Fans pick 100 books like Wieland

This 1834 novel written by a physician/writer from Philadelphia holds its own with anything Poe or Melville ever wrote in terms of weirdness, psychological complexity, and sheer literary panache. 

It tells the story of a singularly unambitious young man who accidentally kills himself and then discovers that he has the power to reanimate the corpses of others who have just died. And so our hero finds himself living the lives of a rich man with terrible gout, a playboy, a misguided Quaker philanthropist, and – most shockingly – a rebel slave. 

Through it all, Sheppard Lee still maintains a sense of his own identity, even as his spirit becomes something of a puppet for its new physical manifestations. Both philosophical and darkly comic, this recently rediscovered work should be a classic.

Early African American fiction is not as well-known as the slave narrative genre, but the few novels that do exist before the Civil War are sophisticated interpretations and developments of sentimental fiction. Harriet E. Wilson’s Our Nig is a bildungsroman charting the life of free Black servant girl Frado who is exploited and abused by her adopted white family. Wilson challenges the passive and flat portraits of Black men and women in most antebellum fiction, by portraying a complex and multifaceted character in Frado.

Another example of early African American fiction, The Garies and their Friends is the second novel published by a Black American. Following the lives of an interracial couple moving from Savannah to Philadelphia, their middle-class Black friends, and the racism they face, The Garies is one of the first texts to examine free Black life in depth. Writing an anti-racist novel, Webb criticizes the legal structures and extra-legal white supremacist violence that prohibit Black safety and success in the ‘free’ North.

Although Herman Melville is considered the most canonical US writer today, after the muddled reception of Moby-Dick (1851) his critical and commercial acclaim had waned. In response, he wrote the much-maligned Pierre, a sensational gothic novel about a young man discovering his half-sister and endeavoring to rescue her from poverty. Both sublime and ridiculous, this overly-wrought novel features spiritualism, incest, and diatribes against the literary marketplace, but most pressingly it probes the roles and responsibilities of young independent men in the mid-19th century. If you can find it, the 1995 Kraken edition features bold and brilliant illustrations by Maurice Sendak.

Hawthorne’s House has a little of everything: mystery, romance, the supernatural, family treachery, and a surprising dose of humor.

A family curse, dating back to the days of New England witch trials, hangs over a present-day (1850s) land dispute, pitting strange but lovable Hepzibah and Clifford Pyncheon against their scheming, powerful cousin Jaffrey.

While much of the Gothic plot concerns the way the past controls the present, the novel also involves technologies that will help shape the future: photography (which is linked here to spiritualism) and, in one memorable scene, the railroad.

The popularity of the book and its 1940 film adaptation helped make the house that inspired Hawthorne a tourist attraction (which I also highly recommend) in Salem, Massachusetts.

This might seem like a strange pick, since it’s almost never described in terms of Gothicism.

Douglass’s narrative is essential reading regardless—a compelling narrative and one of the masterpieces of nineteenth-century literature. What makes it Gothic? In Douglass’s world, nothing is what it appears to be, because slavery has corrupted not only institutions but virtually all personal relationships. There are trap doors everywhere and a constant threat of violence.

A century and a half before Toni Morrison’s Beloved, Douglass’s book describes the Gothic horror of everyday life under slavery.

This book might as well have been named The Mysteries of Philadelphia. It was the first American City Mysteries novel. Again, we see a plethora of good and bad characters and mysterious events occurring that many of the characters do not understand because criminals and a secret society manipulate innocent citizens.

My favorite part of the novel is the character Bug, who appears less than human. Another striking moment is a prophetic vision in which “Sodom” is destroyed and Independence Hall is in ruins, symbolizing how the birthplace of independence has failed to live up to the American Revolution’s ideals. The author, George Lippard, who was a friend of Edgar Allan Poe, offers a dark social critique of 1840s America.

Dickinson isn’t always Gothic, but many of her best and best-known poems revolve around that central Gothic question: what is it like to be dead?

Poems beginning with lines like “I heard a Fly buzz—when I died,” “Because I could not stop for Death,” “If I may have it, when it’s Dead,” and “I felt a Funeral, in my Brain” play along the boundary between the living and the dead and ask uncomfortable questions about the afterlife, such as whether there is one.

It’s surely no coincidence that her creative peak coincided with the Civil War. But what makes Dickinson so compelling, for me at least, is her unique vocabulary, which suggests fears and other (sometimes ecstatic) emotions that no one else has managed to describe. Her poems are full of surprise and mystery.

This edition reproduces Dickinson’s own collections of her poems—“fascicles” or homemade books—giving… show more.

From the get-go the reader is introduced to Lauren Fielding, a teenager living with a condition that makes her believe everything she is told. When the opportunity for her to surgically correct this comes up, she takes it and sets much of the plot in motion. What I love is the narrative style; a set of journal entries, scenes, and supporting materials which serve to present the events as Lauren and the people around her see it. This is a classic coming-of-age speculative fiction story with sprinkles of a possibly unreliable narrator, leaving the reader to follow along with the events and create their own conclusions about what is happening. Laura and the pacing her story provides are both memorable and noteworthy.

After reading Darby Kane’s Pretty Little Wife, I knew I had to pick up The Replacement Wife, and boy, am I glad I did. The main character in this book is also a mom and wife, but unlike a lot of other domestic thrillers, Elisa Wright is happy with her life. The problem isn’t her suspiciously-acting husband, but her brother-in-law, who was going to marry her good friend…until that friend went missing. The dips and swerves in this book had me convinced I knew what was going to come next, but I did not! I’ll admit, I do love an unreliable narrator, but you’ve got to find a way to make me believe and relate, and Kane turned that trope upside down and spun it around.