Here are 100 books that The Bee Sting fans have personally recommended if you like
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I fell in love with Italy the first time I visited as a graduate student. Later, as a professor spending extended periods there with my family, I began investigating Italy’s experience of World War II. I was inspired by the diary of Iris Origo, an Anglo-American who lived in rural Tuscany. She reported of civilians bombed by Allied aircraft and strafed by machine guns from the air—even after Italy had surrendered. In my quest to understand the relations between the Allies and Italian civilians, I came upon a trove of great wartime novels, many recently back in print, and I am eager to share my enthusiasm for them.
I encountered this book backward. As a teenager growing up at the end of the US war in Vietnam, I read the Mad magazine spoof of the movie version long before I saw the movie itself, and then I read the novel. I focused on the antiwar theme and the concern of the bomber crew to get home without getting shot down.
The novel was based on Heller’s wartime experience, but I hardly realized it was about bombing Italy until I discovered the papers one of his crewmates had donated to Cornell University. I learned how many of the episodes were based on real incidents, including the only time the novel focuses on Italian civilians—when the crew objects to destroying an Italian Alpine village of no military significance.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
During my 25-year journalism career and now, in my books, I’ve specialized in telling powerful, human stories that are often humorous and sometimes laugh-out-loud funny. To me, humor is an essential part of life. Real stories might make us cry, but just as often, they make us laugh. That’s the balance I try to achieve with all my writing.
Humor often comes from putting normal people in absurd situations. That’s what Kevin Wilson does here—setting the lovable loser Lillian in her rich friend’s home, where she’s asked to care for her two young children. Children who, when agitated, tend to burst into flames. This frightens everyone but leaves the kids unhurt.
I found myself laughing and caring at the same time. That’s a neat trick for any author.
A New York Times Bestseller • A Read with Jenna Today Show Book Club Pick!
Named a Best Book of the Year by The New York Times Book Review, The Washington Post, People, Entertainment Weekly, USA Today, TIME, The A.V. Club, Buzzfeed, and PopSugar
“I can’t believe how good this book is.... It’s wholly original. It’s also perfect.... Wilson writes with such a light touch.... The brilliance of the novel [is] that it distracts you with these weirdo characters and mesmerizing and funny sentences and then hits you in a way you didn’t see coming. You’re laughing so hard you…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
This book holds a special place in my heart. I first read it in college, in a Russian Literature course where we analyzed the book’s characters and major themes. This experience trained me as both a writer and a reader.
This is a book concerned with Big Ideas: How can we reconcile the suffering of innocents with a benevolent God? How do we keep from falling into nihilism? These are the questions I come to literature for—questions that perhaps have no answers but whose contemplation is nevertheless worthwhile and transformative.
Winner of the Pen/Book-of-the-Month Club Translation Prize
The award-winning translation of Fyodor Dostoevsky's classic novel of psychological realism.
The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in…
During my 25-year journalism career and now, in my books, I’ve specialized in telling powerful, human stories that are often humorous and sometimes laugh-out-loud funny. To me, humor is an essential part of life. Real stories might make us cry, but just as often, they make us laugh. That’s the balance I try to achieve with all my writing.
There are a lot of books about Florida that are bad or shallowly written, but these days, some real writers are setting their books in the Sunshine State. Kristen Arnett, a Florida resident, uses the backdrop of a failing taxidermy business to write about a crazy family and an odd Central Florida town.
As a fourth-generation Floridian, I found the book true to life and extremely funny. That’s quite an accomplishment.
'Messed-up families, scandalous love affairs, art, life, death and the great state of Florida in one delicious, darkly funny package. Kristen Arnett is a wickedly talented and a wholly original voice' Jami Attenberg
What does it take to come back to life?
In the wake of her father's suicide, Jessa-Lynn Morton has stepped up to manage his failing taxidermy business while the rest of the Morton family falls apart. Her mother starts sneaking into the shop to make alarming art with stuffed animals; and while her brother Milo withdraws, his wife, Brynn - the only person Jessa's ever been in…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
Meet the Oppenheimer triplets, the stars of this book, whose loathing for one another borders on the Shakespearean. As a reader, I was instantly drawn in by Korelitz’s shrewd writing—and held there by her wondrous talents as a plot-maker. Indeed, this novel twists and turns in thrilling ways that kept my eyes glued to the page.
*A New York Times Notable Book of 2022* *A Washington Post Notable Work of Fiction* *An NPR Best Book of the Year*
From the New York Times bestselling author of The Plot, Jean Hanff Korelitz’s The Latecomer is a layered and immersive literary novel about three siblings, desperate to escape one another, and the upending of their family by the late arrival of a fourth.
The Latecomer follows the story of the wealthy, New York City-based Oppenheimer family, from the first meeting of parents Salo and Johanna, under tragic circumstances, to their triplets born during the early days of IVF.…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
Here we see Jonathan Franzen, the master of the family novel, at it again. Like all of Franzen’s books, this one is both hilarious and poignant. Though it tips the scale at nearly 600 pages, I blew through it in a day or two, amazed by Franzen’s plot-making abilities and his keen insights into the human condition.
Bonus points for The Corrections and Freedom, either of which could easily have made this list, too.
Jonathan Franzen’s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads.
It’s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless—unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem’s sister, Becky, long the social…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
I picked up this book because of its haunting cover—a black-and-white photograph of a girl staring directly into the camera’s lens. From the very first line, I knew I’d encountered something special. Without giving too much away, this book follows a South African family—the Swarts—throughout their lives. What most stuck with me was Galgut’s narration: a slippery voice that fluidly moves between the first and third person. This novel is a masterclass in narrative deftness and possibility. I can’t recommend it highly enough.
WINNER OF THE 2021 BOOKER PRIZE A NEW YORK TIMES EDITORS’ CHOICE
On her deathbed, Rachel Swart makes a promise to Salome, the family’s Black maid. This promise will divide the family—especially her children: Anton, the golden boy; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by feelings of guilt.
Reunited by four funerals over thirty years, the dwindling Swart family remains haunted by the unmet promise, just as their country is haunted by its own failures. The Promise is an epic South African drama that unfurls against the unrelenting march of history, sure…
During my 25-year journalism career and now, in my books, I’ve specialized in telling powerful, human stories that are often humorous and sometimes laugh-out-loud funny. To me, humor is an essential part of life. Real stories might make us cry, but just as often, they make us laugh. That’s the balance I try to achieve with all my writing.
From the start, you know Norwood is not the brightest bulb in the lamp, but I fell in love with him as he sets out on a hilarious road trip to retrieve $75 he’s owed by an ex-army buddy.
Portis wrote another of my favorite books, True Grit. All his books combine great writing, humor, and quirky characters—a trifecta I strive for in my writing.
Sent on a mission to New York he gets involved in a wild journey that takes him in and out of stolen cars, freight trains, and buses. By the time he returns home to Texas, Norwood has met his true love, Rita Lee, on a bus; befriended the second shortest midget in show business and "the world's smallest perfect fat man"; and helped Joann "the chicken with a college education," realize her true potential in life. As with all Portis' fiction, the tone is cool, sympathetic, and funny.
Ever since I read The Chronicles of Narnia as a child, the concept of magical, sentient animals and their relationship with humans fascinated me, so it was no surprise that when I started to write the Blood of the Fae series, a massive, mysterious feline sauntered onto the pages and carved out a significant role in the story. Over the years, I’ve found many new favorite animal companions in the pages of books, and I’m working on building up a real-life collection of animal companions including ducks, chickens, a sweet kitty, and many more lovable critters to come (alas, none of them show signs of developing magical abilities)!
I found so much to love in this story of found family and hidden magic—an enchanted isle, a guardian wizard and his rabbit familiar, and a young woman with a concealed past, all devoted to one another.
The bonds between the wizard, his adopted daughter, and their rabbit familiar were simply lovely, and the sacrifices they made in their quest to save what magic remains in their world were compelling. Despite trials the characters endure, the story still captured a cozy feel which would make it a fantastic winter read.
Though The Magician’s Daughter stands alone, I’d love a sequel—I didn’t want to leave these enchanting characters behind!
"That most rare and precious thing: a brand-new classic, both wholly original and wonderfully nostalgic." —Alix E. Harrow, New York Times bestselling author
In the early 1900s, a young woman is caught between two worlds in H. G. Parry’s cozy tale of magic, miracles, and an adventure of a lifetime.
Off the coast of Ireland sits a legendary island hidden by magic. A place of ruins and ancient trees, sea salt air, and fairy lore, Hy-Brasil is the only home Biddy has ever known. Washed up on its shore as a baby, Biddy lives a quiet life with her guardian,…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
This is one of my all-time favorite books. It is so darkly funny and strange that I laugh and shiver right through it every time. It begins in the middle of a flood in a small English town, where ducks are swimming and quacking in the drawing room, and I am also a big duck fan. Strange deaths follow. You can’t beat that.
“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus
This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues…
