Here are 97 books that The Secret Army fans have personally recommended if you like
The Secret Army.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review
I grew up in one of America’s most heavily Irish areas, outside Philadelphia. After Northern Ireland exploded in 1969, IRA gunrunning cases made the local news, and came up in conversations – one friend told me his ancestors smuggled weapons in the 1920s. So I was hooked when I ran across a vivid 1922 account of an IRA shooting in Manhattan, splashed on the front page of The New York Times, my employer. My first book was about Irish rebel gunmen, the Molly Maguires of the Pennsylvania coal fields, where my Irish ancestors were miners. I’ve given lectures about the IRA’s American activities at conferences in Cork and California.
The subtitle of this rollicking yarn tells you all you need to know: “An Incredible True Story of IRA Pirates.”
In March 1922, a daring crew of Cork rebels took to the high seas and hijacked a Royal Navy ship packed with 120 tons of guns and ammo. This bloodless act of piracy caused an uproar in London and Dublin, and altered the course of the Irish Civil War. The book is extensively researched, and Mahon knows whereof he speaks – his grandfather was the head of the Cork IRA.
I loved this one because it is set in the same locale and era where part of my book is set, and it features some of the same characters.
A 'sensational affair.. carried out with great audacity' - New York Times. An astonishing act of piracy, the capture of the British war ship, the Upnor changed the course of Ireland's Civil War. Flawless in its planning and execution, while Winston Churchill remarked on Irish 'genius for conspiracy', a furious Michael Collins accused the British of deliberately arming his enemies. Indeed, it's highly likely that the bullet that killed him originated in the Upnor.
The Ballycotton Job brings this riveting story to life, its cast of disparate characters and strands of adventure beautifully woven together. This book sees events leading…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love this story because it is a time portal that swiftly deposited me in the streets of Dublin just before the Easter Rising. I could see the dirty streets and poverty and feel the hunger for change, for freedom from occupation, that was palpable in the air. I watched the unbelievable and fantastic display of doomed, deadly belligerence against the British.
I love the intensity and rawness of the author’s changing outlook. From a disinterested privileged medical student to a hard-core rebel, abandoning his bright future, he leads men across the wilds of Ireland in tasks he would rather not undertake. I love that he tells this with such a poetic turn of phrase that I can feel the grass underfoot as the men walk and my stomach churning as they take aim.
More than any other book of the period, On Another Man's Wound captures the feel of Ireland―the way people lived, their attitudes and beliefs―and paints brilliant cameo sketches of the great personalities of the Rising and the War. Like many of the Irish, O'Malley was largely indifferent to the attempts to establish an independent Ireland―until the Easter Rising of 1916. As the fight progressed his feelings changed and he joined the Irish Republican Army.
I grew up in one of America’s most heavily Irish areas, outside Philadelphia. After Northern Ireland exploded in 1969, IRA gunrunning cases made the local news, and came up in conversations – one friend told me his ancestors smuggled weapons in the 1920s. So I was hooked when I ran across a vivid 1922 account of an IRA shooting in Manhattan, splashed on the front page of The New York Times, my employer. My first book was about Irish rebel gunmen, the Molly Maguires of the Pennsylvania coal fields, where my Irish ancestors were miners. I’ve given lectures about the IRA’s American activities at conferences in Cork and California.
We know from the start that the British prime minister survived the IRA bomb explosion at a Conservative Party conference in Brighton, but that doesn’t lessen the tension in this fine history of the incident.
Rory Carroll gives us nuanced portraits of Thatcher and the bomb maker who tried to kill her. This tale of an overseas attack by the IRA really resonated with me because that’s what “Ambush at Central Park” is all about – and my book includes a chapter about the involvement of some of the IRA gunmen in New York in a plot to assassinate members of the British Cabinet more than sixty years before the explosion that nearly killed Thatcher.
A race-against-the-clock narrative that finally illuminates a history-changing event: the IRA’s attempt to assassinate Margaret Thatcher and the epic manhunt that followed.
A bomb planted by the Irish Republican Army exploded at 2:54 a.m. on October 12, 1984. It was the last day of the Conservative Party Conference at the Grand Hotel in the coastal town of Brighton, England. Rooms were obliterated, dozens of people wounded, five killed. Prime Minister Margaret Thatcher was in her suite when the explosion occurred; had she been just a few feet in another direction, flying tiles and masonry would have sliced her to ribbons.…
I grew up in this place, born here when the Troubles began. In one form or another, the conflict was everywhere. It was built into the infrastructure, into attitudes. It infested conversations, hurt friendships, killed old folks, children, friends, and family. Fiction from and about Northern Ireland was inevitably hamstrung by that dominant, terrible story. Since the 1994 ceasefires, our fiction has come charging forward. It’s analytical, bullish, enlightening, funny as hell, and it moves us forward by taking honest stock of what came before. I love this emerging place and its new voices. And I love to read and write stories about it. It’s a stubborn home, often maddening, truly kind, forever breath-taking.
A masked IRA gunman presses a bullet into a small hand. He warns the boy he’ll put the same bullet into his father if instructions are disobeyed. It’s a pointed detail because it happened. The author was that boy. This story glides between fiction and nonfiction in search of truths about two rural murders and a vanished informer. But, as we have been learning here, dissecting darkness reveals only darkness. At heart this is a tale of a family’s composure, of a faithful bond to land, of being at odds with truths and lies. And that omnipresent terrain, with its moving shadows and thorny wilds, played witness to it all. This story takes place near where I grew up. It has stayed with me longer than I’m used to.
"The result is a breathtakingly brutal piece of crime writing that is relentless in its pursuit of the truth" Declan Burke in the Irish Times
"Among many other things, Murder Memoir Murder is a brilliant evocation of Ireland's border culture, its contentions and unwritten protocols" Garrett Carr, author of The Rule of the Land
"Hugely evocative, deeply felt and beautifully written, Murder Memoir Murder is a brave, brutal exploration of our shared past, his family’s own personal history and the act of storytelling itself." Brian McGilloway
Murder Memoir Murder is both a memoir and a crime fiction story involving a…
I am a journalist who spent 15 years reporting from all over the world – Kabul, Baghdad, New Delhi, Beijing, Washington D.C. – returning to London in 2015 to report on the UK’s relations with Europe. Then Brexit happened. As a reporter, I’d chronicled the rise of China and India after 9/11 and the 2008 financial crisis, but I’d failed to understand how far Britain had been consumed by the forces of populism that have roiled all Western democracies. I’ve spent the last eight years reporting on the fallout, from both sides of the English Channel; trying to unpack what went wrong, and see what we can do about it.
As a young reporter in the mid-1990s, I cut my teeth reporting the end of the Northern Ireland ‘Troubles’ and the eventual signing of the Belfast/Good Friday Agreement peace deal. That deal was based around a constitutional ambiguity that was rocked by the Brexit vote.
This pithy volume by Queen's University Belfast politics professor Katy Hayward manages to blend absolute concision and with ambition, tracing the history of the Irish border that found itself at the heart of the UK’s often bitter Brexit negotiations with Europe.
Amid so much rhetoric, Hayward trades only in the facts while carefully framing the future choices that Brexit might bring to Northern Ireland.
The Irish border is a manifestation of the relationship between Britain and Ireland. When that relationship has been tense, we have seen the worst effects at the Irish border in the form of violence, controls and barriers. When the relationship has been good, the Irish border has become - to all intents and purposes - open, invisible and criss-crossed with connections. Throughout its short existence, the symbolism of the border has remained just as important as its practical impact.
With the UK's exit from the European Union, the challenge of managing the Irish border as a source and a symbol…
My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.
I’m recommending this book because of how well the author described the events taking place in a country where they lived. It’s another story about a virus, similar to the deadly Covid one, but the people who die come back as zombies. I love how the main characters have to deal with the outbreak & how they try to stop it.
PROLOGUE Finaghy, Northern Ireland 17th June 2010 There was a woman screaming in his face. She was one of many, crowding around him. But he couldn't hear her. With the headgear he was wearing, Sergeant George Kelly couldn't hear what any of them were saying. They were all just muffled words. Muted. Censored. Like sounds you would hear under water. But he could see her talking, see her screaming. And he knew she was swearing. It was something about the way her lips were moving. Shaping the words as if they were heavy. Teeth showing. Almost growling rather than speaking.…
I grew up on a farm in Northern Ireland. Ulster was always an inspiration, for both my painting and my writing. My first novel, The Misremembered Man, became a bestseller worldwide, and I followed it with several more works of fiction. I attribute their success to the magic of rural Ireland, and the wonderful characters who peopled my childhood. My formative years, unhappy and fearful though they were, serve as a repository of emotion and stimulation, which I draw upon frequently in my writing. Having the courage to change and grow in difficult circumstances is a common theme. Since all my novels are character-driven, my book choices broadly reflect this strength in the authors I have chosen.
Tara Doherty has come to live in Connemara following the death of her husband. She’s distraught and lonely here in "the back of beyond." Until a mysterious stranger rents a little cottage close to Tara’s. James Dunford, she learns, is Irish-born but lived in the USA. He spends his days fixing up his cottage and walking the beach with a stray dog. As time goes by, Tara learns from a local villager that James is not what he seems and that his motive for renting the cottage is far from conventional. She confronts him, and their two lives intertwine in an unexpected way, in a tale told with exceptional erudition.
Highly atmospheric, engaging and perceptive, Sunsets Never Wait plunges the reader into a bleak Connemara landscape and the tortured lives of two lost souls. It’s a page-turning exploration of the weight of secrets and the courage it sometimes takes to…
The weight of secrets... The courage it takes to sometimes speak the truth...
From the Amazon bestselling author of The Storm Beyond The Tides comes the personal saga of two people whose troubled lives intersect on the remote west coast of Ireland in 1981.
"...Emotionally charged and deeply moving..."― Christina McKenna, bestselling author of The Misremembered Man and The Disenchanted Widow
Winters are long on the windswept coast of Connemara, where Tara Doherty has come to live after the death of her husband. The isolation is all but unbearable until a mysterious tenant moves into the house at the bottom…
There is still so much to know about Irish girls’ and women’s lives, and I think that’s why I’ve always been drawn to books that explore these themes, whether in fiction or nonfiction. I work as a historian and professor of Irish History at Queen’s University Belfast. I love archival research and often find it really exciting to order a file or box in the archives or pull up a newspaper, not knowing what story it is going to tell or what insight I am going to get of an individual’s world in the written records left behind. I hope that you like my choices!
I picked up this book while I was on maternity leave and had it finished by the end of the day. I just couldn’t put it down–and luckily, my baby slept a lot that day! It’s definitely one of my all-time favorite novels.
It is an incredibly absorbing fictional love story. It focuses on a young Catholic woman, Cushla, who works as a teacher and her relationship with a Protestant married man named Michael, set against the backdrop of the Troubles in Northern Ireland in the 1970s.
I live in Northern Ireland now although I didn’t grow up there, so I found this a really insightful read by an author who did spend some of her childhood in Northern Ireland. I’ve loved seeing this book feature on prize lists because I think the attention it has received to date is really well deserved.
NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION
“Brilliant, beautiful, heartbreaking.”—J.Courtney Sullivan, New York Times Book Review
“TRESPASSES vaults Kennedy into the ranks of such contemporary masters as McCann, Claire Keegan, Colin Barrett, and fellow Sligo resident, Kevin Barry.” —Oprah Daily
Set in Northern Ireland during the Troubles, a shattering novel about a young woman caught between allegiance to community and a dangerous passion.
Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast, teaching at a parochial school and moonlighting…
At Columbia University (where, incidentally, I became friends with Rob) I took two 19th-century American history undergraduate courses that featured dramatic lectures on Irish emigrants, the group that served as a prototype for subsequent immigrants from other nations. The books I have listed here gave me a deeper, more complicated view of the experiences of people like my Irish Catholic ancestors on both sides of my family. I find today’s harangues on social media and cable news woefully deficient in helping to understand forces like nativism, the influence of religion on public figures, and the harrowing adjustments to American life by emerging ethnic and racial groups.
For the longest time, I have wanted to better comprehend the winding and complex years-long road to the 1998 Good Friday Agreement, the multi-party accord, which, with the US government serving as an international peace broker, ended decades of sectarian and state violence at the end of Paul O’Dwyer’s life.
This lucid and objective scholarly account helped me grasp how O’Dwyer and a cadre of fellow grassroots organizers managed in 1992 to elicit a public vow from Bill Clinton to appoint a US envoy to Northern Ireland, with Clinton making good on the promise during his presidency.
This book examines the role of the United States of America in the Northern Ireland conflict and peace process. It begins by looking at how US figures engaged with Northern Ireland, as well as the wider issue of Irish partition, in the years before the outbreak of what became known as the 'Troubles'. From there, it considers early interventions on the part of Congressional figures such as Senator Edward Kennedy and the Congressional hearings on Northern Ireland that took place in the aftermath of Bloody Sunday, 1972. The author then analyses the causes and consequences of the State Department decision…
