Here are 100 books that The First Day of Spring fans have personally recommended if you like
The First Day of Spring.
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I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This is a book told from the point of view of Mother Rob and her daughter Callie.
It deals with topics of child psychopathy and innate evil and is beautifully written. I’m a huge fan of Catriona Ward’s and was torn between this book or The Last House On Needless Street but I really enjoyed the exploration of motherhood and childhood here and found myself rooting for the characters long after I turned the last page.
Like all of Ward’s books, Sundial has strong horror vibes and the world we are drawn into is full of lush descriptions but it is the characters that really stand out to me. This book also has some really good twists.
“DO NOT MISS THIS BOOK. Authentically terrifying.” —Stephen King
Sharp as a snakebite, Sundial is a gripping novel about the secrets we bury from the ones we love most, from Catriona Ward, the author of The Last House on Needless Street.
You can't escape what's in your blood...
Rob has spent her life running from Sundial, the family’s ranch deep in the Mojave Desert, and her childhood memories.
But she’s worried about her daughter, Callie, who collects animal bones and whispers to imaginary friends. It reminds her of a darkness that runs in her family, and Rob knows it’s time…
Even as a boy, I could see (or maybe just sense) the darkness that resides just below the surface of this otherwise pleasant world. We all have stories, and the ones we hold closest to ourselves are often the darkest. Those are the stories that fascinate me the most. What are the limits of man’s menace? What causes seemingly normal people to snap? To turn on their fellow man? I could do one of two things with this fascination: become a sociopath (perhaps psychopath) or an author of dark, twisted, twisty tales. As you know, I chose the latter.
Of course, I’m including Gillian Flynn in this list. You may have expected her most popular novel, Gone Girl. I like that one, but this is my favorite of her works so far. In my opinion, it nudges out her other book, Sharper Objects (though that one is my wife’s favorite). I think it was her first book. It’s a dark story of a family with secrets, pain, and a moral decision that goes horribly wrong. Again, this one has a strong theme.
What if you could sacrifice everything to ensure your kids had a better life than you? Now, what if that sacrifice went horribly wrong and ruined not only your life but your kids as well? Flynn is a master of the thriller twist. She’s one of those authors who can lay out all the clues in plain sight for her readers without them even knowing it.…
'Eerily macabre... Wonderful' Guardian 'A nerve-fraying thriller' New York Times 'Every bit as horribly fascinating as In Cold Blood' Daily Mail
Libby Day was seven when her family was murdered: she survived by hiding in a closet - and famously testified that her older brother Ben was the killer.
Twenty-five years later the Kill Club - a secret society obsessed with notorious crimes - gets in touch with Libby to try to discover proof that may free Ben. Almost broke, Libby agrees to go back to her hometown to investigate - for a fee.
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This story is told from the perspective of a serial killer's stepdaughter, Sophie, and I swallowed it in two sittings.
Matty Melgren, Sophie’s stepfather, is dying and wants to meet. He’s in prison and his imminent death takes Sophie right back to her childhood. The story is told from Sophie’s perspective as a twelve-year-old observing the breakdown of her mother and Matty’s relationship and as an adult debating how much she wants answers and what they might cost her.
I loved the dual timeline and thought it was a really fresh way to approach a serial killer novel.
'Victoria Selman is an exciting and powerfully fresh voice' Patricia Cornwell
Twelve-year-old Sophie and her mother, Amelia-Rose, move to London from Massachusetts where they meet the charismatic Matty Melgren, who quickly becomes an intrinsic part of their lives. But as the relationship between the two adults fractures, a serial killer begins targeting young women with a striking resemblance to Amelia-Rose.
When Matty is eventually sent down for multiple murder, questions remain as to his guilt -- questions which ultimately destroy both women. Nearly twenty years later, Sophie receives a letter from Battlemouth Prison informing her…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
Kit Quinn is a psychologist who is brutally attacked by a prisoner while working. The same prisoner is under suspicion of murder and Kit is called in.
She, however doesn’t think they have the culprit. So ensues a fast-paced race to solve the case. This was one of the first psychological thrillers I ever read and served as a fantastic intro to the genre. It probably pushes the boundaries of believability but it remains one of my favourite books
At the request of London police, psychologist Kit Quinn agrees to evaluate Michael Doll, a sexual predator who slashes her face. As she recovers, Kit has horrible dreams of a red room. Months later, Doll is arrested for murder. As Doll's obsession with Kit escalates, Kit is gripped with a paralyzing fear that the killer isn't Doll--but someone close to her heart.
I am a lifelong Southerner and former journalist who believes that the region holds a unique place in American literature. I have a passion for the ultra-twisty ending because I try to incorporate it into each of my own mysteries. I want a reader to stay up late reading one of my books, then finish it in astonishment, thinking, “Wow! I didn’t see that coming!” (And then mention it to her friend over coffee the next morning.) I have read mysteries since I was 12 years old and always appreciate an author who can fool me.
I don’t know if I’d feel as surprised if I read this book today for the first time. But when I encountered it decades ago, I was gobsmacked when the murderer was revealed. This is an unusual Agatha Christie mystery, set in ancient Egypt and inspired by her husband’s archeological digs. In my view, Christie can’t be topped. She’s also the one who introduced me to the unreliable narrator with her fabulous Murder of Roger Ackroyd.
A novel of anger, jealousy, betrayal and murder in 2000 BC
It is Egypt, 2000 BC, where death gives meaning to life. At the foot of a cliff lies the broken, twisted body of Nofret, concubine to a Ka-priest. Young, beautiful and venomous, most agree that she deserved to die like a snake. Yet Renisenb, the priest's daughter, believes that the woman's death was not fate, but murder. Increasingly, she becomes convinced that the source of evil lurks within her own father's household.
As the wife of an eminent archaeologist, Agatha Christie took part in several expeditions to the Middle…
I’m a Pushcart-nominated writer of (mostly) young adult and adult horror and suspense. I primarily write about the fear of isolated and sparsely populated places, which makes sense: I grew up in the rural hinterlands of northeast Pennsylvania, steeped in dark cornfields, eerie quiet, and weird characters. I now live in the Philadelphia area with my husband and rescue dog in a creaky, century-old house, giving myself agita about the creepy crawlspace in the basement. I’m the author of two novels: A Misfortune of Lake Monsters (YA horror, July 2024) and The Trajectory of Dreams (adult psychological suspense, 2013).
Look, I know Hogarth is better known for her more recent novel Motherthing, but I will always have a soft spot for this book. Decades ago, there were some grisly cannibalistic murders at the Boy Meets Girl Inn, resulting in a reputed haunting. Noelle and Alf, high school friends with summer night shift gigs at the Inn, are organizing a soiree to celebrate the anniversary of the killings.
It's told mostly in Noelle’s journal entries that have been annotated and footnoted by detectives, experts, and a movie director, which made it irresistible to me since it’s done so well; the novel spotlights the ultimate unreliable narrator and includes some absolutely disgusting (in the best possible way) body horror scenes. I’ve read and re-read this book, and each time, I’m so creeped out.
Take this book with you on a summer vacation that involves a hotel stay, and read it…
Gripping, grisly, and keeps you guessing until the shocking end
Noelle Dixon takes a summer nightshift job at the infamous Boy Meets Girl Inn, even though she’s well aware of the horrifying murders that happened there decades ago. That’s why she has a diary―to write down everything she experiences in case things go bump in the night. But the inexplicable freezing drafts, the migrating rotten-flesh smell, and the misplaced personal items don’t really scare her. Noelle has bigger problems: her father’s failing health, her friend Alfred’s inappropriate crush, and the sore spot on the back of her head that keeps…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I’m a taxidermy-loving vegan who had a pet cemetery as a kid. So, I guess you could say I’m a bit of a Wednesday Adams. My airplane reading? Forensic pathology textbooks. When my first thrillers were published, a lot of people were surprised. “You seem so nice!” they said. “You’re so funny and happy!” Here’s a secret: thriller writers are some of the most jolly people I know. We get it all out on the page. We get to murder people for a living. So, if you cut me off in traffic or don’t RSVP to my Evite, it's no big deal. I won’t get upset. I’ll just kill you later...in a book.
Camilla is the so-called Queen of Nordic Noir. I got way into her books during the pandemic, which is to say I read every single one of them right after the other while I had a fever. The great thing about the Scandinavians is that they describe truly horrible happenings matter-of-factly.
I love Camilla’s books because she also adds another tension – my favorite kind of tension – the “when will the protagonists kiss?”. I will endure the most gruesome crime scenes because I’m invested in a relationship, and her series pays this off over and over.
“A top-notch thriller, one of the best of the genre” (Minneapolis Star Tribune) from international crime-writing sensation Camilla Läckberg tells the story of brutal murders in a small Swedish fishing village, and the shattering, decades-old secrets that precipitated them.
In this electrifying tale of suspense from an international crime-writing sensation, a grisly death exposes the dark heart of a Scandinavian seaside village. Erica Falck returns to her tiny, remote hometown of Fjällbacka, Sweden, after her parents’ deaths only to encounter another tragedy: the suicide of her childhood best friend, Alex. It’s Erica herself who finds Alex’s body—suspended in a bathtub…
I’ve been a huge fan of vampires, werewolves, elves, fairies, and all sorts of supernatural-themed creatures since I can remember. In addition, I grew up on sci-fi and fantasy movies and novels, which inspired me to pen my first short story at ten years old and send it in for publication. Since then, I’ve enjoyed creating art and writing stories that feature fantastical characters and creatures in extraordinary worlds having adventures. Though I have had two book series and numerous short stories published, I have many more stories and novels in the vault that I can’t wait to share with my readers.
This is the first book in the Valorian Chronicles, and boy, I wish it was a tv series! I like to think of this book as CSI: Paranormal (or Otherworld Crime Unit as it is named in the book). It’s a dash of police procedural in a world much like ours but with vampires, werewolves, and more creatures that live in a society that goes by their own rules. This book is mixed with a dose of sexy chemistry between the leads wrapped in a happily ever after bow. It’s great for those nights where I’m looking for a bit of suspense and mystery with my romance featuring a vampire hero.
Caine Valorian and his Otherworld Crime Unit crack all the unusual cases before any humans take notice. When a young woman is found ritualistically murdered it's his team of professionals with paranormal gifts who must stop the nameless evil stalking the streets. But the toughest case of Caine's 200-year career gets even harder when a new member, Eve Grant, is assigned to their unit. Not only is she green and eager to impress, she's human.
As they sink deeper into the workings of the case, Caine's attraction to the alluring Eve is causing his blood to boil. And with war…
So look, I’m going to admit something: I’ve been casting myself as the heroine in historical adventures and mysteries since the age of six. I’ve been Sherlock Holmes’s daughter, Elizabeth Bennett’s slightly disreputable sleuthing cousin, the lone lady Pinkerton hunting down Butch and Sundance. These youthful fantasies combined three things I adored: puzzles, adventure, and geeking out on history. When I got a little older, I left off imagining myself in the starring role in favour of something even more immersive: becoming someone else entirely. Whether I’m writing them or reading them, books like the ones on this list transport me, and I hope they’ll transport you, too.
Sometimes, I want to be transported to faraway, exotic places. But it can be equally delicious to experience a place you know well—in a time you don’t. It’s what attracted me to writing about 19th century New York, and what I love about Iona Whishaw’s Lane Winslow mysteries. They take place in the interior of British Columbia, Canada, a place I’ve spent plenty of time in. But sleuthing with ex-spy Lane Winslow in 1946 brings a fresh, fun perspective that is at once familiar and totally new. This book is perfect for curling up lakeside in an Adirondack chair, hot cup of tea in hand.
It is 1946, and war-weary young ex-intelligence officer Lane Winslow leaves London to look for a fresh start. When she finds herself happily settled in King's Cove, a sleepy hamlet nestled in the idyllic interior of British Columbia surrounded by a suitably eclectic cast of small-town characters she feels like she may finally be able to put her past to rest. But then a body is discovered, the victim of murder, and although she works alongside the town's inspectors Darling and Ames to discover who might possibly have motivation to kill, she casts doubt on herself. As the investigation reveals…
A life-changing tragedy. Conflicting memories. Is she a killer or a victim? Drawn From Life tells the story of a young woman driven to seek the truth about her traumatic past. As she sifts through the real and not-real landscapes of memory, she must re-examine her own agency in the…
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
In July of 1980, a beautiful violinist disappeared during a 45-minute break while the visiting ballet company used a prerecorded piece. Helen Hagnes Mintiks was a Julliard grad who had played with professionals since her teens. After the evening’s performance ended, her colleagues knew—as any musician would—that Helen would neverhave left the building without her violin. It took another nine hours to find her body, thrown down a ventilation shaft, hands tied with knots that stagehands used. A witness led them to the killer, who promptly confessed—a real villain, robbing the world of a kind-hearted talent out of lust. I read this book probably 30 years ago, while I was reading my way through the entire true crime section of the Cleveland Public Library.
