32 books like The Ice Princess

I’m an author from England who set out one lunchbreak to write the type of book I wanted to read. I like strong, imperfect heroines who fight for justice, both in their own lives and for others. Plus most of my books involve romance, so hot guys are a must too. I’ve written over fifty novels and novellas, from romcoms to thrillers, and one constant is strong female characters who do things for themselves. 

I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?

I’m a thriller writer with civilian protagonists who find themselves caught in situations way outside their comfort zones. They’re not people to whom guns or regular weapons are accessible or familiar. Consequently, I need my characters to have access to other weapons, and I find these in the environments in which I set my stories – elements that offer both defensive and offensive potential. Whether it be a dangerous natural feature (like a chasm), or a deadly creature, (I love a crocodile or snake), there needs to be something on offer. This is also what I admire in other authors – that harnessing of environmental weaponry that can make stories so exciting.

I’m a storyteller who loves ‘oh my gosh’ ideas. Something that, the moment I hear about it, it captivates me. I also love characters who are deeply heart-warming and pleasurable to be around. For me, delving into the intimacy of a character’s mind and their shifting relationships with others is a pleasure. This is why I’m so attracted to contemporary domestic family issues or love stories with living, breathing characters. By pairing it with a puzzling or shocking wow of an idea to investigate, I can explore my character’s unique world and set it at odds with something that threatens that existence.

I'm the author of The Lake Pines Mystery Series, as well as a multi-genre-inspired reader and writer. The story is what motivates my interest and captivates my attention. From my early fascination with Nancy Drew that drove me straight into my love of Agatha Christie, I'm passionately drawn to the traditional whodunnit murder mystery genre. I love creating red herrings and revel in the ‘ah-ha’ moments that give the reader pause and enjoyment. As a writer, I wanted to bring stories to life – to entertain and inform. Through murder mysteries I hope to give readers of this genre the satisfaction of a good ending, layered characters, and a good whodunnit.

I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites. 

I have a passion for novels with creepy settings, because I grew up in a haunted house and also spent my summers at a cottage on a lake with a long history of hauntings. I’m very familiar with the sensation of someone coming up behind you but when you turn around, nobody’s there, with lights flickering and the sound of unaccounted for footsteps, with shadowy corners, and chills running down your spine. As a child I loved to explore dark woods, abandoned buildings, and hold seances. As an adult I still explore these kinds of settings through my own writing and through the reading of some very creepy novels.  

I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites. 

The first story I ever wrote was set among warehouse pickers and stockers; the second, a bridge maintenance crew; the third and fifth, office workers, and the sixth, cops on the beat. I’m fascinated by the drama of work. For most people the workplace is a highly structured environment—you can’t wear what you want, you can’t say what you want, you can’t avoid that guy who drives you nuts. Who-You-Really-Are and Who-You-Are-At-Work are not always in harmony, and the tension between those two identities is richly revelatory. I live and write in Moscow, Idaho, and have taught creative writing at the University of Idaho, Stanford University, and the Iowa Writer’s Workshop.

Half a century ago (hard to believe!), as a young newspaper reporter, I began every day at a police station, reading the log and talking to the watch commander. Occasionally, I was able to contact the detectives as well. For me, the way crimes and criminal investigations unfolded, and the personalities of the officers involved, were multi-dimensional and touched with surprising, and often unexpected, moments of humor. In my reading as well as my writing, I seek a balance between authenticity and a sense of the absurd, without which the experience of solving murders—real or fictional—could become emotionally crushing.