Here are 66 books that Flu fans have personally recommended if you like
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My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.
I’m recommending this book because of its subject matter. A virus. After what’s happened in the world recently with Covid, why not believe this could happen? A disease that makes you think someone is trying to kill you, so you have to kill them first. It’s similar to being paranoid. The author of this book has written a few sequels that follow the main character’s journey. A journey that took the person from working a normal day to thinking people were now the enemy.
REMAIN CALM DO NOT PANIC TAKE SHELTER WAIT FOR FURTHER INSTRUCTIONS THE SITUATION IS UNDER CONTROL Society is rocked by a sudden increase in the number of violent assaults on individuals. Christened 'Haters' by the media, the attackers strike without warning. The assaults are brutal, remorseless and extreme: within seconds, normally rational, self-controlled people are becoming maddened, vicious killers. There are no apparent links as a hundred random attacks become a thousand, and then thousands, right across the country. Everyone, irrespective of gender, age, race, sexuality or any other difference, has the potential to become a victim - or a…
My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.
This book sucked me into the author’s world. I think this was the author’s first novel, so I was unsure how it would read, but it’s gripping & well-written. I’m glad the author has written a sequel to this book. The style of writing is different from what I’m used to, but the author has a way of making the story believable.
Welcome to Sacrificale Grove. The place that no one ever plans on comin' to, and the place that no one ever leaves. You'll see some right peculiar folk round here, that's for sure. I can see by the look on your face that you're a bit confused. Never mind about that old path you're lookin' at; you don't want to cut through those woods north of here that's out by Clyde's old shack. You might think it's a short cut, but it ain't. Yep, there is a trail that leads into the woods. You can't see too much in there;…
My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.
This book offers a different approach to a zombie-style story. Whatever the enemy is in this book, it’s got that zombie vibe to it. But they speak, shoot guns, and even drive. It was a very different but enjoyable read. The author has written many more novels but this was one of the first books I bought after taking up writing.
The sequel to one of those most popular zombies of all time in a new, uncut, author's preferred edition!
In this sequel to THE RISING, cities are overrun with legions of the undead, intent on destroying what's left of the living. Trapped inside a fortified skyscraper, a handful of survivors prepare to make their last stand against an unstoppable, merciless enemy. With every hour their chances diminish and their numbers dwindle, while the ranks of the dead continue to rise. Because sooner or later, everything dies. And then it comes back, ready to kill.
My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.
I’m not sure if this author is still writing but we swapped novels when I wrote my first book. This is a story about someone who was bitten, but it’s told through their eyes as they turn into a zombie. What do they do? How do they feel? It’s a well-crafted story for a first novel, having a zombie who still thinks like a human.
The Apocalypse, From A Different Point Of View... When Hetfield Madden realizes that he has become a mutated flesh-eater in the midst of a virus-induced plague he struggles to come to grips with his new reality. But when the government and society at-large begin to reject and mistreat Het and his fellow Infected he decides to fight back, and only then becomes a true monster. . Wrath, The Virus That Would Destroy The World... The Wrath virus doesn't merely reanimate the dead, it changes the world. Heaven and Hell cease to exist and those left on Earth are forced to…
I grew up in one of America’s most heavily Irish areas, outside Philadelphia. After Northern Ireland exploded in 1969, IRA gunrunning cases made the local news, and came up in conversations – one friend told me his ancestors smuggled weapons in the 1920s. So I was hooked when I ran across a vivid 1922 account of an IRA shooting in Manhattan, splashed on the front page of The New York Times, my employer. My first book was about Irish rebel gunmen, the Molly Maguires of the Pennsylvania coal fields, where my Irish ancestors were miners. I’ve given lectures about the IRA’s American activities at conferences in Cork and California.
A comprehensive history of the IRA from the 1916 Easter Uprising to the height of the Northern Ireland Troubles in the 1970s.
Bell did extensive research, interviewing many IRA veterans, and he offers insights on the organization’s high points and low points, of which there were many. What I liked best, though, was Bell’s writing – his words bring these people and events to life.
The Secret Army is the definitive work on the Irish Republican Army. It is an absorbing account of a movement that has had a profound effect on the shaping of the modern Irish state. The secret army in the service of the invisible Republic has had a powerful effect on Irish events over the past twenty-five years. These hidden corridors of power interest Bell and inspired him to spend more time with the IRA than many volunteers spend in it. This book is the culmination of twenty-five years of work and tens of thousands of hours of interviews. Bell's unique…
I grew up in this place, born here when the Troubles began. In one form or another, the conflict was everywhere. It was built into the infrastructure, into attitudes. It infested conversations, hurt friendships, killed old folks, children, friends, and family. Fiction from and about Northern Ireland was inevitably hamstrung by that dominant, terrible story. Since the 1994 ceasefires, our fiction has come charging forward. It’s analytical, bullish, enlightening, funny as hell, and it moves us forward by taking honest stock of what came before. I love this emerging place and its new voices. And I love to read and write stories about it. It’s a stubborn home, often maddening, truly kind, forever breath-taking.
A masked IRA gunman presses a bullet into a small hand. He warns the boy he’ll put the same bullet into his father if instructions are disobeyed. It’s a pointed detail because it happened. The author was that boy. This story glides between fiction and nonfiction in search of truths about two rural murders and a vanished informer. But, as we have been learning here, dissecting darkness reveals only darkness. At heart this is a tale of a family’s composure, of a faithful bond to land, of being at odds with truths and lies. And that omnipresent terrain, with its moving shadows and thorny wilds, played witness to it all. This story takes place near where I grew up. It has stayed with me longer than I’m used to.
"The result is a breathtakingly brutal piece of crime writing that is relentless in its pursuit of the truth" Declan Burke in the Irish Times
"Among many other things, Murder Memoir Murder is a brilliant evocation of Ireland's border culture, its contentions and unwritten protocols" Garrett Carr, author of The Rule of the Land
"Hugely evocative, deeply felt and beautifully written, Murder Memoir Murder is a brave, brutal exploration of our shared past, his family’s own personal history and the act of storytelling itself." Brian McGilloway
Murder Memoir Murder is both a memoir and a crime fiction story involving a…
I am a journalist who spent 15 years reporting from all over the world – Kabul, Baghdad, New Delhi, Beijing, Washington D.C. – returning to London in 2015 to report on the UK’s relations with Europe. Then Brexit happened. As a reporter, I’d chronicled the rise of China and India after 9/11 and the 2008 financial crisis, but I’d failed to understand how far Britain had been consumed by the forces of populism that have roiled all Western democracies. I’ve spent the last eight years reporting on the fallout, from both sides of the English Channel; trying to unpack what went wrong, and see what we can do about it.
As a young reporter in the mid-1990s, I cut my teeth reporting the end of the Northern Ireland ‘Troubles’ and the eventual signing of the Belfast/Good Friday Agreement peace deal. That deal was based around a constitutional ambiguity that was rocked by the Brexit vote.
This pithy volume by Queen's University Belfast politics professor Katy Hayward manages to blend absolute concision and with ambition, tracing the history of the Irish border that found itself at the heart of the UK’s often bitter Brexit negotiations with Europe.
Amid so much rhetoric, Hayward trades only in the facts while carefully framing the future choices that Brexit might bring to Northern Ireland.
The Irish border is a manifestation of the relationship between Britain and Ireland. When that relationship has been tense, we have seen the worst effects at the Irish border in the form of violence, controls and barriers. When the relationship has been good, the Irish border has become - to all intents and purposes - open, invisible and criss-crossed with connections. Throughout its short existence, the symbolism of the border has remained just as important as its practical impact.
With the UK's exit from the European Union, the challenge of managing the Irish border as a source and a symbol…
I grew up on a farm in Northern Ireland. Ulster was always an inspiration, for both my painting and my writing. My first novel, The Misremembered Man, became a bestseller worldwide, and I followed it with several more works of fiction. I attribute their success to the magic of rural Ireland, and the wonderful characters who peopled my childhood. My formative years, unhappy and fearful though they were, serve as a repository of emotion and stimulation, which I draw upon frequently in my writing. Having the courage to change and grow in difficult circumstances is a common theme. Since all my novels are character-driven, my book choices broadly reflect this strength in the authors I have chosen.
Tara Doherty has come to live in Connemara following the death of her husband. She’s distraught and lonely here in "the back of beyond." Until a mysterious stranger rents a little cottage close to Tara’s. James Dunford, she learns, is Irish-born but lived in the USA. He spends his days fixing up his cottage and walking the beach with a stray dog. As time goes by, Tara learns from a local villager that James is not what he seems and that his motive for renting the cottage is far from conventional. She confronts him, and their two lives intertwine in an unexpected way, in a tale told with exceptional erudition.
Highly atmospheric, engaging and perceptive, Sunsets Never Wait plunges the reader into a bleak Connemara landscape and the tortured lives of two lost souls. It’s a page-turning exploration of the weight of secrets and the courage it sometimes takes to…
The weight of secrets... The courage it takes to sometimes speak the truth...
From the Amazon bestselling author of The Storm Beyond The Tides comes the personal saga of two people whose troubled lives intersect on the remote west coast of Ireland in 1981.
"...Emotionally charged and deeply moving..."― Christina McKenna, bestselling author of The Misremembered Man and The Disenchanted Widow
Winters are long on the windswept coast of Connemara, where Tara Doherty has come to live after the death of her husband. The isolation is all but unbearable until a mysterious tenant moves into the house at the bottom…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review
At Columbia University (where, incidentally, I became friends with Rob) I took two 19th-century American history undergraduate courses that featured dramatic lectures on Irish emigrants, the group that served as a prototype for subsequent immigrants from other nations. The books I have listed here gave me a deeper, more complicated view of the experiences of people like my Irish Catholic ancestors on both sides of my family. I find today’s harangues on social media and cable news woefully deficient in helping to understand forces like nativism, the influence of religion on public figures, and the harrowing adjustments to American life by emerging ethnic and racial groups.
For the longest time, I have wanted to better comprehend the winding and complex years-long road to the 1998 Good Friday Agreement, the multi-party accord, which, with the US government serving as an international peace broker, ended decades of sectarian and state violence at the end of Paul O’Dwyer’s life.
This lucid and objective scholarly account helped me grasp how O’Dwyer and a cadre of fellow grassroots organizers managed in 1992 to elicit a public vow from Bill Clinton to appoint a US envoy to Northern Ireland, with Clinton making good on the promise during his presidency.
This book examines the role of the United States of America in the Northern Ireland conflict and peace process. It begins by looking at how US figures engaged with Northern Ireland, as well as the wider issue of Irish partition, in the years before the outbreak of what became known as the 'Troubles'. From there, it considers early interventions on the part of Congressional figures such as Senator Edward Kennedy and the Congressional hearings on Northern Ireland that took place in the aftermath of Bloody Sunday, 1972. The author then analyses the causes and consequences of the State Department decision…
