Fans pick 100 books like Transforming Post-Catholic Ireland

I’m fascinated by the ways in which Christian communities remember pre-Christian cultures. In Beowulf, for example, historians in medieval England incorporated Christian themes into a story that had emerged in pagan times on the other side of the North Sea. In Ireland, Christian historians were much less interested in sanctifying their own island’s pre-Christian myth. Instead, they recorded all kinds of stories with little effort to make them fit within a Christian worldview as if they took delight in pagan culture for its own sake. But what is the historical value of these stories?

In this outstanding book, J.P. Mallory reads early Irish literature as bearing witness to the material cultures of the early medieval period – and even the periods preceding it.

This book is an eye-opener. Callan investigates a sudden unexpected sequence of heresy trials that shook the Irish church in the fourteenth century. She uncovers all manner of badly behaving churchmen – from the mendacious to the cavalier – and highlights the experience of the women who were so often their victims. Callan argues that the heresy trials often mark out differences other than theological within the Irish church – and shows that two centuries after the Norman invasion, ethnic and cultural differences continued to destabilise its always fragile communion.

Since the later sixteenth century, historians have been trying to explain why the Irish refused to follow their political leaders into the newly established protestant church. Jefferies’s book highlights the scale of the problem – showing that by the turn of the seventeenth century, seventy years after the beginnings of protestant reform, the number of native Irish converts amounted to little more than one hundred. Pushing against the triumphalism that marked an older way of writing the history of the reformation, Jefferies demonstrates the popularity of the late medieval church and argues that historians should reframe their research questions.

It might be less important to ask why the protestant reformation failed, he suggests, and more important to ask why – despite everything – the Catholic church remained so popular.

Irish protestants have always had a keen sense of their distinctive denominational identities – and never more so than during the long eighteenth century, when the Anglican state penalised dissenters, for example, refusing to offer full legal recognition to Presbyterian marriages until the 1840s. This was the period in which Presbyterians consolidated as a community, policing their doctrinal boundaries, and expelling those who could not sign up to the Westminster Confession of Faith.

Yet, at the same time, Holmes demonstrates, Presbyterians moved from supporting radical political causes, like that of the United Irishmen, to lending their support to the state by which they had so recently been persecuted. The beginnings of modern unionism may be found in the violent and bloody conclusion of the 1798 rebellion, and the political transformations that followed in its wake.

Rebel Knot is set in 17th-century Ireland, torn apart by religious conflict between Catholics and Protestants. This is a war-ravaged Ireland, a land where hope is in short supply and peace is more of a dream than a possibility. And yet, in the midst of all that violence fragile love can flourish—even between people who belong on opposite sides of the religious fence. Ms. Bazos does a fantastic job of transporting the reader back in time, and her two main characters, Niall and Ainé, are wonderfully complex and relatable. The harshness of the times is vividly depicted—as is the growing attraction between the innocent and traumatised Ainé and her new protector, Niall. 

This is an intriguing account of a lesser known period in Irish History, an unusual focus on a surprisingly successful and wealthy time. Stopford Greene was an Anglo-Irish historian, the daughter of a Protestant Archdeacon and the granddaughter of a Bishop. In this remarkable book, using material contemporaneous with her chosen period, she explores the centuries after Ireland had recovered from the Norman Invasion when it had developed a rich and sophisticated society and a thriving trade with the Continent of Europe. All of this ended with the devastation of the Tudor conquest and England’s subsequent genocidal policies.

A committed nationalist, Alice paid from her own pocket for the guns which were run into Howth Harbour in 1914 to help with the Rising.

Long before traveling to Ireland, I wanted to learn all I could about those who live there. 

I have found that the best way to achieve that goal is to read historical fiction novels that present an incisive portrait of the Irish people—their often-tragic history, rich culture, traditions, and day-to-day living. The human stories bring the book to life, involving you directly in the characters’ lives. Trinity made me feel that I was living in the past, experiencing history firsthand.

This is a fascinating look at the perceptions of Irish mythology at different points throughout our history. There’s always a lot of fuss on the internet about fantasy writers who get our mythology “wrong”, but Mark Williams shows that the legends themselves and their themes have evolved constantly to reflect the concerns and mores of the times and of the storytellers themselves. Ireland’s Immortals is almost an academic proof of the thesis laid out in Robert Holdstock’s brilliant novel, Mythago Wood, which -- it goes without saying -- I also highly recommend.

It spoke to my heart. It opened up a world of spirit and intuition, of love and grace that I had never connected with before. Discovering this book was like discovering a new and deep friendship.

The book read like poetry. It provided inspiration in my life at a time when I was new to spiritual seeking. I was so inspired by its words and insight that I typed up pages of quotes I wanted to remember. It felt as if it spoke to a wisdom deep within me and called it to awaken.

I’ve gone on to love other books written by John O’Donohue, but Anam Cara will always be my favorite.    

My wife was given this book as a gift, unfortunately, much to my joy, she gave it to me. This fast-paced adventure is a testament to all that is fantasy. Darkness, light, good fighting evil, this is everything any Fantasy fan requires from a book of this genre. I shall (and have already) embarked on reading more of Tricia’s rich and vibrant works which connects fabulously with her audience.