100 books like The Fell

This edited volume, by academics Irene Gammel and Jason Wang from Ryerson University, Canada, includes contributions from authors living across the world. The chapters focus on how the arts and culture can both express and document people’s thoughts, practices, and feelings about living through the COVID pandemic. There are discussions on the role of drawing, graphic fiction, cinema, diary writing, urban space, music, streaming services, film, and video conferencing platforms in helping people cope with COVID life. Reading the book provides insights into the different social, cultural, and geographical contexts in which the pandemic has been experienced and how people adjusted to the often very stressful conditions of lockdown, restrictions on movements, fear about their health and grief.

Life Without Children is a collection of ten short stories by Irish author Roddy Doyle. Nearly all the stories are set in Dublin and feature characters who are middle-aged or older men who are struggling to find a sense of purpose in their lives while confined to their homes during lockdowns. Some men lash out in anger at their partners. Others make the best of things, finding moments of intimacy and connection and forging stronger relationships with their adult children and wives. One of the few stories to be written from the perspective of a woman features a nurse who is shattered by the deaths from COVID of her patients. The stories in this collection are often bleak, but there are many poignant and even droll moments.

The COVID Chronicles is an anthology of graphic fiction about COVID life. The dozens of contributors are mostly based in the US but also come from Australia, Canada, the UK, Europe, and Asia. There are a dizzying array of art styles and tones across the collection, from humorous to darkly grim. Together, all the graphic narratives reveal the ups and downs of pandemic life in the early months of COVID: from dealing with loneliness, unemployment, illness, and death, transitioning to working from home, racism, and the Black Lives Matter protests to seeking opportunities to show love, care, connection, and hope.

This book presents hundreds of photographs taken by Agence France Presse around the world in the first 18 months of the COVID pandemic. The images span the full range from the mundane (people exercising at home) to the bizarre (weird home-made face masks) to those that are frightening and tragic (mass coffins and graves). Over 150 countries are represented in these images, which are arranged chronologically, thereby presenting a visual global timeline of the major events occurring during this crucial early period of the continuing pandemic, when this disease was still a mysterious threat. This book helps us to remember the feelings of urgency, confusion, panic, and fear that were part of this period, as people came to terms with the upheavals wrought by the pandemic.

This riveting American Gothic novel, set in 1865, follows a widowed Civil War Army nurse home to New Hampshire after her bloody stint of tending the wounded and sick, only to find that her beloved, but unstable, sister is dead in a fall from the roof of the asylum. The cause is ruled a suicide, but she is not convinced and determines to find the truth at all costs. The period is synchronic with that of The Abolitionist’s Daughter and the depth of research fascinated me. Blakemore’s writing and extensive attention to sensual detail is exceptional. Since I have my own yet-to-be-titled historical mystery due for release in the Spring of 2022, I loved delving into this twisting page-turner with a woman of determination in an equivalent period of history.

Syal’s story centres on three childhood friends who grow up in East London. Tania is under pressure to create a cutting-edge documentary on Asian marriages for her employer and is reassessing her life, as a girlfriend to Martin, and a dutiful daughter to her ailing father. While Sunita faces an age-related crisis, her dismal job, her lifeless marriage, and self-harming. The only one who has her life in order is Chila, a naïve, dutiful wife and daughter. As the story unfolds, we find that living in a migrant community and keeping to traditional values is complicated. A poignant insight into the lives of the Punjabi community in the UK and first-generation children who struggle with cross-cultural clashes while keeping their toes in their heritage in different ways.

The book is like a series of snapshots, taken over forty years, as times and the protagonists change (or don’t change). Their relationship readjusts itself but their bond – though sometimes tenuous – never becomes detached. Each story is complete in itself but they build into a collage that reads better as a whole than it did in its parts.

Flo is a practical, unimaginative woman, left to bring up Rose, her stepdaughter. Rose is an awkward child, unpromising at first, but through the course of the stories manages to escape and build her own life.

Munro’s language is sublime, like a banquet of delicious things you have to sip and savour; she sees beauty and profound truth in everyday things.

This was the first connected-story novel I read, and I loved the idea that a story can be told from many different points of view: of people, of time,… show more.

Band of Sisters gives us a book full of heroism, valor, combat action, and real sacrifices of women fighting in a foreign war. For me, this book beautifully portrays why women continue to serve—it highlights comradery, the willingness to put oneself in danger for another, the pride in a job well done, the ability to continue on after the unthinkable. Especially after reading a book such as The Lonely Soldier, Band of Sisters shows what The Lonely Soldier is missing—that women, too, want to fiercely fight and fiercely protect. It also proves that there are no front lines in modern war, and that women engage in combat, proving themselves well-suited for the role. A must-have to shut up those people who say, “Well, women don’t actually see combat.”   

I love reading stories of how ordinary people achieve extraordinary things by overcoming challenges, believing in their dreams, and not accepting defeat.

The 100 stories of women featured in this book, along with exquisite portraits of each by female artists, start with the words of a traditional fairy tale “Once upon a time…”, but instead of tales of helpless princesses there are inspiring portraits of women with grit, smarts, and tenacity. Heroes in every sense of the word, for all of us, young and old, to admire.

The domestic slave trade business was operated predominantly by white men, but the labor of Black women was critical to making it profitable. Here, Alexandra Finley recovers the stories of Black women who fed and clothed the enslaved in pens and jail, who kept the houses of slave traders, who were commodified for purposes of sexual slavery in the so-called fancy trade, and who sometimes even lived as the concubines and “wives” of traders. Putting enslaved women and their work at the center of the story yields an entirely new angle of vision on the trade.