Here are 94 books that The Last September fans have personally recommended if you like
The Last September.
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Growing up queer and Italian in suburban New Jersey in the late 1960s and early 70s, it was the passionate love of food and family that got me through the tough times. I learned to cook from my mother and my grandmothers. I gardened and picked tomatoes with my grandfathers. There was always a pot of simmering tomato gravy and magic meatballs on the stove. My mother’s chicken parmigiana, my paternal grandmother’s homemade ravioli, my maternal grandmother’s stuffed clams, my great aunt’s baked chicken. As a writer, it became my mission to share these secret family recipes and the loving life lessons that saved me.
This is a true heroine’s journey. It is a historical immigrant story about a young girl who leaves Ireland for post-World War II America to make a better life for herself. As she makes her way in a strange land called Brooklyn, New York, she meets and falls in love with a young man of Italian descent.
Like Belladonna Marie Donato, the feisty heroine of my debut novel, Eilis Lacey of Brooklyn relies on her own strength, grit, and determination to overcome obstacles and make a successful new existence for herself. I am looking forward to Colm Toibin’s sequel, Long Island, to find out what happens next.
Colm Toibin's Brooklyn is a devastating story of love, loss and one woman's terrible choice between duty and personal freedom. The book that inspired the major motion picture starring Saoirse Ronan.
It is Ireland in the early 1950s and for Eilis Lacey, as for so many young Irish girls, opportunities are scarce. So when her sister arranges for her to emigrate to New York, Eilis knows she must go, leaving behind her family and her home for the first time.
Arriving in a crowded lodging house in Brooklyn, Eilis can only be reminded of what she has sacrificed. She is…
I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
I love this story because, for me, it’s a perfect example of why a ship is such a great platform for storytelling, a moving stage for a compelling cast of characters to act out the drama of their past and present lives while heading into an uncertain future.
The Star of the Sea is a "coffin ship," the name given to the leaking hulks that transported a million emigrants from Ireland to America during the Great Famine of the 1840s.
It’s a historical novel but for me, a timeless story about emigration and the human condition, of refugees fleeing the monsters of their past, war, famine, disease, whatever, into what they hope will be a brighter future, and of what happens to them on the way.
Rediscover Joseph O'Connor's monumental #1 international bestseller.
In the bitter winter of 1847, from an Ireland torn by injustice and natural disaster, the Star of the Sea sets sail for New York.
On board are hundreds of fleeing refugees. Among them are a maidservant with a devastating secret, bankrupt Lord Merridith and his family, an aspiring novelist and a maker of revolutionary ballads, all braving the Atlantic in search of a new home. Each is connected more deeply than they can possibly know.
But a camouflaged killer is stalking the decks, hungry for…
I am a lover of all things Irish because of my heritage, with my maiden name O’Shea. Both of my parents’ grandparents came from Ireland to the United States: the O’Sheas from County Kerry and the Ward and Sullivans from Galway and Bantry. As an English major, I have loved the works of Yeats, James Joyce, Samuel Beckett, and I wrote my Master’s thesis on Ulysses by Joyce. Both of my own novels center around the Irish. I understand their love/hate relationship with the Catholic Church, and I love the stinging wit and lively humor of the people. The Irish are great storytellers!
McDermott writes about Irish-American people, and this novel is about nuns in Brooklyn who help out a young widow and her little daughter after the suicide of her husband.
I was a nun for eleven years, so loved the realistic portrayal of the nuns with all their human foibles and virtues!
The young girl becomes the central character as she grows up helping the sisters in their work with the poor, even deciding she might like to be a nun herself until she has a disastrous encounter on a train. Beautifully written with humor and compassion.
WINNER OF THE PRIX FEMINA ETRANGER 2018
SHORTLISTED FOR THE 2017 KIRKUS PRIZE
ONE OF TIME MAGAZINE'S TOP TEN BOOKS OF 2017
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From the National Book Award-winning author comes a luminous, deeply humane novel about three generations of an Irish immigrant family in 1940s and 1950s Brooklyn - for those who love Colm Toibin, Anne Enright and Anne Tyler
On a dim winter afternoon in a Brooklyn tenement, a young Irish immigrant unhooks the oven gas, and inhales. In the aftermath of the fire that follows, Sister St. Savior, an ageing nun appears, unbidden, to direct the way forward…
I am a lover of all things Irish because of my heritage, with my maiden name O’Shea. Both of my parents’ grandparents came from Ireland to the United States: the O’Sheas from County Kerry and the Ward and Sullivans from Galway and Bantry. As an English major, I have loved the works of Yeats, James Joyce, Samuel Beckett, and I wrote my Master’s thesis on Ulysses by Joyce. Both of my own novels center around the Irish. I understand their love/hate relationship with the Catholic Church, and I love the stinging wit and lively humor of the people. The Irish are great storytellers!
Edna O’Brien’s work makes me laugh and cry at the same time!
The Country Girls is a rollicking tale of two girls from rural Ireland in the 1950s, convent-educated, who leave home after their secondary school graduation to seek freedom and fun in the big city of Dublin.
Not quite Sex in the City, but a reader will laugh with the girls and sympathize with their troubles with men and work.
The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.
Edna O'Brien's wonderful, wild and moving novel shocked the nation on its publication in 1960. Adapted for the stage by the author, The Country Girls, the play, is a highly theatrical and free-flowing telling of this classic coming of age story.
This new edition of The Country Girls was published to coincide with its UK premiere at Chichester Festival Theatre in June 2017.
Edna O'Brien's stunning new novel Girl will be published by Faber in September 2019, available to pre-order now.
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I first encountered this book as a series of lectures in Oxford in 1978 and was riveted.
Lyons faced head-on the themes of cultural and sectarian antagonism in Ireland from the death of the constitutionalist nationalist leader Parnell in 1891 to independent Ireland’s decision to remain neutral in World War II, using sources that were as much literary as political, and at the end projecting the divisions in Irish society forward to the then-current violence in the North. The tone was notably acerbic, even verging towards despair, but also employing bitter humour.
A great historian, he died prematurely a few years later when just embarking on his projected but unwritten biography of Yeats. He had written many books, but this is the one that left the loudest echoes–notably in nailing the psychological gulf of understanding between Ireland and Britain that became so apparent in the early twentieth century.
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I spent eighteen years writing the authorized biography of W.B. Yeats, and he haunts me still.
Though his poetry is world-famous, his autobiographies are less well known; yet they illuminate like nothing else the experience of living between Ireland and England and the contrast between a childhood in late-Victorian County Sligo and coming of age in the artistic circles of fin-de-siecle London.
At the end of his life, Yeats reflected on the tension between his Irish background and English conditioning and the contradictory feelings they inspired, writing, "My hatred tortures me with love, my love with hate." Elsewhere, he wrote that poetry comes out of "the struggle with ourselves," and his autobiographies show this to mesmerizing effect.
This title contains six autobiographical works that Yeats published in the mid 1930s. Together, they provide a fascinating insight into the first 58 years of his life. The work provides memories of his early childhood, through to his experience of winning the Nobel Prize for Literature.
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I love this novel so much that I named my son Phineas in homage.
Anthony Trollope might seem the ur-English novelist because of his much-loved series of Barhhester novels set among clerics in a provincial town, but he spent much of his working life in Ireland and wrote passionately about the country in many of his books.
Phineas Finn is a kind of alter ego, a young Irishman equipped with charm, good looks, and very little money. He becomes a Member of Parliament and sets out to find his way through the challenges and dilemmas of high society in Victorian London. His moral compass sometimes goes slightly awry, but it generally comes right in the end.
Trollope’s psychological subtlety draws out the ambiguities and prejudices that Phineas encounters and reminds us of the central part played by Ireland in the British Empire. He died long before Ireland’s separation from Britain,…
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
This is a play that reads like the most hilarious novel, and the "Preface for Politicians" should be required reading for British diplomats and civil servants.
Shaw deals with the misunderstandings that arise when a rich Englishman arrives in Edwardian Ireland to develop a tourist opportunity. His approach is at once idealistic and exploitative, while his Irish colleagues are cynical, hardheaded, and privately contemptuous.
In the accompanying "Preface," Shaw uses the misunderstandings that arise from self-interest and wilful ignorance to illuminate and expose Britain’s misgovernment of Ireland. His perspective is socialist rather than nationalist, but few saw as far ahead as he did in 1904, and his devastating humour still takes your breath away.
John Bull's Other Island is a comedy about Ireland, written by George Bernard Shaw in 1904. Shaw himself was born in Dublin, yet this is one of only two plays of his where he thematically returned to his homeland, the other being O'Flaherty V.C. The play was highly successful in its day, but is rarely revived, probably because so much of the dialogue is specific to the politics of the day.
The play deals with Larry Doyle, originally from Ireland, but who has adopted English cultural customs and manners to fit in in England and Tom Broadbent, his English business…
I’ve worked in journalism, politics, and public policy for 30-plus years and watched as the extreme voices gained the most traction on either side of a debate. On social media, these minority views often dominate the discussion. 48 States is a stand-alone novel highlighting the problems of extremist viewpoints in a civil society. I also have another book series that features a political consultant who discovers she's a witch and joins a secret society that uses magic to manipulate elections to protect humanity. Bottom line: if I can’t fix political discourse for a living, I can write science fiction novels that contemplate how to do it.
Can we talk about how amazing Nora Roberts is? I started reading her more traditional romance novels as guilty pleasures when I was younger and quickly realized she loves to write about strong women. The O’Dwyer trilogy is part of her supernatural books, focusing on an ancient curse, a long-held obsession and the enduring power of love. Tucked in a small village in Ireland are a brother and sister, their American cousin, and their circle of friends. Together, witches, warlocks, and humans battle an ancient evil to break a curse that has plagued their family for centuries. Two of the main characters are separated from each other by the curse and their longing is so palpable. I don’t do spoilers, so you will have to read the trilogy to find out what happens.
Three cousins inherit a gift that will transform their lives ...Iona Sheehan has just taken the biggest gamble of her life. Leaving her job, her home and her family in Baltimore, she has come to Ireland in search of adventure - and answers. Iona has always felt a powerful connection to the home of her ancestors. So when her beloved grandmother confesses an extraordinary family secret, she can't resist visiting County Mayo to discover the truth for herself. Arriving at the beautiful and atmospheric Castle Ashford, Iona is excited to meet her cousins, Connor and Branna O'Dwyer, for the first…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
Dervla Murphy (1931-2022) was queen of the road when I started out. I learnt a lot from her.
Visiting Rwanda is probably my top pick among her many travelogues but her best book by far, in my opinion, is the autobiographical Wheels within Wheels. "I had been brought up to understand," Murphy writes, "that material possessions and physical comfort should never be confused with success, achievement and security."
I had been brought up to understand the opposite, and this book showed me, as I tackled a travel memoir of my own, that like Murphy I must take those crucial lessons as a starting point.
