100 books like The Snowman

I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.

I made up Faythe of North Hinkapee by being a jerk! I was ranting about how bad a "best seller" book I had read was. My wife looked at me and said, "So, could you write a bestseller?" I was challenged, and then, somehow, this book just tumbled out. It was about a girl in Colonial Times—her family burned as witches—vowing vengeance and how she gets it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I planned to write it, and after a ton of work, I finally finished.

I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?

I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.

I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can. 

I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.

I am a crime writer from New Zealand and have set all of my books either in small towns or isolated settings. The appeal of isolated settings, for me, is that social norms are lacking, people are often making their own rules in which to live by and they have chosen to live this life for particular reasons. The physical environment of isolated settings holds power and danger, but also beauty. In the five books I’ve chosen, all settings are stunning in their own way but with the introduction of characters with their own stories and histories, the beauty often contradicts the dark events going on and the secrets being kept.

Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.

I'm a French writer, originally from Provence, who found herself catapulted into Scandinavian culture almost twenty years ago when I married a Swede. When I wrote Block 46, my first book back in 2015, I set the plot in Falkenberg, a town on the west coast of Sweden, bringing my southern European culture face to face with the Scandinavian one, a kind of alliance between fire and ice. What I'm sharing with you today is the essence of my “empirical research” as a Swedish wife, an expatriate in Sweden, and a mother of three mini-Vikings, giving you the keys and the secrets of this northern culture that fascinates so much.

I’m a thriller writer with civilian protagonists who find themselves caught in situations way outside their comfort zones. They’re not people to whom guns or regular weapons are accessible or familiar. Consequently, I need my characters to have access to other weapons, and I find these in the environments in which I set my stories – elements that offer both defensive and offensive potential. Whether it be a dangerous natural feature (like a chasm), or a deadly creature, (I love a crocodile or snake), there needs to be something on offer. This is also what I admire in other authors – that harnessing of environmental weaponry that can make stories so exciting.