100 books like The Red Room

This is a book told from the point of view of Mother Rob and her daughter Callie.

It deals with topics of child psychopathy and innate evil and is beautifully written. I’m a huge fan of Catriona Ward’s and was torn between this book or The Last House On Needless Street but I really enjoyed the exploration of motherhood and childhood here and found myself rooting for the characters long after I turned the last page.

Like all of Ward’s books, Sundial has strong horror vibes and the world we are drawn into is full of lush descriptions but it is the characters that really stand out to me. This book also has some really good twists.

This is the only book that has ever made me physically sweat while reading it. I admit to being a true crime junkie, and this book scratched that itch in a huge way – despite being fiction.

Jumping back and forth between the day of a family’s horrific murder and present-day, where the surviving daughter is obsessively sought after by true crime enthusiasts (heyo!) and internet sleuths, this book turned a glaring spotlight on the hardships of both the economically poor, and single parenthood.

To say this book left me devastated would be an understatement. Add in a touch of the Satanic Panic of the 1980s, and this page-turner is nothing short of an absolute masterpiece of character work and cultural empathy. Not only did this book give me 759 heart attacks (the good kind), but it had me guessing up until the very last page.

This story is told from the perspective of a serial killer's stepdaughter, Sophie, and I swallowed it in two sittings.

Matty Melgren, Sophie’s stepfather, is dying and wants to meet. He’s in prison and his imminent death takes Sophie right back to her childhood. The story is told from Sophie’s perspective as a twelve-year-old observing the breakdown of her mother and Matty’s relationship and as an adult debating how much she wants answers and what they might cost her.

I loved the dual timeline and thought it was a really fresh way to approach a serial killer novel. 

Based on the case of child killer Mary Bell this book is an unexpected page-turner and is written with so much heart. It’s dark, compulsive, and the prose sparkles.

This is another dual timeline book we follow Chrissie as a child living a hard life and eventually committing murder. We meet her again as an adult with a new identity and a daughter of her own. Nancy Tucker is a psychologist I believe and it certainly comes across.

The entire cast in this book is written with such tenderness and insight. A really difficult book dealing with a tough topic but also a story of redemption and understanding.

I love this book because nothing is as it seems, especially Autumn, the unreliable narrator, who is searching for her missing twin sister, Summer, who disappeared in a way that defies all reason.

It kept me guessing until the very end. And even though the answer Autumn uncovers about what happened to Summer is completely unexpected, given the circumstances of Autumn’s life experiences, it made perfect sense. I thought about this book for a long time after reading it.

This book expertly navigates the topics of mental health and sexual violence, as well as the plight of missing black women, which largely go unnoticed and underreported by the media. 

From the get-go the reader is introduced to Lauren Fielding, a teenager living with a condition that makes her believe everything she is told. When the opportunity for her to surgically correct this comes up, she takes it and sets much of the plot in motion. What I love is the narrative style; a set of journal entries, scenes, and supporting materials which serve to present the events as Lauren and the people around her see it. This is a classic coming-of-age speculative fiction story with sprinkles of a possibly unreliable narrator, leaving the reader to follow along with the events and create their own conclusions about what is happening. Laura and the pacing her story provides are both memorable and noteworthy.

The narration is completely devoted to the worldview of main character Harry White. A man who climbs the ladder of corporate and social America thanks to unnatural drives inside him both dedicated to achieving his success and predicated ultimately to securing his eventual self-destruction. The demon is inside Harry White and it is the American dream. An extraordinary novel from an extraordinary writer who had already written himself into the annals of American literature with such classics as Last Exit to Brooklyn and The Room. The Demon in my view is Selby Jr.’s most personal and impersonal work.

In the comic books (and films) Batman and Joker are locked together in the eternal battle between good and evil. Except, as The Killing Joke so brilliantly explores, that’s not quite how Joker sees it. For Joker, they are both sides of the same coin. If Joker is seen as evil incarnate, then why, he asks, is Batman considered the opposite? The story has since been disowned by writer Moore, possibly because of the interminable number of nihilistic-styled super-hero stories that followed in its wake. But sometimes I think the writer’s dissonance from the subject matter adds to the sense of unease and chaos at play. And there is undeniable power at the root of the story, taken entirely from Joker’s impeccably flawed point of view. That it only takes ‘one bad day’ to turn an ordinary joe into one or the other, Joker or Batman.

After reading Darby Kane’s Pretty Little Wife, I knew I had to pick up The Replacement Wife, and boy, am I glad I did. The main character in this book is also a mom and wife, but unlike a lot of other domestic thrillers, Elisa Wright is happy with her life. The problem isn’t her suspiciously-acting husband, but her brother-in-law, who was going to marry her good friend…until that friend went missing. The dips and swerves in this book had me convinced I knew what was going to come next, but I did not! I’ll admit, I do love an unreliable narrator, but you’ve got to find a way to make me believe and relate, and Kane turned that trope upside down and spun it around. 

This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.

Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?

Most editions of Wieland include Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.