Fans pick 58 books like Earthly Possessions

It took me a while to get to this part of Orwell’s oeuvre, but once I did, I was engrossed. The crispness of the writing and the precision of his observations are unmatched. Admittedly, due to Orwell’s own political persuasions, you should not base your views of the Spanish Civil War on this book alone, but as a piece of honest journalistic writing with a clear point of view, it deserves its status as a classic. 

Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.

In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.    

On the surface, this is a comedy of mistaken identity with identical twins, Sebastian and Viola, at its heart. It concerns members of the nobility: Orsino, Olivia, and Viola (disguised as Orsino’s serving-man, Cesario). But there are other characters, too, who drive the sub-plot. Key among these is the jester, Feste, who knows that all of life is uncertain, a matter of ‘the wind and the rain,’ and that so much of existence is to do with confronting forks in the road. At the end of the play, the ’toffs’ dutifully pair off: Olivia marries Sebastian and Orsino marries Cesario (or rather, Viola, unmasked in the nick of time). And Feste is on hand to pronounce on the mutability of life and on how its choices aren’t always ours to make.

Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.

Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.

Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.

The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.

In The Last Thing to Burn, Will Dean is very clever in his choice of location and how it’s become a prison for Jane.

Jane lives in a small cottage with her farmer husband surrounded by paddocks. The whole book is set in the cramped confines of the small cottage, where Jane’s husband rules over her and punishes her if she does anything wrong. Jane’s completely cut off from the rest of the world. Her whole world is the cottage.

I love the way Jane slowly realises that she may have a way out, and we join her, heart in mouth, as she plans her escape. I’ve never raced through the last forty pages of a book so fast!

This is the first book that I grabbed after seeing a BookTok recommendation for it. The premise was intriguing and what the reviewer said about it left me searching to see if there was an audiobook version. 

The only thing that stopped me from listening to this book in one sitting was life. Talk about a book that will leave you aching with the character, angry, and desperate for answers. Holy hot damn! I was in tears, I was gasping, I was listening with my mouth hanging open, grimacing in horror and I loved every bit of it. 

Trigger warnings throughout this book. I won't lie, this book is dark and horrible (in a good way) but it also left me feeling down. It's haunting and the narrative pulls you so far in you feel like you are there with her, held captive right by her side. Not to mention… show more.

Families. What can I say? They can be weird beasts, and none less so than the family of detective Eva Rae Thomas.
A father who kidnapped her sister from a grocery store when they were children. A brother she didn’t know existed. Ignored by her family for decades, can she refuse their call for help? Many would, in a case where nothing is as it seems.

I had the opportunity to listen to Karin Slaughter speak at the Bouchercon Conference in St. Pete, Florida and this was her new release.

The book sounded wonderful, and my signed copy is on my keeper shelf. Pieces of Her has a crazy, explosive opening and breakneck pace with questions that pile on questions, and we hold on for dear life. I was so enthralled by this story that I bought a second copy for a friend and put it in her hands saying, “You have to read this.” She loved it and so did Netflix because it is now a series. 

I’ve read this book three times, which is rare for me. I have such a daunting TBR pile that I rarely reread books. But as one of the first urban fantasy stories I ever read, it holds a special place in my heart, and every time I read it, I wish there were more.

The amount of world-building Mckinley achieves in a single, stand-alone book is phenomenal. Within the first few pages, I fell in love with the world’s history, the characters, and the social conflicts present in this book. The depiction of vampires and other magical races was so well done. When the book ended, I was hungry for more, which is why I keep coming back to this exceptional read.