Fans pick 100 books like Creative Resilience and COVID-19

One of the first novels set in COVID times, The Fell, by British author Sarah Moss, is presented from the perspective of four neighbours living in an English village over the timespan of a single night in the winter of 2020. The narrative charts their experiences and reflections on life as they struggle with boredom, loss of employment, having to work and learn from home, and feelings of isolation and claustrophobia. One of the characters simply can’t take it anymore and leaves her home during a period of mandated quarantine. These people care about and watch over each other as best they can, but the feelings of being under surveillance are strong. A dark but compelling read, masterfully written.

Life Without Children is a collection of ten short stories by Irish author Roddy Doyle. Nearly all the stories are set in Dublin and feature characters who are middle-aged or older men who are struggling to find a sense of purpose in their lives while confined to their homes during lockdowns. Some men lash out in anger at their partners. Others make the best of things, finding moments of intimacy and connection and forging stronger relationships with their adult children and wives. One of the few stories to be written from the perspective of a woman features a nurse who is shattered by the deaths from COVID of her patients. The stories in this collection are often bleak, but there are many poignant and even droll moments.

The COVID Chronicles is an anthology of graphic fiction about COVID life. The dozens of contributors are mostly based in the US but also come from Australia, Canada, the UK, Europe, and Asia. There are a dizzying array of art styles and tones across the collection, from humorous to darkly grim. Together, all the graphic narratives reveal the ups and downs of pandemic life in the early months of COVID: from dealing with loneliness, unemployment, illness, and death, transitioning to working from home, racism, and the Black Lives Matter protests to seeking opportunities to show love, care, connection, and hope.

This book presents hundreds of photographs taken by Agence France Presse around the world in the first 18 months of the COVID pandemic. The images span the full range from the mundane (people exercising at home) to the bizarre (weird home-made face masks) to those that are frightening and tragic (mass coffins and graves). Over 150 countries are represented in these images, which are arranged chronologically, thereby presenting a visual global timeline of the major events occurring during this crucial early period of the continuing pandemic, when this disease was still a mysterious threat. This book helps us to remember the feelings of urgency, confusion, panic, and fear that were part of this period, as people came to terms with the upheavals wrought by the pandemic.

I grew up reading Svetlana Chmakova’s work back when she was releasing the manga series Dramacon and I am beyond thrilled that kids and teens today still get to read her work!

Awkward is all about kids exploring their differences in the arts and sciences and it feels like a page ripped out of my childhood. It is so relatable, so charming, and full of emotion and wit to boot. Her work inspired me when I was drawing comics in my sketchbook for fun all the way until today, when I do it for a living. I think her work will go on to inspire many generations to come!

Lady Oracle was one of the novels I read in the several years after first having the vague notion that I might like to write a novel akin to Steppenwolf but that would be set in the approximate present day and have a female protagonist. As Lady Oracle’s main character is a writer who, after periodically reinventing herself, now fakes her own death, flees her intellectual, non-dancing husband, and holes up in an Italian village, I saw possible avenues for my own husband-leaving Kari. Would Kari flee to another country? Would she have secret lovers or a history of being fat? Would she, too, fake her own death? Kari ultimately didn’t follow many of Joan Foster’s paths, but she might have.

This wise and wonderful little book humorously holds up a mirror to the self-sabotaging techniques that can snap a fledgling idea right off the vine. (Procrastination, anyone?) Each page features “advice,” along with hilarious illustrations, on how not to be creative, and has me ROTFLMAO with recognition. Here are some faves: “Smoke a lot of dope for inspiration. Forget why it’s called dope. Forget your inspirations.” “Compare your work to the masterworks of the great masters.” “The minute you have an idea, ask yourself: How much cold, hard cash is it worth?” “Take seriously every negative thing anyone says.” (To wit, “That ain’t art, sister.”) With a wink and the perfect amount of reverse psychology, this whimsical book skillfully catapults me out of a creative funk!  

This book contains 17 chapters written by educational psychologists who have worked with creativity.  These chapters range from establishing the best conditions in organizations for creativity to occur, how to test for creativity, problem-solving and creativity, freedom, and constraint in creativity, time’s impact on creativity, how dreams and other insights influence creativity, how society influences creativity, the relevance of talent in creativity, to leadership involving creativity. The spectrum of perspectives is broad indeed and I have personally gleaned much about all the relevant domains relating to creativity from reading this book.

I was introduced to Srini through his first book, when I realized that "Unmistakables" are my people. Rao, host of the podcast The Unmistakable Creative, argues that we should stop worrying about creating art for money or fame, but focus on creating for an audience of one, ourselves. Rao’s words speak to the inner spark that may have been doused in our childhood, that deep restlessness we carry within. This book includes fascinating true stories of creatives who took this path, along with research from creativity experts.

This is one of only a few books I’ve found that looks directly at the way writers can use dream awareness in their creative practice. It’s a collection of interviews with twenty-six well-known authors compiled by dream researcher and radio-show host Naomi Epel, in which they talk about specific dreams that have inspired them and their thoughts about dreaming in general. I bought a copy to dip into on the train to London for a meeting but found it so fascinating, I abandoned my plan to do some sightseeing afterward, and made instead for the nearest bench and takeaway coffee, to spend the afternoon reading.