54 books like Earthly Possessions

I recall reading it in my late teens, less as the classic it was on the barbarous Spanish Civil War of the 1930s, and more as a personal discovery by Orwell of how his democratic socialist instincts were sharpened and shaped by the buffeting swirl of ideological clashes and bitter sectarian struggles within the inspirational resistance to Franco’s fascism in Spain. As he witnessed the heroism and the horror, the passion and sometimes the ulterior purposes of these competing groups, Homage to Catalonia for me was a gripping narrative, climaxing in the internecine firefight in Barcelona where the left helped defeat itself, and thereby opened the door to Franco’s murderous victory and equally murderous rule. 

Like Orwell’s, the socialism that I had come to believe in during the first ten years of my life in Britain was instinctively ‘libertarian’ rather than ‘statist’, favouring democracy and liberty rather than central control… show more.

Was the hero of F. Scott Fitzgerald’s American classic African-American?

A couple of academics have advanced that theory. I’m not sure I buy it. The notion (and supporting “evidence”) seems little more than a literary parlor game, not to mention the fact that nothing in Fitzgerald’s work or his letters shows a particular engagement with, or sympathy for, black Americans.

Still, it’s an interesting metaphor and the reason this seminal American novel appears in a list of what’s otherwise non-fiction. Gatsby’s yearning for his lost love could be an African-American yearning for a beloved country that does not always love them in return.

I first read this book in high school. It wasn’t until my second, third, and fourth re-reading that I began to appreciate Fitzgerald’s gift for story-telling and his evocative, poignant language. And to identify with Gatsby, the outsider craving to become an insider.

On the surface, this is a comedy of mistaken identity with identical twins, Sebastian and Viola, at its heart. It concerns members of the nobility: Orsino, Olivia, and Viola (disguised as Orsino’s serving-man, Cesario). But there are other characters, too, who drive the sub-plot. Key among these is the jester, Feste, who knows that all of life is uncertain, a matter of ‘the wind and the rain,’ and that so much of existence is to do with confronting forks in the road. At the end of the play, the ’toffs’ dutifully pair off: Olivia marries Sebastian and Orsino marries Cesario (or rather, Viola, unmasked in the nick of time). And Feste is on hand to pronounce on the mutability of life and on how its choices aren’t always ours to make.

Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.

Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.

Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.

The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.

This is the first book that I grabbed after seeing a BookTok recommendation for it. The premise was intriguing and what the reviewer said about it left me searching to see if there was an audiobook version. 

The only thing that stopped me from listening to this book in one sitting was life. Talk about a book that will leave you aching with the character, angry, and desperate for answers. Holy hot damn! I was in tears, I was gasping, I was listening with my mouth hanging open, grimacing in horror and I loved every bit of it. 

Trigger warnings throughout this book. I won't lie, this book is dark and horrible (in a good way) but it also left me feeling down. It's haunting and the narrative pulls you so far in you feel like you are there with her, held captive right by her side. Not to mention… show more.

Families. What can I say? They can be weird beasts, and none less so than the family of detective Eva Rae Thomas.
A father who kidnapped her sister from a grocery store when they were children. A brother she didn’t know existed. Ignored by her family for decades, can she refuse their call for help? Many would, in a case where nothing is as it seems.

I had the opportunity to listen to Karin Slaughter speak at the Bouchercon Conference in St. Pete, Florida and this was her new release.

The book sounded wonderful, and my signed copy is on my keeper shelf. Pieces of Her has a crazy, explosive opening and breakneck pace with questions that pile on questions, and we hold on for dear life. I was so enthralled by this story that I bought a second copy for a friend and put it in her hands saying, “You have to read this.” She loved it and so did Netflix because it is now a series. 

I first read H.P. Lovecraft when I was in college. His Cthulhu Mythos instantly grabbed my imagination. Lovecraft was a large part of the reason I started writing horror. Even back then, his disdain for foreigners and Black people and anyone else whose ancestors didn’t come over on the Mayflower, the way his did, was apparent. In recent years, Lovecraft’s racism has become a hot topic. That’s why I like this book: because it urns the usual Lovecraft trope of evil monsters from another dimension on its head by bringing the monsters closer to home, in the form of the horrors of the Jim Crow era. 

Laura McHugh writes about parts of the U.S. that are often either villainized or over-simplified. Instead of leaning into the cliches, she brings these landscapes and their people alive with compassion but without pity. From the first paragraph, I could feel the oppressiveness of the protagonist’s world but I could also see its wild beauty. This is a place where the air is “heavy as a sodden sponge” and insects buzz like an “unholy plague.” The darkness implied in the title has a layered meaning here: there’s the darkness of ignorance, the darkness of the human mind that is capable of justifying cruelty as salvation, and the darkness of hidden and ignored places.