Here are 96 books that The Ballycotton Job fans have personally recommended if you like
The Ballycotton Job.
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I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love this story because it is a time portal that swiftly deposited me in the streets of Dublin just before the Easter Rising. I could see the dirty streets and poverty and feel the hunger for change, for freedom from occupation, that was palpable in the air. I watched the unbelievable and fantastic display of doomed, deadly belligerence against the British.
I love the intensity and rawness of the author’s changing outlook. From a disinterested privileged medical student to a hard-core rebel, abandoning his bright future, he leads men across the wilds of Ireland in tasks he would rather not undertake. I love that he tells this with such a poetic turn of phrase that I can feel the grass underfoot as the men walk and my stomach churning as they take aim.
More than any other book of the period, On Another Man's Wound captures the feel of Ireland―the way people lived, their attitudes and beliefs―and paints brilliant cameo sketches of the great personalities of the Rising and the War. Like many of the Irish, O'Malley was largely indifferent to the attempts to establish an independent Ireland―until the Easter Rising of 1916. As the fight progressed his feelings changed and he joined the Irish Republican Army.
I grew up in one of America’s most heavily Irish areas, outside Philadelphia. After Northern Ireland exploded in 1969, IRA gunrunning cases made the local news, and came up in conversations – one friend told me his ancestors smuggled weapons in the 1920s. So I was hooked when I ran across a vivid 1922 account of an IRA shooting in Manhattan, splashed on the front page of The New York Times, my employer. My first book was about Irish rebel gunmen, the Molly Maguires of the Pennsylvania coal fields, where my Irish ancestors were miners. I’ve given lectures about the IRA’s American activities at conferences in Cork and California.
A comprehensive history of the IRA from the 1916 Easter Uprising to the height of the Northern Ireland Troubles in the 1970s.
Bell did extensive research, interviewing many IRA veterans, and he offers insights on the organization’s high points and low points, of which there were many. What I liked best, though, was Bell’s writing – his words bring these people and events to life.
The Secret Army is the definitive work on the Irish Republican Army. It is an absorbing account of a movement that has had a profound effect on the shaping of the modern Irish state. The secret army in the service of the invisible Republic has had a powerful effect on Irish events over the past twenty-five years. These hidden corridors of power interest Bell and inspired him to spend more time with the IRA than many volunteers spend in it. This book is the culmination of twenty-five years of work and tens of thousands of hours of interviews. Bell's unique…
I grew up in one of America’s most heavily Irish areas, outside Philadelphia. After Northern Ireland exploded in 1969, IRA gunrunning cases made the local news, and came up in conversations – one friend told me his ancestors smuggled weapons in the 1920s. So I was hooked when I ran across a vivid 1922 account of an IRA shooting in Manhattan, splashed on the front page of The New York Times, my employer. My first book was about Irish rebel gunmen, the Molly Maguires of the Pennsylvania coal fields, where my Irish ancestors were miners. I’ve given lectures about the IRA’s American activities at conferences in Cork and California.
We know from the start that the British prime minister survived the IRA bomb explosion at a Conservative Party conference in Brighton, but that doesn’t lessen the tension in this fine history of the incident.
Rory Carroll gives us nuanced portraits of Thatcher and the bomb maker who tried to kill her. This tale of an overseas attack by the IRA really resonated with me because that’s what “Ambush at Central Park” is all about – and my book includes a chapter about the involvement of some of the IRA gunmen in New York in a plot to assassinate members of the British Cabinet more than sixty years before the explosion that nearly killed Thatcher.
A race-against-the-clock narrative that finally illuminates a history-changing event: the IRA’s attempt to assassinate Margaret Thatcher and the epic manhunt that followed.
A bomb planted by the Irish Republican Army exploded at 2:54 a.m. on October 12, 1984. It was the last day of the Conservative Party Conference at the Grand Hotel in the coastal town of Brighton, England. Rooms were obliterated, dozens of people wounded, five killed. Prime Minister Margaret Thatcher was in her suite when the explosion occurred; had she been just a few feet in another direction, flying tiles and masonry would have sliced her to ribbons.…
From an early age, I was steeped in stories. My mother is a great storyteller and would tell vivid and exciting stories of her childhood, giving me a great sense of my own life as a part of the story of generations. We moved around a lot for my father’s job, which was sometimes disorientating and could lead to loneliness, and I took refuge in libraries and in writing stories of my own. By the time I left school, literature was my big love and mainstay, and I took a degree in English and later taught it in schools. Reading and writing stories has since become my life.
I find so true this depiction of a family cruelly affected by their father’s grim past as an IRA commander, which has turned him into a strict, even cruel, disciplinarian.
I shuddered with empathy with the children and wife and rejoiced in the eventual escape of the sons he beat while still, in the end, feeling for him and his loss of their love.
I read it years ago, and it always stayed with me, so I recently recommended it to my reading group and read it again. I was no less moved.
Like anyone else who takes an interest in Ireland, I’ve been fascinated by the long and often very difficult history of the island’s experience of religion. Where I live, in county Antrim, religious imagery appears everywhere – in churches and schools, obviously, but also on signboards posted onto trees, and in the colourful rags that are still hung up to decorate holy wells. This book is the fruit of twenty years of thinking about Christian Ireland - its long and difficult history, and its sudden and difficult collapse.
Why, from the 1990s, did the Irish Catholic consensus so suddenly disappear? And what might be the effect of this sudden-onset secularisation? This brilliant account of the recent revolution in Irish religion describes the effects of the clerical scandals that brought down a government, demoralised a denomination, and drove social change on a massive and structural scale. Ganiel shows how the older religious monopolies that did so much to shape the institutions and culture of Ireland, north and south, have given way to a much more fluid religious market, in which individuals can believe without belonging just as much as they might formerly have belonged without believing.
Transforming Post-Catholic Ireland is the first major book to explore the dynamic religious landscape of contemporary Ireland, north and south, and to analyse the island's religious transition. It confirms that the Catholic Church's long-standing 'monopoly' has well and truly disintegrated, replaced by a mixed, post-Catholic religious 'market' featuring new and growing expressions of Protestantism, as well as other religions. It describes how people of faith are developing 'extra-institutional' expressions of religion, keeping their faith alive outside or in addition to the institutional Catholic Church.
Drawing on island-wide surveys of clergy and laypeople, as well as more than 100 interviews, Gladys…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
I’m a Canadian writer born in Northern Ireland. My first book, A Nice Place to Die, introduced Northern Ireland detective DS Ryan McBride. In 2019, A Nice Place to Die won the RWA Daphne du Maurier Award for Mainstream Mystery and Suspense, was shortlisted in the Crime Writers of Canada Awards in 2021, and was a 2023 Silver Falchion Award finalist. As for my choices, each of these fabulous, atmospheric mysteries has richly drawn settings inhabited by characters the reader comes to care deeply about. This brings a book alive for me — each has a wonderful, compelling cast of characters and a clever, complex plot.
McGilloway writes a taut, intricate novel, his focus is on story and character.
We see an Ireland torn by the Troubles and how all this affects and plays into everyday life. His settings are concise and spare. Here is a novel with a strong and engaging protagonist who solves several disturbing murders by not giving in to outside pressures. A terrific read.
A man is found stabbed to death. Garda Inspector Ben Devlin is shocked to learn that he’s heard of him. The victim has just been released from prison after spending twelve years inside. As a young lad he was jailed for the rape and murder of a teenage girl.
Devlin’s beliefs are tested when the current opinion is that the man got what was coming to him, but is that justice? Devlin doesn’t think so.
'A compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today' Ann Cleeves
'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing. Brian McGilloway is, quite simply, a master of his art. Bravo' Jo Spain
'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter
'A clever, engaging and beautifully crafted police procedural' Irish Independent
'Some of the very best crime fiction being written today' Lee Child on Bad Blood
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
Perhaps no book has moved me more than Ireland by Frank Delaney.
Through a series of tales told by an itinerant storyteller the author paints a series of haunting, vivid portraits of Irish history. Each story stands alone, but over the course of three nights of story-telling, the pieces of this mosaic come together, revealing a clearer history than most history books could hope to present.
Delaney reaches deeper historical facts and allows a rare glimpse into how people felt and what they believed. I felt that I was listening to the storyteller, rather than reading words. This presents the Irish people in a unique and engaging light.
One evening in 1951, an itinerant storyteller arrives unannounced and mysterious at a house in the Irish countryside. By the November fireside he begins to tell the story of this extraordinary land. One of his listeners, a nine-year-old boy, grows so entranced by the storytelling that, when the old man leaves, he devotes his life to finding him again. It is a search that uncovers both passions and mysteries, in his own life as well as the old man's, and their solving becomes the thrilling climax to this tale. But the life of this boy is more than just his…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love the voice of authenticity that emanates from this story. The location is what was once considered one of the most remote, poor parts of Ireland, West Cork.
The author is a mere teenager at the time of the Rising. I love his deep regard for the men and women of his community, his understanding of the simple pleasures of their hard lives, his ability to communicate their stoic determination to fight the enemy in the face of possible disaster, particular cruelty, and severe punishment if they are caught.
I love how, without even trying, the author presents an explanation of how the rebel mindset permeated whole swathes of the country.
Where Mountainy Men have Sown gives a first-hand account of the fight for freedom in West Cork from 1916-21. It chronicles the social and military aspects of the War of Independence and describes the IRA's activities in the area, from Macroom to as far west as Ballingeary and Coolea, and covering Inchigeelagh to Ballyvourney and the Derrynasaggart Mountains. Micheal O Suilleabhain joined the armed struggle for freedom in his local area of Kilnamartyra at the age of thirteen and describes attacks on armed police patrols, barracks and a large-scale engagement against the elite of Britain's specially recruited fighting forces in…
