Fans pick 100 books like Emily Dickinson's Poems

This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.

Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?

Most editions of Wieland include Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.  

Hawthorne’s House has a little of everything: mystery, romance, the supernatural, family treachery, and a surprising dose of humor.

A family curse, dating back to the days of New England witch trials, hangs over a present-day (1850s) land dispute, pitting strange but lovable Hepzibah and Clifford Pyncheon against their scheming, powerful cousin Jaffrey.

While much of the Gothic plot concerns the way the past controls the present, the novel also involves technologies that will help shape the future: photography (which is linked here to spiritualism) and, in one memorable scene, the railroad.

The popularity of the book and its 1940 film adaptation helped make the house that inspired Hawthorne a tourist attraction (which I also highly recommend) in Salem, Massachusetts.

This might seem like a strange pick, since it’s almost never described in terms of Gothicism.

Douglass’s narrative is essential reading regardless—a compelling narrative and one of the masterpieces of nineteenth-century literature. What makes it Gothic? In Douglass’s world, nothing is what it appears to be, because slavery has corrupted not only institutions but virtually all personal relationships. There are trap doors everywhere and a constant threat of violence.

A century and a half before Toni Morrison’s Beloved, Douglass’s book describes the Gothic horror of everyday life under slavery.

This book might as well have been named The Mysteries of Philadelphia. It was the first American City Mysteries novel. Again, we see a plethora of good and bad characters and mysterious events occurring that many of the characters do not understand because criminals and a secret society manipulate innocent citizens.

My favorite part of the novel is the character Bug, who appears less than human. Another striking moment is a prophetic vision in which “Sodom” is destroyed and Independence Hall is in ruins, symbolizing how the birthplace of independence has failed to live up to the American Revolution’s ideals. The author, George Lippard, who was a friend of Edgar Allan Poe, offers a dark social critique of 1840s America.

This is the book that enabled me to make the transition from legal writer to novelist. I purchased it at an aspiring writer’s conference without knowing it was well-respected in the publishing industry. I quickly liked the clearly stated, practical guidelines: show not tell, resist the urge to explain, what is point of view, dialogue that works, easy beats. And the book contains humorous illustrations by George Booth. Every writer needs a laugh in the midst of giving birth. 

This writing instruction book came to my aid as I began to teach writing at Harvard University in the late 1990s, when I was trying to help college students cultivate their own voice as writers.

The title was brilliant, surprising the reader that the subject was revision and not writing, per se. This focused on a fundamental truth, which is that good writing – whether it be fiction or non-fiction, artistic or professional – almost always goes through several revisions. Students often recoil at the idea of revisions because they threaten to burden them with more work.

What Murray underlined (and a point I’ve reiterated) is that revisions provide the opportunity to improve your work. The more that writers are comfortable with making revisions, the easier it will be to cultivate and improve their voices in their written work.

I loved this book so much – and found it so incredibly useful in manuscript revisions — that I ran to my laptop and sent the author a fan letter. If you need help wrestling your manuscript into shape or inspiration to keep improving a story, immediately grab this book — and lots of sticky flags to mark pages. The author, with a ton of developmental editing experience, writes with a friendly style and an affection for storytelling. She explains how to find problems in your manuscript and how to fix them. It’s great for fiction or nonfiction—I’m using it now for revisions on a novel.

Though often overlooked in Bradbury’s canon of masterpieces, The October Country is such a fantastic treat. I recommend it every chance I get and often quote his descriptions of Autumn. “It was September. In the last days when things are getting sad for no reason.” I mean…right?? How heartbreakingly beautiful is that?

The book comes together as a collection of short stories that take place in a world of perpetual autumn, where trees drop their fiery leaves one by one, lakes become still, and darkness creeps in earlier each day.

I swear, if I could wrap myself in a cocoon of this feeling, I’d be a happy camper. Plus, touches of the supernatural? Yes. All day. Count me in. Forever and ever. Amen.

Writers often struggle to think of themselves as “writers” because the world has us believing that we can only carry that title if we are successfully published, and of course words such as “success” and even “published” can be fraught with subjective controversy. One of the lessons I learned from Brenda Ueland, among other great thinkers, is that we need to focus first on our own authenticity and only much, much later dare we think about what the world might have to say. This allowed me to let go and move on and trust myself on my writing path. It wasn’t easy, but as emphasized in If You Want to Write, we will be all right if we believe in our inner richness.  

Hirshfield’s craft of language in this book knocks me off my feet. My head rings in the resonance of her poignant and pointed images.

The way she fuses intimate, personal experience with the immensity of nature and the fearless way she takes on the loss and peril of climate change makes me want to be a better writer and a better human. When I read the poems in this masterful collection, I am at once moved to sadness and awe and inspired to take action.