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John Bull's Other Island.
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I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
Elizabeth Bowen once described the Ireland-England relationship as ‘a mixture of showing-off and suspicion, nearly as bad as sex’. Her 1928 novel demonstrates this beautifully, eviscerating the attitudes of Anglo-Irish grandees in their Big House as the country around them crackles with guerilla war and showing the incomprehension between the Irish (at all social levels) and the British soldiers sent ostensibly to keep the peace.
Though it ends in tragedy, social comedy, as so often, shows the brutal realities beneath the surface. And the atmosphere of the Irish landscape, at once idyllic and brooding, comes alive in Bowen’s supercharged prose.
Read Elizabeth Bowen's accessible feminist take on the Irish aristocracy
WITH AN INTRODUCTION BY VICTORIA GLENDINNING
The Irish troubles rage, but up at the 'Big House', tennis parties, dances and flirtations with the English officers continue, undisturbed by the ambushes, arrests and burning country beyond the gates. Faint vibrations of discord reach the young girl Lois, who is straining for her own freedom, and she will witness the troubles surge closer and reach their irrevocable, inevitable climax.
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I first encountered this book as a series of lectures in Oxford in 1978 and was riveted.
Lyons faced head-on the themes of cultural and sectarian antagonism in Ireland from the death of the constitutionalist nationalist leader Parnell in 1891 to independent Ireland’s decision to remain neutral in World War II, using sources that were as much literary as political, and at the end projecting the divisions in Irish society forward to the then-current violence in the North. The tone was notably acerbic, even verging towards despair, but also employing bitter humour.
A great historian, he died prematurely a few years later when just embarking on his projected but unwritten biography of Yeats. He had written many books, but this is the one that left the loudest echoes–notably in nailing the psychological gulf of understanding between Ireland and Britain that became so apparent in the early twentieth century.
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I spent eighteen years writing the authorized biography of W.B. Yeats, and he haunts me still.
Though his poetry is world-famous, his autobiographies are less well known; yet they illuminate like nothing else the experience of living between Ireland and England and the contrast between a childhood in late-Victorian County Sligo and coming of age in the artistic circles of fin-de-siecle London.
At the end of his life, Yeats reflected on the tension between his Irish background and English conditioning and the contradictory feelings they inspired, writing, "My hatred tortures me with love, my love with hate." Elsewhere, he wrote that poetry comes out of "the struggle with ourselves," and his autobiographies show this to mesmerizing effect.
This title contains six autobiographical works that Yeats published in the mid 1930s. Together, they provide a fascinating insight into the first 58 years of his life. The work provides memories of his early childhood, through to his experience of winning the Nobel Prize for Literature.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I love this novel so much that I named my son Phineas in homage.
Anthony Trollope might seem the ur-English novelist because of his much-loved series of Barhhester novels set among clerics in a provincial town, but he spent much of his working life in Ireland and wrote passionately about the country in many of his books.
Phineas Finn is a kind of alter ego, a young Irishman equipped with charm, good looks, and very little money. He becomes a Member of Parliament and sets out to find his way through the challenges and dilemmas of high society in Victorian London. His moral compass sometimes goes slightly awry, but it generally comes right in the end.
Trollope’s psychological subtlety draws out the ambiguities and prejudices that Phineas encounters and reminds us of the central part played by Ireland in the British Empire. He died long before Ireland’s separation from Britain,…
Like anyone else who takes an interest in Ireland, I’ve been fascinated by the long and often very difficult history of the island’s experience of religion. Where I live, in county Antrim, religious imagery appears everywhere – in churches and schools, obviously, but also on signboards posted onto trees, and in the colourful rags that are still hung up to decorate holy wells. This book is the fruit of twenty years of thinking about Christian Ireland - its long and difficult history, and its sudden and difficult collapse.
Why, from the 1990s, did the Irish Catholic consensus so suddenly disappear? And what might be the effect of this sudden-onset secularisation? This brilliant account of the recent revolution in Irish religion describes the effects of the clerical scandals that brought down a government, demoralised a denomination, and drove social change on a massive and structural scale. Ganiel shows how the older religious monopolies that did so much to shape the institutions and culture of Ireland, north and south, have given way to a much more fluid religious market, in which individuals can believe without belonging just as much as they might formerly have belonged without believing.
Transforming Post-Catholic Ireland is the first major book to explore the dynamic religious landscape of contemporary Ireland, north and south, and to analyse the island's religious transition. It confirms that the Catholic Church's long-standing 'monopoly' has well and truly disintegrated, replaced by a mixed, post-Catholic religious 'market' featuring new and growing expressions of Protestantism, as well as other religions. It describes how people of faith are developing 'extra-institutional' expressions of religion, keeping their faith alive outside or in addition to the institutional Catholic Church.
Drawing on island-wide surveys of clergy and laypeople, as well as more than 100 interviews, Gladys…
I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book!
This book, for younger readers, is a collection of retellings of some of Ireland’s most well-known stories like Oisín in Tír na nÓg, as well as less famous ones like Son of an Otter, Son of a Wolf. Doyle writes terrifically well, perfectly pitching his tales at a young audience. Illustrated by Niamh Sharkey in her distinctive style, this is a collection to be treasured. I loved the pronunciation guide for the Irish names, as well as the introduction and the page about Doyle’s sources.
This book features tumbling tigers, happy hippos, rumbling rhinos and more! These lively animals and other creatures will help youngsters to count from one to twelve with the clever cockatoos. A delightful companion to Stephanie Bauer's "Alligator Alphabet", "Counting Cockatoos" also includes a colourful counting frieze.
Liddy-Jean Marketing Queen and the Matchmaking Scheme
by
Mari SanGiovanni,
Introducing the irrepressible Liddy-Jean Carpenter, a young woman who has learning disabilities but also has a genius plan.
While Liddy-Jean spends her days doing minor office tasks with nobody paying attention, she sees how badly the wand-waving big boss treats the Marketing Department worker bees. So, she takes lots of…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love this book because it is a compilation of first-person accounts of major events throughout the history of Ireland. From St. Patrick to the raids of the Vikings, the rebellions of former rebels, and all the way to the civil war of 1923-24. Each selection is from extant works located in libraries and institutions around the country.
We hear the wild stories told with awe and wonder, with shock and abhorrence, as if we are sitting in a pub listening to the author whisper his witness in astonishment or regret. Suddenly, we understand the Irish rebels, the generations of rebels through the centuries, and we find ourselves full of admiration for those men and women who endured and fought and finally found freedom for their countrymen.
The history of Ireland told through the words of the people who lived it
Eyewitness to Irish History draws upon original source materials to capture the tumultuous events and rich texture of Irish history like no other book. Comparing the readings compiled here to snapshots, the renowned Celtic scholar Peter Berresford Ellis offers what is, in essence, a family album of Ireland and the Irish people—beginning with Golamh, the legendary leader of the band of Iberian Celts who settled the island more than three thousand years ago, and concluding with gripping firsthand accounts by those on both sides of the…
I am a historian of the American Revolution. I am interested in the war that created the United States, why it happened, and its lasting effects on the world today. The British government kept meticulous records of the lead-up to American independence and I have scoured these for new and interesting stories that historians have missed. I teach history at Eastern Michigan University, and I am currently completing a book on buggery in the British army that will be out in 2024.
Revolutionary historians are familiar with the Townshend Acts, import duties approved by Parliament in 1767 that pushed the Americans closer toward independence. Patrick Griffin explores the man for who the taxes were named—Chancellor of the Exchequer Charles Townshend—but also his brother George who served as Lord Lieutenant of Ireland from 1767 to 1772. By comparing and contrasting these two brothers who ran the British Empire for a brief moment, Griffin invites us to consider the American Revolution within its imperial context. I found the parallels between America where independence efforts succeeded and Ireland where they failed particularly thought-provoking.
The captivating story of two British brothers whose attempts to reform an empire helped to incite rebellion and revolution in America and insurgency and reform in Ireland
Patrick Griffin chronicles the attempts of brothers Charles and George Townshend to control the forces of history in the heady days after Britain's mythic victory over France in the mid-eighteenth century, and the historic and unintended consequences of their efforts. As British chancellor of the exchequer in 1767, Charles Townshend instituted fiscal policy that served as a catalyst for American rebellion against the Crown, while his brother George's actions at the same moment…
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
Perhaps no book has moved me more than Ireland by Frank Delaney.
Through a series of tales told by an itinerant storyteller the author paints a series of haunting, vivid portraits of Irish history. Each story stands alone, but over the course of three nights of story-telling, the pieces of this mosaic come together, revealing a clearer history than most history books could hope to present.
Delaney reaches deeper historical facts and allows a rare glimpse into how people felt and what they believed. I felt that I was listening to the storyteller, rather than reading words. This presents the Irish people in a unique and engaging light.
One evening in 1951, an itinerant storyteller arrives unannounced and mysterious at a house in the Irish countryside. By the November fireside he begins to tell the story of this extraordinary land. One of his listeners, a nine-year-old boy, grows so entranced by the storytelling that, when the old man leaves, he devotes his life to finding him again. It is a search that uncovers both passions and mysteries, in his own life as well as the old man's, and their solving becomes the thrilling climax to this tale. But the life of this boy is more than just his…
Imogene’s client has a special request. The only hitch is, the client is dead. It’s an ordinary day at Harry’s Hair Stop until Imogene hears her favorite client’s dying wish. Two days later, she finds herself in the embalming room at Greener Pastures Mortuary, bottle of hair dye and scissors…
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.
Penguin Classics is proud to welcome William Trevor—"Ireland’s answer to Chekhov" (The Boston Globe) and "one of the best writers of our era" (The Washington Post)—to our distinguished list of literary masters. In this award-winning novel, an informer’s body is found on the estate of a wealthy Irish family shortly after the First World War, and an appalling cycle of revenge is set in motion. Led by a zealous sergeant, the Black and Tans set fire to the family home, and only young Willie and his mother escape alive. Fatherless, Willie grows into manhood while his alcoholic mother’s bitter resentment…