Here are 100 books that The Garies and Their Friends fans have personally recommended if you like
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I’ve always been fascinated by Gothic literature (and art, music, and movies), and I’m fortunate to have a job that allows me to talk and write about it—I teach at the College of Charleston (SC), where I just completed a course on American Gothic. I’m especially interested in nineteenth-century American writers, and I’ve written three books on Edgar Allan Poe, the most recent of which is The Man of the Crowd: Edgar Allan Poe and the City. For this list, I limited myself to Americans who, like Poe, wrote before and during the Civil War.
This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.
Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?
Most editions of Wielandinclude Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.
I am fascinated by historical figures who were deemed marginal, outcast, or eccentric and also by experiences (like sleep or madness) that usually fall beneath historical scrutiny. I am drawn to nineteenth-century literature and history because I find such a rich store of strange and poignant optimism and cultural experimentation dwelling alongside suffering, terror, and despair. As a writer, I feel a sense of responsibility when a great story falls into my hands. I try to be as respectful as I can to the life behind it, while seeking how it fits into a larger historical pattern. I am always on the lookout for books that do the same!
This 1834 novel written by a physician/writer from Philadelphia holds its own with anything Poe or Melville ever wrote in terms of weirdness, psychological complexity, and sheer literary panache.
It tells the story of a singularly unambitious young man who accidentally kills himself and then discovers that he has the power to reanimate the corpses of others who have just died. And so our hero finds himself living the lives of a rich man with terrible gout, a playboy, a misguided Quaker philanthropist, and – most shockingly – a rebel slave.
Through it all, Sheppard Lee still maintains a sense of his own identity, even as his spirit becomes something of a puppet for its new physical manifestations. Both philosophical and darkly comic, this recently rediscovered work should be a classic.
Sheppard Lee, Written By Himself is a work of dark satire from the early years of the American Republic. Published as an autobiography and praised by Edgar Allan Poe, this is the story of a young idler who goes in search of buried treasure and finds instead the power to transfer his soul into other men's bodies. What follows is one increasingly practiced body snatcher's picaresque journey through early American pursuits of happiness, as each new form Sheppard Lee assumes disappoints him anew while making him want more and more. When Lee's metempsychosis draws him into…
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Early African American fiction is not as well-known as the slave narrative genre, but the few novels that do exist before the Civil War are sophisticated interpretations and developments of sentimental fiction. Harriet E. Wilson’s Our Nig is a bildungsroman charting the life of free Black servant girl Frado who is exploited and abused by her adopted white family. Wilson challenges the passive and flat portraits of Black men and women in most antebellum fiction, by portraying a complex and multifaceted character in Frado.
"They discussed the expediency of a speedy departure. Seth would first seek employment, and then return for Mag. They would take with them what they could carry, and leave the rest with Pete Greene, and come for them when they were wanted. They were long in arranging affairs satisfactorily, and were not a little startled at the close of their conference to find Frado missing. They thought approaching night would bring her. Twilight passed into darkness, and she did not come. They thought she had understood their plans, and had, perhaps, permanently withdrawn. They could not rest without making some…
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Although Herman Melville is considered the most canonical US writer today, after the muddled reception of Moby-Dick (1851) his critical and commercial acclaim had waned. In response, he wrote the much-maligned Pierre, a sensational gothic novel about a young man discovering his half-sister and endeavoring to rescue her from poverty. Both sublime and ridiculous, this overly-wrought novel features spiritualism, incest, and diatribes against the literary marketplace, but most pressingly it probes the roles and responsibilities of young independent men in the mid-19th century. If you can find it, the 1995 Kraken edition features bold and brilliant illustrations by Maurice Sendak.
Pierre; or, The Ambiguities is a novel, the seventh book, by American writer Herman Melville, first published in New York in 1852. The plot, which uses many conventions of Gothic fiction, develops the psychological, sexual, and family tensions between Pierre Glendinning; his widowed mother; Glendinning Stanley, his cousin; Lucy Tartan, his fiancee; and Isabel Banford, who is revealed to be his half-sister. According to scholar Henry A. Murray, in writing Pierre Melville "purposed to write his spiritual autobiography in the form of a novel" rather than to experiment with the novel and incidentally working some personal experiences into it. Coming…
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
Our 44th President’s first book is the one most Americans are least likely to have read. We often commented during Obama’s time in office that many who voted for him would not have had they read the book and discovered Obama’s racial activism.
Obama is the son of a white mother and an African father from Kenya. His father left the family when Obama was two years old and returned to visit only once when Obama was ten. His father died when Obama was 21. Obama’s memoir details his early life in Honolulu, where he was raised by his white grandparents, and later in Chicago, where he was a community organizer before becoming a lawyer.
The book powerfully details the racism Obama experienced as a boy and his search to understand his biracial identity by finding and connecting with his family in Kenya.
#1 NEW YORK TIMES BESTSELLER • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS
In this iconic memoir of his early days, Barack Obama “guides us straight to the intersection of the most serious questions of identity, class, and race” (The Washington Post Book World).
“Quite extraordinary.”—Toni Morrison
In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
I’ve read this book several times and saw the 2021 film. This is the quintessential novel on how skin color can affect one's choices in life as well as the life one is relegated to.
It made me really contemplate how someone can move from one world to another with either no concern (as in the case of Clare) or major angst, as in the case of Irene.
I loved this book because the struggles were real, and the end was unexpected.
A classic, brilliant and layered novel that has been at the heart of racial identity discourse in America for almost a century.
Clare Kendry leads a dangerous life. Fair, elegant, and ambitious, she is married to a white man unaware of her African American heritage and has severed all ties to her past. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, but refuses to acknowledge the racism that continues to constrict her family's happiness. A chance encounter forces both women to confront the lies they have told others - and the…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.
Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
The biracial Vigne twins in this book struggle with the choices before them as to which race they will embrace. I loved the book for its poignancy and honest exploration of the sensitivity involved in having a choice to make, no matter the generation.
This book is similar to the movie Imitation of Life but on a grander scale. The stories moved me and hurt me at the same time.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
Oh my, oh my, oh my!!! What a celebration indeed!! Such gorgeous, lyrical language. And the illustrations—often connected to the seasons—are vibrant and alive. This story is a poem that encourages a child to celebrate the people they come from and the color they are. I love how the specific words, the soothing alliteration, and the connections with nature and family invite us to read further. And the descriptions of the color brown sing. Finally, as someone who spent a childhood hiking trails and connecting with the outdoors, one of my favorite spreads is where the father and daughter take a mountain hike. We do not see enough brown families spending time in nature in children’s books. What a joy to see this representation.
Magnificent Homespun Brown is an exploration of the natural world and family bonds through the eyes of young, mixed raced heroines-a living, breathing, dazzlingly multi-faceted, exuberant masterpiece, firmly grounded in a sense of self-worth and belonging. This is a story-a poem, a song, a celebration- about feeling at home in one's own beloved skin.
If Walt Whitman were reborn as a young woman of colour, this is the book he might write. With vivid illustrations by Kaylani Juanita, Samara Cole Doyon sings a carol for the plenitude that surrounds us and the self each of us is meant to inhabit.
I’m a professional historian and life-long lover of early American history. My fascination with the American Revolution began during the bicentennial in 1976, when my family traveled across the country for celebrations in Williamsburg and Philadelphia. That history, though, seemed disconnected to the place I grew up—Arkansas—so when I went to graduate school in history, I researched in French and Spanish archives to learn about their eighteenth-century interactions with Arkansas’s Native nations, the Osages and Quapaws. Now I teach early American history and Native American history at UNC-Chapel Hill and have written several books on how Native American, European, and African people interacted across North America.
Annette Gordon-Reed’s book introduces readers to the enslaved family of a Founding Father, Thomas Jefferson.
What I love about this book is that it upends the traditional picture of Jefferson while neither vilifying nor excusing him. It’s a full picture of a complicated man and the fascinating people who were part of his life. After all, the historian’s task is not to make heroes or villains but to show the full complexity of human beings.
At the center of the story is Sally Hemings, the half-sister of Jefferson’s wife and the mother of some of Jefferson’s children. The book also shows how a careful historian can interpret and evaluate different kinds of evidence, including documents, oral history, and DNA.
This epic work-named a best book of the year by the Washington Post, Time, the Los Angeles Times, Amazon, the San Francisco Chronicle, and a notable book by the New York Times-tells the story of the Hemingses, whose close blood ties to our third president had been systematically expunged from American history until very recently. Now, historian and legal scholar Annette Gordon-Reed traces the Hemings family from its origins in Virginia in the 1700s to the family's dispersal after Jefferson's death in 1826.
