Fans pick 98 books like Phineas Finn

Elizabeth Bowen once described the Ireland-England relationship as ‘a mixture of showing-off and suspicion, nearly as bad as sex’. Her 1928 novel demonstrates this beautifully, eviscerating the attitudes of  Anglo-Irish grandees in their Big House as the country around them crackles with guerilla war and showing the incomprehension between the Irish (at all social levels) and the British soldiers sent ostensibly to keep the peace.

Though it ends in tragedy, social comedy, as so often, shows the brutal realities beneath the surface. And the atmosphere of the Irish landscape, at once idyllic and brooding, comes alive in Bowen’s supercharged prose.

I first encountered this book as a series of lectures in Oxford in 1978 and was riveted.

Lyons faced head-on the themes of cultural and sectarian antagonism in Ireland from the death of the constitutionalist nationalist leader Parnell in 1891 to independent Ireland’s decision to remain neutral in World War II, using sources that were as much literary as political, and at the end projecting the divisions in Irish society forward to the then-current violence in the North. The tone was notably acerbic, even verging towards despair, but also employing bitter humour.

A great historian, he died prematurely a few years later when just embarking on his projected but unwritten biography of Yeats. He had written many books, but this is the one that left the loudest echoes–notably in nailing the psychological gulf of understanding between Ireland and Britain that became so apparent in the early twentieth century.

I spent eighteen years writing the authorized biography of W.B. Yeats, and he haunts me still.

Though his poetry is world-famous, his autobiographies are less well known; yet they illuminate like nothing else the experience of living between Ireland and England and the contrast between a childhood in late-Victorian County Sligo and coming of age in the artistic circles of fin-de-siecle London.

At the end of his life, Yeats reflected on the tension between his Irish background and English conditioning and the contradictory feelings they inspired, writing, "My hatred tortures me with love, my love with hate." Elsewhere, he wrote that poetry comes out of "the struggle with ourselves," and his autobiographies show this to mesmerizing effect.

This is a play that reads like the most hilarious novel, and the "Preface for Politicians" should be required reading for British diplomats and civil servants.

Shaw deals with the misunderstandings that arise when a rich Englishman arrives in Edwardian Ireland to develop a tourist opportunity. His approach is at once idealistic and exploitative, while his Irish colleagues are cynical, hardheaded, and privately contemptuous.

In the accompanying "Preface," Shaw uses the misunderstandings that arise from self-interest and wilful ignorance to illuminate and expose Britain’s misgovernment of Ireland. His perspective is socialist rather than nationalist, but few saw as far ahead as he did in 1904, and his devastating humour still takes your breath away.

Jewel thieves, undercover investigation, and - a fake engagement? I seriously could not predict the twists and turns aplenty in this book from Erin Swann which made me gasp several times, and then frantically keep reading.

I adored the clever descriptions that Erin crafted, and it became impossible not to fall in love with her characters. Grab it now.

I read this book when I was just out of journalism school and finding my way in the world of journalism and writing. For me, Maeve Binchy was already an icon because she managed to juggle journalism and writing. All these years later, I am doing the same, but the seeds were grown back then with this book.

I love this novel's depiction of a three-decade-long friendship between two women. The strength of the female characters shines through, and I remember thinking when I was reading it that was Maeve Binchy’s secret weapon; she made her characters so human. 

This is a story of endurance, love, and the power of friendship. I loved it when it first came out in the '80s, and it gave me heart that books about strong women and the bonds of friendship didn’t necessarily have to have a bright pink cover.

This is one of several excellent books that explores how nonhuman animals shaped cities (see also Andrew Robichaud’s Animal City, Frederick L. Brown’s The City is More Than Human, Dawn Day Biehler’s Pests in the City, and Hannah Velten’s Beastly London, for example). Cities are multispecies spaces and they have always been so, even as the history of a given city shifts and changes. When we walk through a city like Dublin today we may not immediately think about the many, many nonhuman animals who used to roam the same streets and pathways we walk on today. And yet, as Juliana Adelman explores in this book, there are hints and traces of this animal history if we know where to look.

No one does dialogue and atmospheric tension like Tana French. Faithful Place is my favorite of hers.

I felt like the characters were so alive that I could hear their voices in my head long after I had closed the book. This story is rife with a gritty, urban Irish atmosphere and thick with familial tension. French does a cross between literary fiction and procedural that is devastating, at times quite dark, and yet ringing with hope—one of my favorite qualities in a mystery.

Best read on a dark, rainy afternoon with a mug of rich coffee—or a Guinness. 

This is the first book in a trilogy that follows multiple generations of a fictional Irish family. Set in the mid-1600s, Cromwell’s soldiers leave a trail of destruction behind as they attack towns and villages throughout the country. After his wife is killed in the massacre of Drogheda Dominick McMahon and his two children, along with a wounded priest, set out to find a safer place to live. The story is compelling and, although part of a trilogy, can be read as a stand-alone novel. It has everything I like about historical fiction – captivating characters woven into a series of major events that pull the reader into a bygone era.

I am deeply interested in the heyday of spiritualism in Europe and America in the 19th and 20th centuries, so I wanted to read this book as soon as I saw the synopsis. I wasn’t disappointed. 

Set in Belfast in 1914, the novel is based upon the real-life attempts of engineering professor William Jackson Crawford to prove the existence of spirits by the use of technology. The intensity of this story, of Crawford’s unrelenting obsession to prove himself, grabbed me and wouldn’t let go. I took the book with me on the train every morning and found it hard to put down when I reached my stop. This is an amazing novel.