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I am a sociologist with a longstanding interest in the social aspects of medicine and public health. I started with research on HIV/AIDS. Since then, I have written many books and conducted a multitude of studies on how people understand and experience health and illness and how they seek help when they are sick or feel at risk from disease. When COVID-19 hit the world in early 2020, it was not long before I started to think about what my research training and expertise could offer to understanding the social impacts of this new pandemic. I started to write about COVID and research on people’s everyday experiences.
One of the first novels set in COVID times, The Fell, by British author Sarah Moss, is presented from the perspective of four neighbours living in an English village over the timespan of a single night in the winter of 2020. The narrative charts their experiences and reflections on life as they struggle with boredom, loss of employment, having to work and learn from home, and feelings of isolation and claustrophobia. One of the characters simply can’t take it anymore and leaves her home during a period of mandated quarantine. These people care about and watch over each other as best they can, but the feelings of being under surveillance are strong. A dark but compelling read, masterfully written.
“A slim, tense page-turner . . . I gulped The Fell down in one sitting.” —Emma Donoghue, author of The Pull of the Stars
From the award-winning author of Ghost Wall and Summerwater, Sarah Moss's The Fell is a riveting novel of mutual responsibility, personal freedom, and the ever-nearness of disaster.
At dusk on a November evening, a woman slips through her garden gate and turns up the hill. Kate is in the middle of a two-week mandatory quarantine period, a true lockdown, but she can’t take it anymore—the closeness of the air in her small house, the confinement. And…
I am a sociologist with a longstanding interest in the social aspects of medicine and public health. I started with research on HIV/AIDS. Since then, I have written many books and conducted a multitude of studies on how people understand and experience health and illness and how they seek help when they are sick or feel at risk from disease. When COVID-19 hit the world in early 2020, it was not long before I started to think about what my research training and expertise could offer to understanding the social impacts of this new pandemic. I started to write about COVID and research on people’s everyday experiences.
This edited volume, by academics Irene Gammel and Jason Wang from Ryerson University, Canada, includes contributions from authors living across the world. The chapters focus on how the arts and culture can both express and document people’s thoughts, practices, and feelings about living through the COVID pandemic. There are discussions on the role of drawing, graphic fiction, cinema, diary writing, urban space, music, streaming services, film, and video conferencing platforms in helping people cope with COVID life. Reading the book provides insights into the different social, cultural, and geographical contexts in which the pandemic has been experienced and how people adjusted to the often very stressful conditions of lockdown, restrictions on movements, fear about their health and grief.
Creative Resilience and COVID-19 examines arts, culture, and everyday life as a way of navigating through and past COVID-19. Drawing together the voices of international experts and emerging scholars, this volume explores themes of creativity and resilience in relation to the crisis, trauma, cultural alterity, and social change wrought by the pandemic.
The cultural, social, and political concerns that have arisen due to COVID-19 are inextricably intertwined with the ways the pandemic has been discussed, represented, and visualized in global media. The essays included in this volume are concerned with how artists, writers, and advocates uncover the hope, plasticity, and…
I am a sociologist with a longstanding interest in the social aspects of medicine and public health. I started with research on HIV/AIDS. Since then, I have written many books and conducted a multitude of studies on how people understand and experience health and illness and how they seek help when they are sick or feel at risk from disease. When COVID-19 hit the world in early 2020, it was not long before I started to think about what my research training and expertise could offer to understanding the social impacts of this new pandemic. I started to write about COVID and research on people’s everyday experiences.
The COVID Chronicles is an anthology of graphic fiction about COVID life. The dozens of contributors are mostly based in the US but also come from Australia, Canada, the UK, Europe, and Asia. There are a dizzying array of art styles and tones across the collection, from humorous to darkly grim. Together, all the graphic narratives reveal the ups and downs of pandemic life in the early months of COVID: from dealing with loneliness, unemployment, illness, and death, transitioning to working from home, racism, and the Black Lives Matter protests to seeking opportunities to show love, care, connection, and hope.
In 2020, the COVID-19 pandemic brought the world to its knees. When we weren't sheltering in place, we were advised to wear masks, wash our hands, and practice social distancing. We watched in horror as medical personnel worked around the clock to care for the sick and dying. Businesses were shuttered, travel stopped, workers were furloughed, and markets dropped. And people continued to die.
Amid all this uncertainty, writers and artists from around the world continued to create comics, commenting directly on how individuals, societies, governments, and markets reacted to the worldwide crisis. COVID Chronicles: A Comics Anthology collects more…
I am a sociologist with a longstanding interest in the social aspects of medicine and public health. I started with research on HIV/AIDS. Since then, I have written many books and conducted a multitude of studies on how people understand and experience health and illness and how they seek help when they are sick or feel at risk from disease. When COVID-19 hit the world in early 2020, it was not long before I started to think about what my research training and expertise could offer to understanding the social impacts of this new pandemic. I started to write about COVID and research on people’s everyday experiences.
This book presents hundreds of photographs taken by Agence France Presse around the world in the first 18 months of the COVID pandemic. The images span the full range from the mundane (people exercising at home) to the bizarre (weird home-made face masks) to those that are frightening and tragic (mass coffins and graves). Over 150 countries are represented in these images, which are arranged chronologically, thereby presenting a visual global timeline of the major events occurring during this crucial early period of the continuing pandemic, when this disease was still a mysterious threat. This book helps us to remember the feelings of urgency, confusion, panic, and fear that were part of this period, as people came to terms with the upheavals wrought by the pandemic.
The Year That Changed Our World is the definitive, visual history of the Covid-19 Pandemic. With more than 400 photographs, this ambitious publication traces the arc of the Pandemic from China in early 2020 through to the vaccine breakthroughs of Spring 2021.
Behind the relentless nature of the daily news since the events on Wuhan in early 2020 first broke, and the sense of fear and trepidation that the rapidly developing events provoked, what have we seen of the real stories of the world during the Pandemic? What can be told of how we lived through the pandemic and of…
I’ve been fascinated by cities ever since I was a teenager without a driver’s license on Long Island and my parents let me take the train into Manhattan (“Just be back by midnight!”). In college, I studied architecture and urbanism and learned how cities churned and changed. Today, having written about places like New Orleans, San Francisco, Mumbai and Berlin for publications including Harper’s and The New York Times Magazine, as well as in my books, I know I’ll be walking, riding, and eating my way through cities forever. And reading through them, too!
I’ve read more books than I care to remember that treat cities solely as markets, using an economic lens that reduces urbanites to mere maximizers of their own economic self-interest. This book does the opposite, and that’s why I found it so refreshing.
Urban observer and activist Jeremiah Moss chronicles New York City during the pandemic, a time when there’s literally nothing to buy—no stores to shop in, no restaurants to eat in, and no fashion trends to keep up with. With the market shut down, Moss finds that neighbors reconnect with neighbors on a human level, and a creative, festival-like atmosphere sweeps the city. This book helped me remember what’s great about living in a big city despite the many obvious cost-of-living drawbacks.
Author, social critic and "New York City's career elegist" (The New York Times), Jeremiah Moss felt alienated in a town that had become suburbanised and sanitised. Then lockdown launched an unprecedented urban experiment: What happens when an entire social class abandons the city? In the streets made vibrant by New Yorkers left behind, Moss found a sense of freedom he never thought possible. Participating in a historic explosion of protest, resistance and spontaneity. From queer BLM marches to exuberant outdoor dance parties, he discovers that, without "hyper-normal" people to constrain it, New York can be more creative, connected, humane and…
From an early age, I was steeped in stories. My mother is a great storyteller and would tell vivid and exciting stories of her childhood, giving me a great sense of my own life as a part of the story of generations. We moved around a lot for my father’s job, which was sometimes disorientating and could lead to loneliness, and I took refuge in libraries and in writing stories of my own. By the time I left school, literature was my big love and mainstay, and I took a degree in English and later taught it in schools. Reading and writing stories has since become my life.
I was engrossed by this beautifully written book about the way that things that happened in a previous generation can affect one’s happiness without one even knowing about them.
I totally identified with protagonist Veronica as she looks for clues as to why her brother committed suicide by imagining scenes from her parents’ past.
When I registered the subtle moment that was crucial to it all, everything fell into stark and terrible place, and it took my breath away. Both witty and sad, the book left a deep impression on me.
'Witty, original, inventive...utterly compelling' Daily Mail
Winner of the Man Booker Prize
The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him - although that certainly helped - it was what happened to him as a boy in his grandmother's house, in the winter of 1968.
The Gathering is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars.
'It is clearly the product of a remarkable intelligence, combined…
I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
This YA novel was the first I read set during COVID times, and it hit me with the urgency of The Hate U Give by Angie Thomas.
I loved the author’s unwavering courage in tackling the racial subject matter head-on. Heartbreaking and whip-smart, it taught me what teens were going through with regard to virtual friendship, classrooms, and pop stardom. Farley’s novel captures a moment in time during the pandemic while others were still processing it.
Like a photo album, I wasn’t quite ready to revisit, it portrays the importance of a difficult time in our nation’s history coupled with that uneasy age of adolescence. Entertaining, yes, but a historical artifact, definitely.
For sixteen-year-old Geth Montego, zero o’clock begins on March 11, 2020. By June, she wonders if it will ever end.
“An insightful, eye-opening, and inventive story. C.J. Farley has penned a novel that sheds an important light on real issues facing young people today.” ―Angie Thomas, author of The Hate U Give
In early March 2020 in New Rochelle, New York, teenager Geth Montego is fumbling with the present and uncertain about her future. She only has three friends: her best friend Tovah, who’s been acting weird ever since they started applying to college; Diego, who she wants to ask…
I grew up on the set of Little House on the Prairie. Yes, it was a fictional world created by Hollywood, but the foundation and lessons I learned about love, family, and faith have stayed with me. I now travel with the cast of Little House all over the country to engage and share with fans about how my experiences have shaped me. I can’t say enough about these memoirs or the cast members who wrote them. I know every Little House fan will love them too!
Back to the Prairie made me smile from ear-to-ear at the thought of our dear Half-Pint returning back to her prairie roots. I loved reading about the new life she has discovered, a life of simplicity and love… and chickens too.
This memoir gave me a look into Melissa’s beautiful transformation of the heart, learning to love herself and going back to the prairie for good.
The New York Times bestselling author and star of Little House on the Prairie returns with a new hilarious and heartfelt memoir chronicling her journey from Hollywood to a ramshackle house in the Catskills during the COVID-19 pandemic.
Known for her childhood role as Laura Ingalls Wilder on the classic NBC show Little House on the Prairie, Melissa Gilbert has spent nearly her entire life in Hollywood. From Dancing with the Stars to a turn in politics, she was always on the lookout for her next project. She just had no idea that her latest one would be completely life…
I’m fascinated by our connections to animals, our similarities and differences, and how we communicate. Large mammals have always been my favorites, but like many people, I started noticing birds in my backyard during the pandemic lockdowns. As an author of middle-grade novels, my stories have been inspired by something interesting I’ve learned about a particular animal. I started writing my novel after learning that whooping cranes had nested in Texas for the first time in over a century. I knew I had to give that momentous nest sighting to a bird-loving girl who’d appreciate the visitation by these rare and majestic birds!
This book helped me relive one of the bright spots of the pandemic lockdowns of 2020, when author Stephanie Lucianovic chronicled her son’s Zoom classroom spiraling into chaos when the teacher was disconnected from the class.
That fun and messy narrative unfolded in a Twitter thread known as #ZoomOfTheFlies. Imagine my delight when I saw that real-life event woven into Lucianovic’s novel.
In this engaging novel in verse, I identified with Archie as he navigated through the upheaval of the pandemic lockdowns and struggled to make his voice heard over so much noise. I felt like I was in the company of a trustworthy friend who finds hope and connection amid isolation and uncertainty.
A poignant and necessary story about finding hope during difficult times, set in the early days of the Covid-19 pandemic.
Archie's life--and the whole world--is turned upside down by Covid-19. Suddenly there are no more Friday night dinners out, no more going to school, no more hanging out with friends . . . no leaving the house at all.
Even though he's inside with his family all day every day, Archie can't help but feel more alone than ever before. While everyone else seems to be adapting to their new normal just fine, it's like Archie is permanently on mute,…
I’m a history professor, but I’m also a reader. I love books—fiction and nonfiction—that reveal a world, a character, an idea, or a political movement in ways that I didn’t previously fully understand. That make me see more deeply and think more clearly. I teach and write about the history of the United States, especially its history of radical or extreme political groups. Where did this interest come from? Well, I first visited the U.S. in 1980, when I was eleven years old, and truth be told, my fascination with the country and its people has not abated since.
Faced with the deluge of modern events, I rely on intrepid authors like Mogelson to help me make sense of the world.
The book is his report back from spending a year traveling across the U.S. from the spring of 2020 to the winner of 2021, from Covid-lockdown protests in Michigan to the insurrection of January 6 in Washington, D.C. I found it both insightful and heartbreaking.
The New Yorker's award-winning war correspondent returns to his own country to chronicle a story of mounting civic breakdown and violent disorder, in a vivid eyewitness narrative of revelatory explanatory power.
'This is a searing book, exquisitely reported, lyrically told, and so vivid it will make your heart stop-a dark journey into what ails America' Patrick Radden Keefe
On the morning of January 6, a gallows was erected on the National Mall in Washington, D.C. A little after noon, as thousands of Trump supporters marched past the structure, some paused to climb its wooden steps and take pictures of the…
