100 books like Life Without Children

One of the first novels set in COVID times, The Fell, by British author Sarah Moss, is presented from the perspective of four neighbours living in an English village over the timespan of a single night in the winter of 2020. The narrative charts their experiences and reflections on life as they struggle with boredom, loss of employment, having to work and learn from home, and feelings of isolation and claustrophobia. One of the characters simply can’t take it anymore and leaves her home during a period of mandated quarantine. These people care about and watch over each other as best they can, but the feelings of being under surveillance are strong. A dark but compelling read, masterfully written.

This edited volume, by academics Irene Gammel and Jason Wang from Ryerson University, Canada, includes contributions from authors living across the world. The chapters focus on how the arts and culture can both express and document people’s thoughts, practices, and feelings about living through the COVID pandemic. There are discussions on the role of drawing, graphic fiction, cinema, diary writing, urban space, music, streaming services, film, and video conferencing platforms in helping people cope with COVID life. Reading the book provides insights into the different social, cultural, and geographical contexts in which the pandemic has been experienced and how people adjusted to the often very stressful conditions of lockdown, restrictions on movements, fear about their health and grief.

The COVID Chronicles is an anthology of graphic fiction about COVID life. The dozens of contributors are mostly based in the US but also come from Australia, Canada, the UK, Europe, and Asia. There are a dizzying array of art styles and tones across the collection, from humorous to darkly grim. Together, all the graphic narratives reveal the ups and downs of pandemic life in the early months of COVID: from dealing with loneliness, unemployment, illness, and death, transitioning to working from home, racism, and the Black Lives Matter protests to seeking opportunities to show love, care, connection, and hope.

This book presents hundreds of photographs taken by Agence France Presse around the world in the first 18 months of the COVID pandemic. The images span the full range from the mundane (people exercising at home) to the bizarre (weird home-made face masks) to those that are frightening and tragic (mass coffins and graves). Over 150 countries are represented in these images, which are arranged chronologically, thereby presenting a visual global timeline of the major events occurring during this crucial early period of the continuing pandemic, when this disease was still a mysterious threat. This book helps us to remember the feelings of urgency, confusion, panic, and fear that were part of this period, as people came to terms with the upheavals wrought by the pandemic.

I’ve read more books than I care to remember that treat cities solely as markets, using an economic lens that reduces urbanites to mere maximizers of their own economic self-interest. This book does the opposite, and that’s why I found it so refreshing.

Urban observer and activist Jeremiah Moss chronicles New York City during the pandemic, a time when there’s literally nothing to buy—no stores to shop in, no restaurants to eat in, and no fashion trends to keep up with. With the market shut down, Moss finds that neighbors reconnect with neighbors on a human level, and a creative, festival-like atmosphere sweeps the city. This book helped me remember what’s great about living in a big city despite the many obvious cost-of-living drawbacks.

I was engrossed by this beautifully written book about the way that things that happened in a previous generation can affect one’s happiness without one even knowing about them.

I totally identified with protagonist Veronica as she looks for clues as to why her brother committed suicide by imagining scenes from her parents’ past.

When I registered the subtle moment that was crucial to it all, everything fell into stark and terrible place, and it took my breath away. Both witty and sad, the book left a deep impression on me.

This YA novel was the first I read set during COVID times, and it hit me with the urgency of The Hate U Give by Angie Thomas.

I loved the author’s unwavering courage in tackling the racial subject matter head-on. Heartbreaking and whip-smart, it taught me what teens were going through with regard to virtual friendship, classrooms, and pop stardom. Farley’s novel captures a moment in time during the pandemic while others were still processing it.

Like a photo album, I wasn’t quite ready to revisit, it portrays the importance of a difficult time in our nation’s history coupled with that uneasy age of adolescence. Entertaining, yes, but a historical artifact, definitely.  

Back to the Prairie made me smile from ear-to-ear at the thought of our dear Half-Pint returning back to her prairie roots. I loved reading about the new life she has discovered, a life of simplicity and love… and chickens too.

This memoir gave me a look into Melissa’s beautiful transformation of the heart, learning to love herself and going back to the prairie for good.

This book helped me relive one of the bright spots of the pandemic lockdowns of 2020, when author Stephanie Lucianovic chronicled her son’s Zoom classroom spiraling into chaos when the teacher was disconnected from the class.

That fun and messy narrative unfolded in a Twitter thread known as #ZoomOfTheFlies. Imagine my delight when I saw that real-life event woven into Lucianovic’s novel. 

In this engaging novel in verse, I identified with Archie as he navigated through the upheaval of the pandemic lockdowns and struggled to make his voice heard over so much noise. I felt like I was in the company of a trustworthy friend who finds hope and connection amid isolation and uncertainty. 

This is my favourite book from my all-time favourite author. I will never forget reading this for the first time, in my then-boyfriend’s flat at the start of our relationship. I ignored him all day (it’s ok, we ended up married) until I’d read it cover to cover. Marian Keyes knows how to pack a devastating emotional punch within her witty, entertaining novels and this is one of the most brutal. It’s a crystal-clear insight into grief, a book that made me sob uncontrollably, and there is no one better at presenting the frustrations and comforting joy of family dynamics and friendships. I don’t think there is any other book that has wrought so many tears from me, both of sadness and laughter.