Here are 100 books that The Replacement Wife fans have personally recommended if you like
The Replacement Wife.
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I am Casey Kelleher, a crime writer and author of 17 novels. I have always been a complete and utter bookworm, but my true passion is crime and psych thrillers. Most of my stories concentrate on the victim–or, as I prefer to call them, the survivor. That’s who I champion in my stories, highlighting the strength of that person who has overcome whatever harsh reality that’s been forced upon them. But I also like to get inside the perpetrator’s head. I want to know the ‘whys’ of what they do. Psychology is very complex, but I do believe that there can be good and bad/darkness and light in all of us.
This was a great psychological thriller. What really caught me off guard was how desolate and dire the entire truth of the story turned out to be for everyone involved.
I liked the darkness of the story, and I love Lisa’s writing style. Her stories always pull me in right from the very start. She is a firm favorite of mine.
From the New York Times bestselling author of Invisible Girl and The Truth About Melody Browne comes a “riveting” (PopSugar) and “acutely observed family drama” (People) that delves into the lingering aftermath of a young girl’s disappearance.
Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. Beloved by her parents, friends, and teachers, and half of a teenaged golden couple. Ellie was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.
I’ve always loved books about the bad choices good people make, or the good choices bad people make. I like twists and turns and ugly crying and serious “wtf” moments. Books that are like punches to the gut make me swoon. Dig up the dirt. Find the worms. Gnash your teeth, rend your garments, regret your choices and find new ways to love. Those are my favorite stories to read, but also to write. I write romance (Megan Hart), thrillers (Mina Hardy), and horror (Megan E. Hart), but to me, those different genres are all similar. Lots of screaming!
Strong women don’t get that way because their lives have been easy, and I’m a sucker for stories about women facing the worst and getting through it. It doesn’t even have to be with grace and dignity! Half Past has a shattering premise – the utter rejection of a mother to her daughter. The book is a family mystery heavy with heartache, and I devoured it. While there’s grief and angst, the book also describes the journey of a woman who thinks she’s faced her lowest point – and how she manages to rise above it all. The book also had a really clever use of actual, simple science that I appreciated because it was so real and yet led to a horrifying reveal!
At forty-five, Hannah Smith is at a crossroads. That's her spin on it. The reality is she's divorced, jobless, and moving back to her family home in Iowa to keep an eye on her mother, who's slipping into dementia. Her return stirs up the same unnerving sense of disconnect Hannah has felt since childhood-always the odd girl out, the loner outshone by her two older sisters. Hannah knew the feelings of hurt would come back. But she never expected fear. Because when her mother looks into her eyes and whispers, "You're not my daughter," Hannah is beginning to believe it's…
I suspect my passion for this topic was born when my doctor came into my C-section recovery room and uttered the words “chromosomal abnormality.” My daughter has Down syndrome, and full disclosure: I had zero interest in being a disability mom. Yet as I fell in love with this beautiful, funny, sassy girl, my whole worldview shifted. I am a far better person than I was when she entered my life. She has taught me the beauty and the blessing wrapped up in the things that first appear to be the most difficult.
I have adored everything I’ve read by Nicole Baart, and they all fit this theme. I chose this one because all the characters in it are so real. It features two women who are both punishing themselves for a tragedy they believe to be their fault. In this book, the main characters are so true, you almost can’t believe they’re made up. They’re complex people whose struggles and brokenness end up making ripples that bump into other people’s struggles and brokenness. Just a bunch of people doing the best they can and messing it all up and having to start again. This is a book that makes you feel like maybe all hope isn’t lost, after all.
From the author of Little Broken Things, a "race-to-the-finish family drama" (People) following a mother who must confront the dark summer that changed her life forever in order to reclaim the daughter she left behind.
Juniper Baker had just graduated from high school and was deep in the throes of a summer romance when Cal and Beth Murphy, a childless couple who lived on a neighboring farm, were brutally murdered. When her younger brother became the prime suspect, June's world collapsed and everything she loved that summer fell away. She left, promising never to return to tiny Jericho, Iowa.
I love character-driven, roller coaster ride stories. As a young reader, I gravitated to the “choose your own adventure” books which relied on invoking knotted stomachs, and cold sweats in children as they struggled to make the right decision before reading on; turn to page 105 if you want to face the ravenous bear or page 23 if you wish to flee. Thus, the love of reading emerged and, eventually, the joy of writing followed. These books are just some of the stories that bring similar nostalgic tones when I delve into their pages. I hope you enjoy them as much as I do.
I’d categorise it as a dark thriller that created some of the tightest knots in my stomach. The concept alone was enough to generate terror, anxiety, and anger from the first page onward. But anything that involves the endangerment of children does that to me.
A gripping tale that puts the victims, both the kidnapped and the kidnappers, in peril from an unseen syndicate who controls their actions with a phone call.
When a mother is targeted by a dangerous group of masterminds, she must commit a crime to save her kidnapped daughter—or risk losing her forever—in this "propulsive and original" award-winning thriller (Stephen King).
It's something parents do every morning: Rachel Klein drops her daughter at the bus stop and heads into her day. But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
The twists! The turns! The head-spinning lies! The problem with being an author is that I often know within a few pages exactly how a book will end. Although it doesn’t bother me (because the journey is just as important as the destination, in my opinion), it’s always really exciting when I come across a book where I have no clue WTF is going on.
The layers of deception, half-truths, lies, manipulations…they had me wondering where on earth this was going. I defy anyone to work out everything that’s going on.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER
“Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie.
Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a…
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
Sometimes I need a book that will inspire me not to continue writing, but to start; kinda like when I binge watch YouTube book talks—that’s the feeling this book brings over me—inspired. It’s a book that helps me write anything because I’m a person who struggles with—yet craves the ability to— strip a piece as bare as possible. Strip a story of its fluff and dissect its roots. I need to know what to save for later, and Gornick expressing the difference between situation and story is something I always go back to in order to help declutter my work.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal…
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
Kit Quinn is a psychologist who is brutally attacked by a prisoner while working. The same prisoner is under suspicion of murder and Kit is called in.
She, however doesn’t think they have the culprit. So ensues a fast-paced race to solve the case. This was one of the first psychological thrillers I ever read and served as a fantastic intro to the genre. It probably pushes the boundaries of believability but it remains one of my favourite books
At the request of London police, psychologist Kit Quinn agrees to evaluate Michael Doll, a sexual predator who slashes her face. As she recovers, Kit has horrible dreams of a red room. Months later, Doll is arrested for murder. As Doll's obsession with Kit escalates, Kit is gripped with a paralyzing fear that the killer isn't Doll--but someone close to her heart.
I’m a mystery/thriller author fascinated by how and why people, especially black women, go missing. I’ve probably watched every episode of Unsolved Mysteries, Dateline, and Forensic Files. For me, the questions are always the same. What led up to their disappearance? And more importantly, who were these women? What’s their backstory? So often, the lives of the missing get lost in the circumstances and details surrounding their disappearances. These five books show how the media ignores missing marginalized women. I hope that these excellent thrillers give readers some much-needed food for thought.
I love this book because nothing is as it seems, especially Autumn, the unreliable narrator, who is searching for her missing twin sister, Summer, who disappeared in a way that defies all reason.
It kept me guessing until the very end. And even though the answer Autumn uncovers about what happened to Summer is completely unexpected, given the circumstances of Autumn’s life experiences, it made perfect sense. I thought about this book for a long time after reading it.
This book expertly navigates the topics of mental health and sexual violence, as well as the plight of missing black women, which largely go unnoticed and underreported by the media.
A “powerful song about what it means to survive as a woman in America” (Jesmyn Ward), this “fiercely astute” novel follows a sister determined to uncover the truth about her twin’s disappearance (Tayari Jones).
On a cold December evening, Autumn Spencer’s twin sister, Summer, walks to the roof of their shared Harlem brownstone and is never seen again. The door to the roof is locked, and the snow holds only one set of footprints. Faced with authorities indifferent to another missing Black woman, Autumn must pursue the search for her sister all on her own.
I’ve always been fascinated by Gothic literature (and art, music, and movies), and I’m fortunate to have a job that allows me to talk and write about it—I teach at the College of Charleston (SC), where I just completed a course on American Gothic. I’m especially interested in nineteenth-century American writers, and I’ve written three books on Edgar Allan Poe, the most recent of which is The Man of the Crowd: Edgar Allan Poe and the City. For this list, I limited myself to Americans who, like Poe, wrote before and during the Civil War.
This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.
Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?
Most editions of Wielandinclude Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.
I am a comic book writer, published by Marvel and DC Comics, turned novelist. I enjoy getting inside the heads of my characters until they become entities of their own, with their own voices and actions. At that point I’m merely the facilitator; an interested spectator with a keyboard. Maybe, one whose prose shows a visual flair. Sometimes, I hear competing voices in my head, rather like the warring personas that feature in my debut novel GoodCopBadCop, but I don’t like to play favourites.
In the comic books (and films) Batman and Joker are locked together in the eternal battle between good and evil. Except, as The Killing Joke so brilliantly explores, that’s not quite how Joker sees it. For Joker, they are both sides of the same coin. If Joker is seen as evil incarnate, then why, he asks, is Batman considered the opposite? The story has since been disowned by writer Moore, possibly because of the interminable number of nihilistic-styled super-hero stories that followed in its wake. But sometimes I think the writer’s dissonance from the subject matter adds to the sense of unease and chaos at play. And there is undeniable power at the root of the story, taken entirely from Joker’s impeccably flawed point of view. That it only takes ‘one bad day’ to turn an ordinary joe into one or the other, Joker or Batman.
Critically acclaimed author Alan Moore redefined graphic novel story-telling with Watchmen and V for Vendetta. In Batman: The Killing Joke, he takes on the origin of comics' greatest super-villain, The Joker, and changes Batman's world forever.
ONE BAD DAY.
According to the grinning engine of madness and mayhem known as the Joker, that's all that separates the sane from the psychotic. Freed once again from the confines of Arkham Asylum, he's out to prove his deranged point. And he's going to use Gotham City's top cop, Commissioner Jim Gordon, and his brilliant and beautiful daughter Barbara to do it.
