Here are 100 books that Ladies of the Canyons fans have personally recommended if you like
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I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about women’s roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
If you’re a fan of Deadwood or, going further back, the 1953 Doris Day movie, Calamity Jane, you will be fascinated by Jones’s book about the buckskin-wearing Martha Jane Canary, a.k.a. Calamity Jane. Details about her life are either sparse or exaggerated, so Jones tells us what the frontier legend has symbolized, both in her own time and in ours. Dressing like a man made her stand out and made her the object of both derision and decades of bad biographies. She still serves as a symbol of the way that women could defy expectations in the West, and Jones’s book gives us a Calamity Jane we can root for.
A fascinating new account of the life and legend of the Wild West's most notorious woman: Calamity Jane
"In this vivid and compelling biography, Karen Jones recovers the remarkable creativity of Martha Jane Canary, who helped to invent the mythic West by reinventing herself. As Calamity Jane, she told wild tales of adventure and blurred the lines between legend and history, male and female, and truth and possibility."-Alan Taylor, author of The Internal Enemy
Martha Jane Canary, popularly known as Calamity Jane, was the pistol-packing, rootin' tootin' "lady wildcat" of the American West. Brave and resourceful, she held her own…
I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about women’s roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
When we think of the West, we so often think about people moving and traveling, but rarely do women come to mind, except as pioneers in covered wagons. But ever since Sacagawea walked with the Lewis and Clark expedition, women have not only traveled West, they often led the way, both physically and metaphorically. Scharff’s book is a fascinating look at how hard it was for women to actually move through the region, whether stumping for suffrage or civil rights. Scharff’s book is especially valuable because she includes so many women of color, and you can feel their pain and their exhilaration on the page.
From Sacagawea's travels with Lewis and Clark to rock groupie Pamela Des Barres's California trips, women have moved across the American West with profound consequences for the people and places they encounter. Virginia Scharff revisits a grand theme of United States history - our restless, relentless westward movement--but sets out in new directions, following women's trails from the early nineteenth to the late twentieth centuries. In colorful, spirited stories, she weaves a lyrical reconsideration of the processes that created, gave meaning to, and ultimately shattered the West. "Twenty Thousand Roads" introduces a cast of women mapping the world on their…
I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about women’s roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
This hefty tome is a comprehensive and valuable collection of articles about women who were bound by race and class, and who also defied the expectations of these categories. Native American, Latinx, Asian, and Black women fill this fascinating volume, with stories that span colonial New Mexico to modern-day Hollywood. If you need a reference work on women of color, this book is not only your starting point, but it also has an extensive bibliography for further reading.
A valuable introduction to the rapidly changing field of western history, Writing the Range explains clearly how race, class, and culture are constructed and connected. The first section examines issues raised by more than a decade of multicultural western women's histories; following are six chronological sections spanning four centuries. Each section offers a short introduction connecting its essays and placing them in analytic and historical perspective. Clearly written and accessible, Writing the Range makes a major contribution to ethnic history, women's history, and interpretations of the American West.
I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about women’s roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
Although this book is about the influential women of Arizona exclusively, they stand in for the many women who have made contributions to the history and culture of the entire West. Cleere begins with indigenous women, and moves on to both historic and modern women in medicine, the arts, business, education, and the law. The short biographies of the nearly forty women profiled here are just enough to whet the appetite for more, and are written in an engaging and accessible style.
Award-winning author Jan Cleere brings her exceptional skills in research and writing to a new book about more than 35 heroic women of Arizona. From teachers and entrepreneurs to artists and healers, Cleere provides an informative text that highlights historical Hispanic, African American, Native American, and Anglo women who made their mark in the intriguing history of our state.
Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.
First published in 1958, this is one of the first books to pay respect and present the truth about the struggles western women faced. Mr. Brown was very thorough in covering women’s roles in the west, from homesteaders and wives, to women kidnapped by Natives, to actresses and prostitutes. He also used primary sources, not the internet, to conduct his research.
All aspects of western feminine life, which include a good deal about the western male, are covered in this lively, informal but soundly factual account of the women who built the West. Among those whose stories are included are Elizabeth Custer; Lola Montez, Ann Eliza Young, Josephine Meeker, Carry Nation, Esther Morris, and Virginia Reed.
I’m Marsali Taylor, a retired teacher of English, French and Drama. I’ve always been interested in women’s history—not queens and countesses, but what life was like for ordinary people like me. A chance to research women’s suffrage in the Scottish National Library got me started reading these women’s stories in their own words—and what stories they were, from the first women graduates to the war workers. Women’s Suffrage in Shetlandtook two years of fascinating research, and Ihope it’s the foundation for more work by other researchers, both here in Shetland and in other communities whose women fought for the vote.
These women did know their place – they’d measured it out, filled in the claim forms, assembled their tiny wood shack cabin or turf –roofed dugout, sewn their corn and dug their vegetable patch. The usual picture of pioneer women is as the mother of the family, but a staggering 12% of those Wild West pioneering homesteaders were single women or widows, and this is the story of over twenty of them. After introductory chapters, it’s told in their voices, through magazine articles, letters back home and memoirs written later. We learn about how they set out on their adventure, the reality of farming and how they coped, and their triumph as they won their claim. Fascinating.
Instead of talking about the rights of women, these frontier women grabbed the opportunity to become landowners by homesteading in the still wild west of the early 1900s. Here they tell their stories in their own words-through letters and articles of the time-of adventure, independence, foolhardiness, failure, and freedom.
As a nonbinary trans guy, I grew up obsessed with novels about women disguising themselves as men. I loved everything about the trope, and always felt disappointed when they had to go back to living as women. It is a trope I eagerly embraced when I wrote Shrouded Loyalties, and though I didn’t yet know the term “transgender,” I was already exploring my own gender identity through my reading and writing of this theme. The books I’ve chosen to highlight here are ones that became some of my very favorites, and also feature action-packed wartime settings like the one used in Shrouded Loyalties.
This is slightly outside the boundaries of a wartime novel, as it takes place in the Old West, but it’s a fantastic book for this list, and shouldn’t be overlooked if you love this trope. Jess Harney makes a name for herself as a notorious male sharpshooter and outlaw. Her first-person voice is one of the most interesting I’ve read, and I loved how she fit in as one of the guys while never sacrificing who she was. She barely even thinks about her gender as she so naturally considers herself male. Books like this really highlight the blurred lines between cross-dressing out of necessity or desire, and I’m excited to see more authors addressing this trope with the nuance of queerness which is often part of it.
Named a Best Book by Entertainment Weekly, O Magazine, Goodreads, Southern Living, Outside Magazine, Oprah.com, HelloGiggles, Parade, Fodor's Travel, Sioux City Journal, Read it Forward, Medium.com, and NPR's All Things Considered.
"A thunderclap of originality, here is a fresh voice and fresh take on one of the oldest stories we tell about ourselves as Americans and Westerners. It's riveting in all the right ways -- a damn good read that stayed with me long after closing the covers." - Timothy Egan, New York Times bestselling author of The Worst Hard Time
From Lehr’s prize-winning fiction to her viral New York Times Modern Love essay, exploring the challenges facing contemporary women has been Lehr’s life-long passion. A Boob’s Life, her first project since breast cancer treatment, continues this mission, taking all who will join her on a wildly informative, deeply personal, and utterly relatable journey. And that’s exactly the kind of books she likes to read – the ones that make her laugh, nod in recognition, and understand a little more about life. She recommends these five books to everyone who asks.
You’d think the subtitle says it all, but nope. Chocano loved reading bedtime stories to her daughter, but when even Alice and Wonderland proved problematic, she peered through the looking glass to see why. She explores the challenges of raising a female in a world of Disney Princesses, Playboy bunnies, and popular TV shows and movies. She even takes aim at the female manifesto, Eat Pray Love, bless her heart. I met Chocano at a reading of this book when I was nervously submitting A Boob’s Life to publishers. I was thrilled to find overlap with such a kindred spirit. You’ll find Chocana’s byline in major magazines featuring celebrity interviews, but without the snark. Personally, I love the snark - it makes the facts more fun.
We all know who The Girl is. She holds The Hero's hand as he runs through the Pyramids, chasing robots. Or she nags him, or foils him, plays the uptight straight man to his charming loser. She's idealised, degraded, dismissed, objectified and almost always dehumanised. How do we process these insidious portrayals, and how do they shape our sense of who we are and what we can become?
Part memoir, part cultural commentary, part call to arms to women everywhere, You Play The Girl flips the perspective on the past thirty-five years in pop culture - from the progressive 70s,…
Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.
Alcott’s prose is stunning, and I found these stories haunting in the best possible way. Her vivid descriptions of place add authenticity to these stories of women seeking a modicum of happiness in their struggle for personal and financial freedom. To pick up the pieces, or finally be rid of what’s best left behind. For me, every complicated relationship, every aspiration and self-destructive choice, rang true.
A professor finds a photograph of her deceased mother in a compromising position on the wall of a museum. A twenty-something's lucrative remote work sparks paranoia and bigotry. A transplant to a new city must make a choice about who she trusts when her partner reveals a violent history. The summer after her divorce from an older man, an exiled painter's former friends grapple with rumors that she attempted to pass as a teenager.
In this long-awaited debut collection, Kathleen Alcott turns her skills as a stylist on the unfreedoms of American life-as well as the guilt that stalks those…
Throughout my journey, I’ve had to endure many challenges coming from humble beginnings so I wrote my book based on my experiences of being the 1st generational college graduate to overcoming many obstacles that affected my self-esteem while running a multimillion-dollar branch in the banking industry. Writing My Broken Stiletto allowed me to showcase that being resilient is a mindset that can be challenging but worth the reward when you get out of your own way.
This book gave me the inspiration that I could release the people-pleasing effect and learned to say yes to myself.
This book helped me to examine my belief system of how I approach my self-image and how that affected the people around me including my family and friends.
If you are a creative person, an entrepreneur, a mom, or someone struggling with balancing your life and tend to put yourself last, this book will help you shift your mindset and perspective to show up authentically for yourself first.
Having a list of demands on your neck can feel overwhelming and Shonda shows us how to handle it all from her mishaps all while looking amazingly stunning in the process. For me, it was allowing myself to relinquish control and say yes to the things that light me up.
Shonda’s journey of navigating Hollywood lets us know that we all have…
As the mega-talented creator of Grey's Anatomyand Scandaland executive producer of How to Get Away with Murderand the single mom of three children, Shonda Rhimes had lots of good reasons to say NO when an unexpected invitation arrived. Hollywood party? No. Speaking engagement? No. Media appearances? No. [The side benefit of saying No for an introvert like her: nothing new to fear.]
Then Shonda's sister laid down a challenge: just for one year, try to say YES to the invitations that come your way. Shonda reluctantly agreed?and the result was nothing short of transformative. In YEAR OF YES, Shonda Rhimes…
