination to be visionary and impressive. 

I love this book not just because of its enduring importance - Woolf remains a towering feminist figure - but because of its vivid, imaginative writing.

Based on lectures given to female students at Cambridge, Woolf’s essay argues powerfully for the intellectual independence of women. Such independence, she reasons, must first be materially possible, hence the female writer’s need for that famous "room of one’s own."

To exemplify this, Woolf imagines a certain Judith Shakespeare, the playwright’s equally talented sister: would she not be incapable of achieving the same success as her brother owing to the patriarchal structures of society? In our post-Me Too world a century later, the question remains vital.

The societal changes brought by the movements of the sixties had a different effect on women.

The sexual revolution promised freedom but didn’t plan for jealousy or conflicting ideas of “free.” The anti-war movement and even the civil rights movement saw women’s role as making the sandwiches and lettering the placards. 

Rosen chronicles women’s rising fed-up-ness from the 1950s to the unfinished business left at the book’s publication in 2000.