Here are 100 books that The Killing Joke fans have personally recommended if you like
The Killing Joke.
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When I was little, I would draw for hours, captivated by the female experience. Art, film, and literature focused on women’s lives have always felt the most compelling to me. Whether it’s gazing at a woman painted centuries ago, watching a film about a woman navigating her time, or reading a book that delves into her inner world, I’m drawn to their stories. Their complexities and imperfections are often what I love most. This lifelong fascination has shaped my career. Whether illustrating fashion, designing book covers, or authoring my own books, the emotions and experiences of female characters inspire me, fuel my creativity, and remind me of the power and importance of their stories.
Dolores Haze is an oft-misrepresented character. I dislike the way Lolita is usually portrayed in a coquettish manner. I find Lolita to be one of the most tragic heroines in classic literature. This child is a manipulated and abused victim of a perverted narrator. Her mother is deeply complicated, too.
I love the complexity of all the characters and how their story arc evolves as the power dynamic shifts. It’s entertaining but also brings up disgust and concern for the heroine. I find myself rooting for her and hating the slimy narrator while at the same time appreciating Nabakov’s ability to build such fleshed-out characters and give us such a window into their minds.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
I have loved horror since my early teens, when I first discovered The Rats and Lair and other horror stories by James Herbert. The thing I like about horror, in particular, is that there are no holds barred, no censorship, as to what can be written. I grew up on movies like The Exorcist, Friday the 13th, Jaws, Alien, The Thing, etc., but horror writing takes you deeper and gives a more visceral experience than anything any film can do.
This was one of the hardest books to "get into," but a friend of mine told me to stick with it because the rewards of getting through the first quarter would be so great. I'm glad I did. It is an astounding piece of work, quite different from anything I've ever read before or since, and remains one of my top five books.
The tangents the book takes, and the blasé attributes of the leading character are superbly crafted. It was suggested it was "unfilmable," and there's one scene in particular I thought they'd never get away with, but if you look at the movie version carefully, it's in there.
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
I had no idea what I was getting into with this book, and the experience was so much richer for that blindfold. That title alone was enough to intrigue me–what on earth could it mean? This is one of the most interesting and shocking coming-of-age stories I have ever read.
The island world the author creates made me think of Lord of the Flies and what can happen when youth is allowed to go unsupervised. This is deliciously dark and twisted stuff. It’s a short book, but you won’t forget it.
The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath.
Meet Frank Cauldhame. Just sixteen, and unconventional to say the least:
Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim.
That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again.…
I am a comic book writer, published by Marvel and DC Comics, turned novelist. I enjoy getting inside the heads of my characters until they become entities of their own, with their own voices and actions. At that point I’m merely the facilitator; an interested spectator with a keyboard. Maybe, one whose prose shows a visual flair. Sometimes, I hear competing voices in my head, rather like the warring personas that feature in my debut novel GoodCopBadCop, but I don’t like to play favourites.
The narration is completely devoted to the worldview of main character Harry White. A man who climbs the ladder of corporate and social America thanks to unnatural drives inside him both dedicated to achieving his success and predicated ultimately to securing his eventual self-destruction. The demon is inside Harry White and it is the American dream. An extraordinary novel from an extraordinary writer who had already written himself into the annals of American literature with such classics as Last Exit to Brooklyn andThe Room. The Demon in my view is Selby Jr.’s most personal and impersonal work.
A womanizer’s struggle for self-control spirals into crime, madness, and murder Harry White grew up in blue-collar Brooklyn, but the young man’s charm, smarts, and good looks have helped him earn a place as an uptown junior executive. White’s gifts have also made his love life easy, and he takes special pleasure in seducing married women. But when “Harry the Lover” is ready to grow up and leave his womanizing behind, White finds that suppressing his libido has dangerous consequences. His attempts at restraint awaken something sinister, causing White to seek excitement in a new form of violence and depravity.…
I’ve always loved books about the bad choices good people make, or the good choices bad people make. I like twists and turns and ugly crying and serious “wtf” moments. Books that are like punches to the gut make me swoon. Dig up the dirt. Find the worms. Gnash your teeth, rend your garments, regret your choices and find new ways to love. Those are my favorite stories to read, but also to write. I write romance (Megan Hart), thrillers (Mina Hardy), and horror (Megan E. Hart), but to me, those different genres are all similar. Lots of screaming!
After reading Darby Kane’s Pretty Little Wife, I knew I had to pick up The Replacement Wife, and boy, am I glad I did. The main character in this book is also a mom and wife, but unlike a lot of other domestic thrillers, Elisa Wright is happy with her life. The problem isn’t her suspiciously-acting husband, but her brother-in-law, who was going to marry her good friend…until that friend went missing. The dips and swerves in this book had me convinced I knew what was going to come next, but I did not! I’ll admit, I do love an unreliable narrator, but you’ve got to find a way to make me believe and relate, and Kane turned that trope upside down and spun it around.
The #1 International bestselling author of Pretty Little Wife returns with another thrilling domestic suspense novel that asks, how many wives and girlfriends need to disappear before your family notices?
Elisa Wright is a mom and wife, living a nice, quiet life in a nice, quiet town. She's also convinced her brother-in-law is a murderer. Josh has one dead wife and one missing fiancee, and though he grieved for them he starts dating someone new. Elisa fears for that woman's safety, and she desperately wants to know what happened to her friend, Josh's missing fiancee.
I’m a mystery/thriller author fascinated by how and why people, especially black women, go missing. I’ve probably watched every episode of Unsolved Mysteries, Dateline, and Forensic Files. For me, the questions are always the same. What led up to their disappearance? And more importantly, who were these women? What’s their backstory? So often, the lives of the missing get lost in the circumstances and details surrounding their disappearances. These five books show how the media ignores missing marginalized women. I hope that these excellent thrillers give readers some much-needed food for thought.
I love this book because nothing is as it seems, especially Autumn, the unreliable narrator, who is searching for her missing twin sister, Summer, who disappeared in a way that defies all reason.
It kept me guessing until the very end. And even though the answer Autumn uncovers about what happened to Summer is completely unexpected, given the circumstances of Autumn’s life experiences, it made perfect sense. I thought about this book for a long time after reading it.
This book expertly navigates the topics of mental health and sexual violence, as well as the plight of missing black women, which largely go unnoticed and underreported by the media.
A “powerful song about what it means to survive as a woman in America” (Jesmyn Ward), this “fiercely astute” novel follows a sister determined to uncover the truth about her twin’s disappearance (Tayari Jones).
On a cold December evening, Autumn Spencer’s twin sister, Summer, walks to the roof of their shared Harlem brownstone and is never seen again. The door to the roof is locked, and the snow holds only one set of footprints. Faced with authorities indifferent to another missing Black woman, Autumn must pursue the search for her sister all on her own.
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
Kit Quinn is a psychologist who is brutally attacked by a prisoner while working. The same prisoner is under suspicion of murder and Kit is called in.
She, however doesn’t think they have the culprit. So ensues a fast-paced race to solve the case. This was one of the first psychological thrillers I ever read and served as a fantastic intro to the genre. It probably pushes the boundaries of believability but it remains one of my favourite books
At the request of London police, psychologist Kit Quinn agrees to evaluate Michael Doll, a sexual predator who slashes her face. As she recovers, Kit has horrible dreams of a red room. Months later, Doll is arrested for murder. As Doll's obsession with Kit escalates, Kit is gripped with a paralyzing fear that the killer isn't Doll--but someone close to her heart.
I’ve always been fascinated by Gothic literature (and art, music, and movies), and I’m fortunate to have a job that allows me to talk and write about it—I teach at the College of Charleston (SC), where I just completed a course on American Gothic. I’m especially interested in nineteenth-century American writers, and I’ve written three books on Edgar Allan Poe, the most recent of which is The Man of the Crowd: Edgar Allan Poe and the City. For this list, I limited myself to Americans who, like Poe, wrote before and during the Civil War.
This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.
Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?
Most editions of Wielandinclude Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.
All of my recommended books feature female protagonists with complex lives. They are layered with friends, families, work, and romantic challenges. They are not superheroes. Yet they are. They all find a way to do the hard thing in difficult circumstances and at great personal peril. And that’s what bravery is. It’s not Captain Marvel coming in to save the world. It’s a woman with responsibilities and problems who digs deep to act with integrity. And she may not get accolades. Her act may be unseen. But she does it. And I love reading about these everyday women with grit.
I love that the main character, journalist Whitney Chase, is not only an unreliable narrator but also unreliable herself. She confesses she has problems with the “creep.” She adds fake information and lies to get more eyeballs on her writing. I was totally engaged in watching Whitney make poor choices and try to wiggle out of her responsibilities and the consequences of her actions.
It’s like being a voyeur to the train wreck of her life. Yet Whitney is funny, hard-working, tough, and a champion of the vulnerable. She is such an incomplete, contradictory, and frustrating character that I was compelled to turn the page to see if she somehow landed on top.
"A deep, weird and uncanny tale" —Sheila Heti "A book to devour"—Iain Reid "Sinister good fun" —Lee Henderson "Gripping and unassumingly smart" —Lauren Oyler
A journalist with a history of bending the facts uncovers a story about a medical breakthrough so astonishing it needs no embellishment--but behind the game-changing science lies a gruesome secret.
A respected byline in the culture pages of the venerable New York magazine The Bystander, journalist Whitney Chase grapples with a mysterious compulsion to enhance her coverage with intriguing untruths and undetectable white lies. She calls it "the creep"--an overpowering need to improve the story in…
When I was little I used to seek out stories that featured strong female characters—especially in genre fiction. This proved to be quite difficult, even as I enlisted my entire family to help in the search. Because of this, ensuring that each of my own works feature this is a must. I am an author, artist, and podcast host who focuses on understanding the importance of story elements. I am an active martial artist, have a degree in creative writing from Kwantlen Polytechnic University, and often get mesmerized by the process of creating comics and music. I hope you enjoy these recommendations as much as I did.
From the get-go the reader is introduced to Lauren Fielding, a teenager living with a condition that makes her believe everything she is told. When the opportunity for her to surgically correct this comes up, she takes it and sets much of the plot in motion. What I love is the narrative style; a set of journal entries, scenes, and supporting materials which serve to present the events as Lauren and the people around her see it. This is a classic coming-of-age speculative fiction story with sprinkles of a possibly unreliable narrator, leaving the reader to follow along with the events and create their own conclusions about what is happening. Laura and the pacing her story provides are both memorable and noteworthy.
Lauren has always been naive. She has a disorder that makes her believe everything that everyone tells her - to the point that she often puts herself in danger. When she has the opportunity to have an operation to correct her disorder, she and her family are thrilled. Now Lauren can live a normal life. But after the surgery Lauren grows more and more paranoid, convinced that she's part of a government conspiracy that only she can uncover.
Told in journal entries and therapy-session transcripts, The Innocence Treatment is a collection of Lauren's papers, annotated by her sister long after…
