95 books like The Secret Army

Say Nothing is nonfiction. Keefe is a first-rate storyteller, an expert researcher, and a writer who can explain complex matters simply and beautifully. 

Even if you’re not interested in the Troubles of Ireland, or in Ireland, this book allows for an understanding of how local war is, how neighbors become enemies, how war breeds war, and how governments don’t work to erase poverty or manage the anger of young people. 

On top all of that, there are the archives at Boston University, which figure in the tale, and, the passage of time, which allows the participants to reflect on their youth. This was the best book that I read in 2018.  

The subtitle of this rollicking yarn tells you all you need to know: “An Incredible True Story of IRA Pirates.”

In March 1922, a daring crew of Cork rebels took to the high seas and hijacked a Royal Navy ship packed with 120 tons of guns and ammo. This bloodless act of piracy caused an uproar in London and Dublin, and altered the course of the Irish Civil War. The book is extensively researched, and Mahon knows whereof he speaks – his grandfather was the head of the Cork IRA.

I loved this one because it is set in the same locale and era where part of my book is set, and it features some of the same characters.

This searing memoir by a former commandant of the IRA not only gives an inside look at the Irish War for Independence, but does so with literary panache.

And the tale of O’Malley transformation from medical student to rebel leader seems to have inspired not one but two movies – Shake Hands With the Devil, a Cagney flick in which Don Murray goes from medical student to IRA man, and The Wind That Shakes the Barley, in which Cillian Murphy follows the same arc.

The interviews O’Malley collected with IRA veterans later in life proved invaluable for my book. And I count his son as a friend.

We know from the start that the British prime minister survived the IRA bomb explosion at a Conservative Party conference in Brighton, but that doesn’t lessen the tension in this fine history of the incident.

Rory Carroll gives us nuanced portraits of Thatcher and the bomb maker who tried to kill her. This tale of an overseas attack by the IRA really resonated with me because that’s what “Ambush at Central Park” is all about – and my book includes a chapter about the involvement of some of the IRA gunmen in New York in a plot to assassinate members of the British Cabinet more than sixty years before the explosion that nearly killed Thatcher.

A masked IRA gunman presses a bullet into a small hand. He warns the boy he’ll put the same bullet into his father if instructions are disobeyed. It’s a pointed detail because it happened. The author was that boy. This story glides between fiction and nonfiction in search of truths about two rural murders and a vanished informer. But, as we have been learning here, dissecting darkness reveals only darkness. At heart this is a tale of a family’s composure, of a faithful bond to land, of being at odds with truths and lies. And that omnipresent terrain, with its moving shadows and thorny wilds, played witness to it all. This story takes place near where I grew up. It has stayed with me longer than I’m used to.

I’m recommending this book because of how well the author described the events taking place in a country where they lived. It’s another story about a virus, similar to the deadly Covid one, but the people who die come back as zombies. I love how the main characters have to deal with the outbreak & how they try to stop it.

Tara Doherty has come to live in Connemara following the death of her husband. She’s distraught and lonely here in "the back of beyond." Until a mysterious stranger rents a little cottage close to Tara’s. James Dunford, she learns, is Irish-born but lived in the USA. He spends his days fixing up his cottage and walking the beach with a stray dog. As time goes by, Tara learns from a local villager that James is not what he seems and that his motive for renting the cottage is far from conventional. She confronts him, and their two lives intertwine in an unexpected way, in a tale told with exceptional erudition.

Highly atmospheric, engaging and perceptive, Sunsets Never Wait plunges the reader into a bleak Connemara landscape and the tortured lives of two lost souls. It’s a page-turning exploration of the weight of secrets and the courage it sometimes takes to… show more.

As a young reporter in the mid-1990s, I cut my teeth reporting the end of the Northern Ireland ‘Troubles’ and the eventual signing of the Belfast/Good Friday Agreement peace deal. That deal was based around a constitutional ambiguity that was rocked by the Brexit vote.

This pithy volume by Queen's University Belfast politics professor Katy Hayward manages to blend absolute concision and with ambition, tracing the history of the Irish border that found itself at the heart of the UK’s often bitter Brexit negotiations with Europe.

Amid so much rhetoric, Hayward trades only in the facts while carefully framing the future choices that Brexit might bring to Northern Ireland.

I find so true this depiction of a family cruelly affected by their father’s grim past as an IRA commander, which has turned him into a strict, even cruel, disciplinarian.

I shuddered with empathy with the children and wife and rejoiced in the eventual escape of the sons he beat while still, in the end, feeling for him and his loss of their love.

I read it years ago, and it always stayed with me, so I recently recommended it to my reading group and read it again. I was no less moved.

This book is one of the best at capturing the impact of myth on history, culture, and politics. Thompson starts long before the Easter 1916 Rising, the book’s central event, and examines how Celticity became a focal point of reclaiming an Irish identity separate from the British. Just as Jack Zipes’ Grimm Legacies demonstrates how the collection of folklore developed a unified German cultural identity, Thompson illustrates how collecting (and in many cases updating) the myths of the land gave Ireland not only a new identity but also a new history. The heroes of those mythic stories would be used for the next three centuries as allegories for both Ireland and the Irish in art, literature, theatre, and political rhetoric. It is the blueprint of all my worldbuilding.