100 books like Life Without Children

One of the first novels set in COVID times, The Fell, by British author Sarah Moss, is presented from the perspective of four neighbours living in an English village over the timespan of a single night in the winter of 2020. The narrative charts their experiences and reflections on life as they struggle with boredom, loss of employment, having to work and learn from home, and feelings of isolation and claustrophobia. One of the characters simply can’t take it anymore and leaves her home during a period of mandated quarantine. These people care about and watch over each other as best they can, but the feelings of being under surveillance are strong. A dark but compelling read, masterfully written.

This edited volume, by academics Irene Gammel and Jason Wang from Ryerson University, Canada, includes contributions from authors living across the world. The chapters focus on how the arts and culture can both express and document people’s thoughts, practices, and feelings about living through the COVID pandemic. There are discussions on the role of drawing, graphic fiction, cinema, diary writing, urban space, music, streaming services, film, and video conferencing platforms in helping people cope with COVID life. Reading the book provides insights into the different social, cultural, and geographical contexts in which the pandemic has been experienced and how people adjusted to the often very stressful conditions of lockdown, restrictions on movements, fear about their health and grief.

The COVID Chronicles is an anthology of graphic fiction about COVID life. The dozens of contributors are mostly based in the US but also come from Australia, Canada, the UK, Europe, and Asia. There are a dizzying array of art styles and tones across the collection, from humorous to darkly grim. Together, all the graphic narratives reveal the ups and downs of pandemic life in the early months of COVID: from dealing with loneliness, unemployment, illness, and death, transitioning to working from home, racism, and the Black Lives Matter protests to seeking opportunities to show love, care, connection, and hope.

This book presents hundreds of photographs taken by Agence France Presse around the world in the first 18 months of the COVID pandemic. The images span the full range from the mundane (people exercising at home) to the bizarre (weird home-made face masks) to those that are frightening and tragic (mass coffins and graves). Over 150 countries are represented in these images, which are arranged chronologically, thereby presenting a visual global timeline of the major events occurring during this crucial early period of the continuing pandemic, when this disease was still a mysterious threat. This book helps us to remember the feelings of urgency, confusion, panic, and fear that were part of this period, as people came to terms with the upheavals wrought by the pandemic.

I was engrossed by this beautifully written book about the way that things that happened in a previous generation can affect one’s happiness without one even knowing about them.

I totally identified with protagonist Veronica as she looks for clues as to why her brother committed suicide by imagining scenes from her parents’ past.

When I registered the subtle moment that was crucial to it all, everything fell into stark and terrible place, and it took my breath away. Both witty and sad, the book left a deep impression on me.

This is my favourite book from my all-time favourite author. I will never forget reading this for the first time, in my then-boyfriend’s flat at the start of our relationship. I ignored him all day (it’s ok, we ended up married) until I’d read it cover to cover. Marian Keyes knows how to pack a devastating emotional punch within her witty, entertaining novels and this is one of the most brutal. It’s a crystal-clear insight into grief, a book that made me sob uncontrollably, and there is no one better at presenting the frustrations and comforting joy of family dynamics and friendships. I don’t think there is any other book that has wrought so many tears from me, both of sadness and laughter.  

Sure, people objected to pandemic mitigation measures in other countries. Only in the United States were objections partisan.

This book elegantly relies on public opinion surveys to demonstrate the costs of partisanship in the pandemic. The authors discuss the economy, immigration, and voting. They document the Trump administration’s efforts to make mitigating the pandemic partisan. Masks are not inherently partisan. Our friends in medicine wear them all the time. In parts of Asia, many have used them to limit viruses’ spread.

Even before the pandemic, in the United States, partisanship had become at least as much about personal identity as policy differences. Every personal decision could signal partisanship. By meticulously capturing the pandemic and partisanship, the authors warn of the ongoing difficulties of managing disasters in a divided country.

Ann Patchett is well-known for her gorgeous writing, and not surprisingly, I was swept away by this book.

Long ago, Lara had a relationship with the famous actor Peter Duke, and she shares the story of their romance with her three adult daughters as they hunker down at the family’s cherry orchard during the pandemic.

The chapters about the love affair were compelling, but I connected even more deeply with the relationships between the women. As an added bonus, the glorious Meryl Streep narrated the audiobook, and I swapped between the digital and audio versions of this one because I didn’t want to put it down!

Vera and Eden are devoted sisters. One of them has an illegitimate baby.

The book is allegedly devoted to telling the story of how Vera came to kill Eden, but in telling this story it also attempts to determine which one of them is the baby’s mother.

In doing both of these, however, it also details the ways in which people, even people who seem to be devoted to each other, can make each other’s lives miserable, and can choose to make their own lives miserable. 

Vine (aka. Ruth Rendell) is, of course the mistress of psychological suspense, and for me this is the best book she ever wrote.

This love story is unique. Zee is a hot-tempered drug dealer with a damaged leg. Sir Gentry is a sweet guy on the autism spectrum who hears voices, thinks he’s her Medieval champion, and talks only in Middle English. But lack of judgment, understanding, and compassion make them equals in love.