100 books like The Red Room

This is a book told from the point of view of Mother Rob and her daughter Callie.

It deals with topics of child psychopathy and innate evil and is beautifully written. I’m a huge fan of Catriona Ward’s and was torn between this book or The Last House On Needless Street but I really enjoyed the exploration of motherhood and childhood here and found myself rooting for the characters long after I turned the last page.

Like all of Ward’s books, Sundial has strong horror vibes and the world we are drawn into is full of lush descriptions but it is the characters that really stand out to me. This book also has some really good twists.

Of course, I’m including Gillian Flynn in this list. You may have expected her most popular novel, Gone Girl. I like that one, but this is my favorite of her works so far. In my opinion, it nudges out her other book, Sharper Objects (though that one is my wife’s favorite). I think it was her first book. It’s a dark story of a family with secrets, pain, and a moral decision that goes horribly wrong. Again, this one has a strong theme.

What if you could sacrifice everything to ensure your kids had a better life than you? Now, what if that sacrifice went horribly wrong and ruined not only your life but your kids as well? Flynn is a master of the thriller twist. She’s one of those authors who can lay out all the clues in plain sight for her readers without them even knowing it.… show more.

This story is told from the perspective of a serial killer's stepdaughter, Sophie, and I swallowed it in two sittings.

Matty Melgren, Sophie’s stepfather, is dying and wants to meet. He’s in prison and his imminent death takes Sophie right back to her childhood. The story is told from Sophie’s perspective as a twelve-year-old observing the breakdown of her mother and Matty’s relationship and as an adult debating how much she wants answers and what they might cost her.

I loved the dual timeline and thought it was a really fresh way to approach a serial killer novel. 

Based on the case of child killer Mary Bell this book is an unexpected page-turner and is written with so much heart. It’s dark, compulsive, and the prose sparkles.

This is another dual timeline book we follow Chrissie as a child living a hard life and eventually committing murder. We meet her again as an adult with a new identity and a daughter of her own. Nancy Tucker is a psychologist I believe and it certainly comes across.

The entire cast in this book is written with such tenderness and insight. A really difficult book dealing with a tough topic but also a story of redemption and understanding.

I will always find an excuse to read a classic literary tome about an unreliable narrator by the British seashore, partly because I know I’m in for a gut-punch of a landscape description. Even better when it’s garnished with a few—not too many, just enough—of those ultra-evocative lines that stop you in your tracks and make you go, “That’s exactly what that’s like!” But that’s not even the best part of this five-course meal of a book.

The story becomes increasingly surreal and disturbing. At each stage, Murdoch’s descriptions of the ocean landscape shift and change with the narrative, so the water increasingly looms in the background like a living character, apparently impersonal and even more deliciously horrible for it. 

A multiple POV thriller that kept me up all night. This book awed me with its multiple POVs combined with unreliability and timeline jumps.

As the book shifted from one POV to the other and from one timeline to another, I loved how the author weaved in the backstories of the characters by showing the impact it had on the present timeline.

The writing. The style, the words used, and the way the sentences spun the story is something I still think about, years after I first read this book. It drew me in, lulled me into a false sense of security, then sprung a small nugget of what really happened. A brilliant tactic.

The themes of regret and the unstable nature of memory stayed with me long after I had finished the book. A renowned expert on the Arabian Nights, Irwin weaves stories within stories, leaving the reader unsure about what is real and what is the product of a character’s imagination.

The unreliable narrator is a mildly successful but ultimately second-rate twentieth-century British painter who refers to a creative practice employed by the surrealists. The book took me on a wonderful journey through the artistic culture of London. Edith Sitwell, Salvador Dalí, and André Breton are just a few of the famous names who populate this surprising story. 

I love that the main character, journalist Whitney Chase, is not only an unreliable narrator but also unreliable herself. She confesses she has problems with the “creep.” She adds fake information and lies to get more eyeballs on her writing. I was totally engaged in watching Whitney make poor choices and try to wiggle out of her responsibilities and the consequences of her actions.

It’s like being a voyeur to the train wreck of her life. Yet Whitney is funny, hard-working, tough, and a champion of the vulnerable. She is such an incomplete, contradictory, and frustrating character that I was compelled to turn the page to see if she somehow landed on top. 

This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.

Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?

Most editions of Wieland include Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.  

The narration is completely devoted to the worldview of main character Harry White. A man who climbs the ladder of corporate and social America thanks to unnatural drives inside him both dedicated to achieving his success and predicated ultimately to securing his eventual self-destruction. The demon is inside Harry White and it is the American dream. An extraordinary novel from an extraordinary writer who had already written himself into the annals of American literature with such classics as Last Exit to Brooklyn and The Room. The Demon in my view is Selby Jr.’s most personal and impersonal work.