Here are 100 books that Fools of Fortune fans have personally recommended if you like
Fools of Fortune.
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I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
It took me a while to get to this part of Orwell’s oeuvre, but once I did, I was engrossed. The crispness of the writing and the precision of his observations are unmatched. Admittedly, due to Orwell’s own political persuasions, you should not base your views of the Spanish Civil War on this book alone, but as a piece of honest journalistic writing with a clear point of view, it deserves its status as a classic.
Homage to Catalonia remains one of the most famous accounts of the Spanish Civil War. With characteristic scrutiny, Orwell questions the actions and motives of all sides whilst retaining his firm beliefs in human courage and the need for radical social change.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Helen Graham, a leading historian on the Spanish Civil War.
I have picked these books because I have a passion for good reading material. All the books I have chosen have become reading classics in their own way. They are well written and have plots that go well beyond normal literature in a sense that they unveil the 'human condition' into the realm of the protagonist being up against all odds, where in the end, truth reveals all!
Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.
In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
On the surface, this is a comedy of mistaken identity with identical twins, Sebastian and Viola, at its heart. It concerns members of the nobility: Orsino, Olivia, and Viola (disguised as Orsino’s serving-man, Cesario). But there are other characters, too, who drive the sub-plot. Key among these is the jester, Feste, who knows that all of life is uncertain, a matter of ‘the wind and the rain,’ and that so much of existence is to do with confronting forks in the road. At the end of the play, the ’toffs’ dutifully pair off: Olivia marries Sebastian and Orsino marries Cesario (or rather, Viola, unmasked in the nick of time). And Feste is on hand to pronounce on the mutability of life and on how its choices aren’t always ours to make.
Named for the twelfth night after Christmas, the end of the Christmas season, Twelfth Night plays with love and power. The Countess Olivia, a woman with her own household, attracts Duke (or Count) Orsino. Two other would-be suitors are her pretentious steward, Malvolio, and Sir Andrew Aguecheek.
Onto this scene arrive the twins Viola and Sebastian; caught in a shipwreck, each thinks the other has drowned. Viola disguises herself as a male page and enters Orsino’s service. Orsino sends her as his envoy to Olivia—only to have Olivia fall in love with the messenger. The play complicates, then wonderfully untangles,…
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
After much soul-searching, Charlotte Emory resolves to leave the motley cast of characters that make up her family in Clarion, Maryland. Her plans are foiled, however, by happenstance. When she goes to cash her getaway cheque, she becomes entangled with robber Jake Simms, who takes her hostage and spirits her south to Florida. Forks in the road abound in this novel, figurative and literal. In the end, however, and through sheer force of character, Charlotte bids farewell to Jake in particular and happenstance in general. She returns to her family, having made up her mind to take only those paths in life which reflect her true character and ensure that she is the wife and mother she should really be.
From the beloved Pulitzer Prize–winning author of Breathing Lessons—Charlotte Emory has always lived a quiet, conventional life in Clarion, Maryland. She lives as simply as possible, and one day decides to simplify everything and leave her husband.
Her last trip to the bank throws Charlotte's life into an entirely different direction when a restless young man in a nylon jacket takes her hostage during the robbery—and soon the two are heading south into an unknown future, and a most unexpected fate.
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
Miranda Doyle makes sense of her life through a series of lies told to her and by her. It’s a fabulously original and shocking approach.
One of several siblings at the mercy of an explosive father and passive mother, her truth, as she admits, is also unreliable. I enjoyed how the writer breaks free to question the idea of truthfulness in memoir and her astute observations made me look a little closer at her family photos for the subtext, and to question their veracity. Terrifying episodes are recounted with verve and urgency, akin to a rollercoaster ride.
In an age of post-truth, fake news, and false narratives, the science behind lying sheds further light on the dynamics of this family and the narrator’s quest for closure.
A Book of Untruths is a family story told through a series of lies. Each short chapter features one of these lies and each lie builds to form a picture of a life-Miranda Doyle's life as she struggles to understand her complicated family and her own place within it.
This is a book about love, family and marriage. It is about the fallibility of human beings and the terrible things we do to one another. It is about the ways we get at-or avoid-the truth. And it is about storytelling itself: how we build a sense of ourselves and our…
“Horse Crazy” isn’t a description; it’s a way of life for me. I’ve loved horses since I could remember, selling Girl Scout cookies to finance my way through three years of horse camp, working weekends cleaning stalls, even pursing a degree in Equine Science. Discovering fantasy books with magical, sentient horses not only introduced me to fantasy fiction, but also just made my own experience with horses seem real. Currently, I write equestrian fantasy as well as equestrian literature (horse books for those who chose not to grow out of being horse crazy” and live on my homestead with my herd of rescue horses, who inspire me every day.
It may not be fantasy, but Anne McCaffrey is well known for her Dragonriders of Pern series, among other books (like The Ship who Sang with Mercedes Lackey). Take one English countryside farm, mix in a headstrong girl who wants to ride champion hunters and jumpers, a bit of romance, and fine horses, and you have a tale that demands to be on the screen.
Amidst the grandeur of the emerald countryside, a magnificent story unfolds. . . .
They are the Carradynes, who for more than 200 years have bred and trained horses of the finest caliber on Cornanagh—a land so beautiful it inspires the soul.
But all is not idyllic at hearth and home. At the center of the conflict is Catriona, the youngest child, a girl who dreams of riding her family’s big jumpers and show horses. Her father, Michael, is keenly aware of her immense talent, and he urges her on—only to lock wills with his insufferably pious and overbearing wife,…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
Paul Murray immediately sucked me in with this story about the Barneses, an Irish family who has been hit hard by the 2008 financial crisis. Murray’s writing is propulsive and gripping, as well as hilarious.
I laughed through much of the book and was blown away by the ending. This novel is one I’ve recommended several times since I first encountered it.
WINNER OF THE NERO BOOK AWARD FOR FICTION 2023 WINNER OF AN POST IRISH BOOK OF THE YEAR 2023 SHORTLISTED FOR THE BOOKER PRIZE 2023 SHORTLISTED FOR THE WRITERS' PRIZE FOR FICTION 2024 SHORTLISTED FOR THE KERRY GROUP NOVEL OF THE YEAR 2024 ONE OF SARAH JESSICA PARKER'S BEST BOOKS OF 2023
Book of the Year 2023 according to New York Times, New Yorker, The Sunday Times, The Economist, Observer, Guardian, Washington Post, Lit Hub, TIME magazine, Irish Times, The Oldie, Daily Mail, i Paper, Independent, The Standard, The Times, Kirkus, Daily Express, City A.M.
I am a sociologist with a longstanding interest in the social aspects of medicine and public health. I started with research on HIV/AIDS. Since then, I have written many books and conducted a multitude of studies on how people understand and experience health and illness and how they seek help when they are sick or feel at risk from disease. When COVID-19 hit the world in early 2020, it was not long before I started to think about what my research training and expertise could offer to understanding the social impacts of this new pandemic. I started to write about COVID and research on people’s everyday experiences.
Life Without Children is a collection of ten short stories by Irish author Roddy Doyle. Nearly all the stories are set in Dublin and feature characters who are middle-aged or older men who are struggling to find a sense of purpose in their lives while confined to their homes during lockdowns. Some men lash out in anger at their partners. Others make the best of things, finding moments of intimacy and connection and forging stronger relationships with their adult children and wives. One of the few stories to be written from the perspective of a woman features a nurse who is shattered by the deaths from COVID of her patients. The stories in this collection are often bleak, but there are many poignant and even droll moments.
"[Doyle] imparts a sense of poignancy and glimpses of happiness, of grief and loss and small moments of connection . . . you're left feeling close to dazzled." -Daphne Merkin, New York Times Book Review
A brilliantly warm and witty portrait of our pandemic lives, told in ten heartrending short stories, from the Booker Prize-winning author of Paddy Clarke Ha Ha Ha
Love and marriage. Children and family. Death and grief. Life touches everyone the same. But living under lockdown, it changes us alone.
In these ten beautifully moving short stories written mostly over the last year, Booker Prize winner…
For as long as I can remember, I have been fascinated with the unbroken chain of storytelling that stretches from the ancient world to the present day, which is why I write mythological retellings. So many myths tackle grief and families in all their myriad forms and shapes, and their continued existence shows us how storytelling is a healing process and always has been. We can see our own complicated family relationships and the profound impact of love and loss reflecting back to us across the centuries. Fiction continues to do this for us today too and I’ve chosen the modern books which I think do this the best.
This is my favourite book from my all-time favourite author. I will never forget reading this for the first time, in my then-boyfriend’s flat at the start of our relationship. I ignored him all day (it’s ok, we ended up married) until I’d read it cover to cover. Marian Keyes knows how to pack a devastating emotional punch within her witty, entertaining novels and this is one of the most brutal. It’s a crystal-clear insight into grief, a book that made me sob uncontrollably, and there is no one better at presenting the frustrations and comforting joy of family dynamics and friendships. I don’t think there is any other book that has wrought so many tears from me, both of sadness and laughter.
Bestselling author Marian Keyes has delighted readers with the lives, loves, and foibles of the irrepressible Walsh sisters and their eccentric mammy. In this Life in the Big Apple is perfect for Anna. She has the best job in the world, a lovely apartment, and great friends. Then one morning, she wakes up in her mammy's house in Dublin with stitches in her face, a dislocated knee, hands smashed up, and no memory at all of what happened. As soon as she's able, Anna's flying back to Manhattan, mystified but determined to find out how her life turned upside down.…
From an early age, I was steeped in stories. My mother is a great storyteller and would tell vivid and exciting stories of her childhood, giving me a great sense of my own life as a part of the story of generations. We moved around a lot for my father’s job, which was sometimes disorientating and could lead to loneliness, and I took refuge in libraries and in writing stories of my own. By the time I left school, literature was my big love and mainstay, and I took a degree in English and later taught it in schools. Reading and writing stories has since become my life.
I was engrossed by this beautifully written book about the way that things that happened in a previous generation can affect one’s happiness without one even knowing about them.
I totally identified with protagonist Veronica as she looks for clues as to why her brother committed suicide by imagining scenes from her parents’ past.
When I registered the subtle moment that was crucial to it all, everything fell into stark and terrible place, and it took my breath away. Both witty and sad, the book left a deep impression on me.
'Witty, original, inventive...utterly compelling' Daily Mail
Winner of the Man Booker Prize
The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him - although that certainly helped - it was what happened to him as a boy in his grandmother's house, in the winter of 1968.
The Gathering is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars.
'It is clearly the product of a remarkable intelligence, combined…
