Here are 58 books that Earthly Possessions fans have personally recommended if you like
Earthly Possessions.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
It took me a while to get to this part of Orwell’s oeuvre, but once I did, I was engrossed. The crispness of the writing and the precision of his observations are unmatched. Admittedly, due to Orwell’s own political persuasions, you should not base your views of the Spanish Civil War on this book alone, but as a piece of honest journalistic writing with a clear point of view, it deserves its status as a classic.
Homage to Catalonia remains one of the most famous accounts of the Spanish Civil War. With characteristic scrutiny, Orwell questions the actions and motives of all sides whilst retaining his firm beliefs in human courage and the need for radical social change.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Helen Graham, a leading historian on the Spanish Civil War.
I have picked these books because I have a passion for good reading material. All the books I have chosen have become reading classics in their own way. They are well written and have plots that go well beyond normal literature in a sense that they unveil the 'human condition' into the realm of the protagonist being up against all odds, where in the end, truth reveals all!
Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.
In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
On the surface, this is a comedy of mistaken identity with identical twins, Sebastian and Viola, at its heart. It concerns members of the nobility: Orsino, Olivia, and Viola (disguised as Orsino’s serving-man, Cesario). But there are other characters, too, who drive the sub-plot. Key among these is the jester, Feste, who knows that all of life is uncertain, a matter of ‘the wind and the rain,’ and that so much of existence is to do with confronting forks in the road. At the end of the play, the ’toffs’ dutifully pair off: Olivia marries Sebastian and Orsino marries Cesario (or rather, Viola, unmasked in the nick of time). And Feste is on hand to pronounce on the mutability of life and on how its choices aren’t always ours to make.
Named for the twelfth night after Christmas, the end of the Christmas season, Twelfth Night plays with love and power. The Countess Olivia, a woman with her own household, attracts Duke (or Count) Orsino. Two other would-be suitors are her pretentious steward, Malvolio, and Sir Andrew Aguecheek.
Onto this scene arrive the twins Viola and Sebastian; caught in a shipwreck, each thinks the other has drowned. Viola disguises herself as a male page and enters Orsino’s service. Orsino sends her as his envoy to Olivia—only to have Olivia fall in love with the messenger. The play complicates, then wonderfully untangles,…
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.
Penguin Classics is proud to welcome William Trevor—"Ireland’s answer to Chekhov" (The Boston Globe) and "one of the best writers of our era" (The Washington Post)—to our distinguished list of literary masters. In this award-winning novel, an informer’s body is found on the estate of a wealthy Irish family shortly after the First World War, and an appalling cycle of revenge is set in motion. Led by a zealous sergeant, the Black and Tans set fire to the family home, and only young Willie and his mother escape alive. Fatherless, Willie grows into manhood while his alcoholic mother’s bitter resentment…
Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.
Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.
Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.
The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.
Winner of the 2018 Eugene Paul Nassar Poetry Prize
Doe began as author Aimée Baker's attempt to understand and process the news coverage of a single unidentified woman whose body was thrown from a car leaving Phoenix, Arizona. It soon grew into a seven-year-long project with the goal to document, mourn, and witness the stories of missing and unidentified women in the United States.
I am a crime writer from New Zealand and have set all of my books either in small towns or isolated settings. The appeal of isolated settings, for me, is that social norms are lacking, people are often making their own rules in which to live by and they have chosen to live this life for particular reasons. The physical environment of isolated settings holds power and danger, but also beauty. In the five books I’ve chosen, all settings are stunning in their own way but with the introduction of characters with their own stories and histories, the beauty often contradicts the dark events going on and the secrets being kept.
In The Last Thing to Burn, Will Dean is very clever in his choice of location and how it’s become a prison for Jane.
Jane lives in a small cottage with her farmer husband surrounded by paddocks. The whole book is set in the cramped confines of the small cottage, where Jane’s husband rules over her and punishes her if she does anything wrong. Jane’s completely cut off from the rest of the world. Her whole world is the cottage.
I love the way Jane slowly realises that she may have a way out, and we join her, heart in mouth, as she plans her escape. I’ve never raced through the last forty pages of a book so fast!
'Outstanding. The best thriller in years' MARTINA COLE 'One of the best thrillers I have read in years' THE OBSERVER 'I couldn't put it down. A visceral nightmare of a book with one of the most evil villains I've come across in a long time. Powerful writing' STEVE CAVANAGH 'Short, sharp shocker' THE TIMES 'an early contender for one of the best books of the year' S MAGAZINE
He is her husband. She is his captive.
Her husband calls her Jane. That is not her name.
She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she…
When it comes to dark and twisted books with jaw dropping twists, I can’t get enough. I love them. I crave darkly creative books that make you think. Anything but your standard, everyday domestic thriller with the traumatized alcoholic main character. As a child I watched Law and Order and Masterpiece Theater mysteries with my mother. I loved a good British thriller. I suppose I got it from her, it was always something we shared. I veered clear of darker reading growing up, you don’t want to freak your parents out, of course. But now as an adult, I love it. No gore, no graphic shock horror for me. Psychological thrillers all the way.
This is the first book that I grabbed after seeing a BookTok recommendation for it. The premise was intriguing and what the reviewer said about it left me searching to see if there was an audiobook version.
The only thing that stopped me from listening to this book in one sitting was life. Talk about a book that will leave you aching with the character, angry, and desperate for answers. Holy hot damn! I was in tears, I was gasping, I was listening with my mouth hanging open, grimacing in horror and I loved every bit of it.
Trigger warnings throughout this book. I won't lie, this book is dark and horrible (in a good way) but it also left me feeling down. It's haunting and the narrative pulls you so far in you feel like you are there with her, held captive right by her side. Not to mention…
On the day she was abducted, Annie O'Sullivan, a thirty-two year old realtor, had three goals—sell a house, forget about a recent argument with her mother, and be on time for dinner with her ever- patient boyfriend.
The open house is slow, but when her last visitor pulls up in a van as she's about to leave, Annie thinks it just might be her lucky day after all. Interwoven with the story of the year Annie spent as the captive of psychopath in a remote mountain cabin, which unfolds through sessions with her psychiatrist, is a second narrative recounting events…
The human mind fascinates me. Perhaps that’s why I got a PhD in Psychology, and have spent decades in the counseling field. That, of course, brought me in touch with all kinds of minds. Why do people do the things they do, make the choices they live with? We learn patterns in childhood that keep us safe. What if those patterns no longer work in adulthood, or worse, were built on false beliefs? Do life’s events shape us or do they merely show who we were all along? In my psychological thrillers, I explore such things. Even the bad guys have their stories.
Families. What can I say? They can be weird beasts, and none less so than the family of detective Eva Rae Thomas. A father who kidnapped her sister from a grocery store when they were children. A brother she didn’t know existed. Ignored by her family for decades, can she refuse their call for help? Many would, in a case where nothing is as it seems.
Former FBI-profiler Eva Rae Thomas is back and embedded in a true nightmare reaching deep into her own family.
What would you do if your brother was accused of a horrible crime, and you were certain he didn’t do it?
Life is not done throwing Eva Rae Thomas curveballs.
A phone call turns her life upside down – once again.
The call is from her father, the man she hasn’t seen in thirty-six years, not since he kidnapped her sister in a supermarket.
Now, he is back in Florida, and he needs her help.
I’m a certified crime junkie beginning with Helter Skelter and, more recently, FBI profiler Jack Douglas’ Mindhunter. This genre is a passion, but here’s the kicker, I started my writing journey in Western historical romance. I know, right? Then I had this wild idea: a psychologist who’s got a secret – her mother is a notorious serial killer on death row, and someone is imitating her crimes. Just like that A Killer’s Daughter was born! Now I’m always reading and listening to thrillers and true crime podcasts. Check out my newsletter to see what’s grabbing me.
I had the opportunity to listen to Karin Slaughter speak at the Bouchercon Conference in St. Pete, Florida and this was her new release.
The book sounded wonderful, and my signed copy is on my keeper shelf. Pieces of Her has a crazy, explosive opening and breakneck pace with questions that pile on questions, and we hold on for dear life. I was so enthralled by this story that I bought a second copy for a friend and put it in her hands saying, “You have to read this.” She loved it and so did Netflix because it is now a series.
After “the environmental crisis” came to popular attention in the 1960s, American Indians were portrayed as having a legacy of traditional environmental ethics. We wanted to know if this were true. But how to gain access to ideas of which there is no written record? Answer: analyze stories, which have a life of their own, handed down from one generation to the next going all the way back to a time before European contact, colonization, and cultural, as well as murderous, genocide. And the stories do reveal indigenous North American environmental ethics (plural). That’s what American Indian Environmental Ethics: An Ojibwa Case Study demonstrates.
The spiritual worldview so beautifully rendered in Black Elk Speaks reflects the landscape of the North American Great Plains.
The Four Winds emanate from the cardinal points of the compass, and above is Father Sky and below is Mother Earth all united in one Great Spirit. The spiritual worldview of the Ojibwa reflects the landscape of the woodlands surrounding the Great Lakes. It’s an animate, shape-shifting world of the Trickster/Culture Hero Nanabushu and Wendigo, the cannibal spirit of the hard and lean winter months.
In this magical-realist novel, Louise Erdrich, a writer of Ojibwa ancestry, weaves together the star-crossed lives of her fictional characters with the fluid human and animal (and animal-human) characters of the traditional Ojibwa worldview. Erdrich thus breathes new life into the Old World of the North Woods and brings that Old World to bear on the New.
Past and present combine in a contemporary tale of love and betrayal from Louise Erdrich, winner of the National Book Award for Fiction, 2012
'Everything is all knotted up in a tangle. Pull one string of this family and the whole web will tremble.'
Rozin and Richard, living in Minneapolis with their two young daughters, seem a long way from the traditions of their Native American ancestors. But when one of their acquaintances kidnaps a strange and silent young woman from a Native American camp and brings her back to live with him as his wife, the connections they all…
