Fans pick 100 books like The Garies and Their Friends

This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.

Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?

Most editions of Wieland include Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.  

This 1834 novel written by a physician/writer from Philadelphia holds its own with anything Poe or Melville ever wrote in terms of weirdness, psychological complexity, and sheer literary panache. 

It tells the story of a singularly unambitious young man who accidentally kills himself and then discovers that he has the power to reanimate the corpses of others who have just died. And so our hero finds himself living the lives of a rich man with terrible gout, a playboy, a misguided Quaker philanthropist, and – most shockingly – a rebel slave. 

Through it all, Sheppard Lee still maintains a sense of his own identity, even as his spirit becomes something of a puppet for its new physical manifestations. Both philosophical and darkly comic, this recently rediscovered work should be a classic.

Early African American fiction is not as well-known as the slave narrative genre, but the few novels that do exist before the Civil War are sophisticated interpretations and developments of sentimental fiction. Harriet E. Wilson’s Our Nig is a bildungsroman charting the life of free Black servant girl Frado who is exploited and abused by her adopted white family. Wilson challenges the passive and flat portraits of Black men and women in most antebellum fiction, by portraying a complex and multifaceted character in Frado.

Although Herman Melville is considered the most canonical US writer today, after the muddled reception of Moby-Dick (1851) his critical and commercial acclaim had waned. In response, he wrote the much-maligned Pierre, a sensational gothic novel about a young man discovering his half-sister and endeavoring to rescue her from poverty. Both sublime and ridiculous, this overly-wrought novel features spiritualism, incest, and diatribes against the literary marketplace, but most pressingly it probes the roles and responsibilities of young independent men in the mid-19th century. If you can find it, the 1995 Kraken edition features bold and brilliant illustrations by Maurice Sendak.

My favorite American novel is at once the most righteously angry and the most beautifully optimistic book I’ve ever read. 

Historical fiction urgently responding to the present, an intimate family saga that creates an entire community—Chesnutt’s masterpiece is a book I’ve taught almost every year of my career, and I find something new in it each time I read it.

No book reminds me more potently of the worst of our history, and no book inspires me to fight for our best more passionately. 

Barack Obama’s father was part of the story of Kenya’s road to freedom, and yet his son, Barrack, hardly knew him. His father met Barack’s mother while on a scholarship to the USA but abandoned her and his son when he returned to Kenya in 1964 and became a senior economist in the Kenyan Ministry of Finance.

We researched his life when writing our book. My co-author, Nancy Mudenyo Hunt, is also of Luo ancestry. Her father attended Obama’s funeral. This memoir is a testimony to the struggle of children of mixed heritage to decide on their identity. I find it sad that the young Obama is identified by the father who left him and not by his mother who cherished him.

Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.

I did not take to this book right away. Both main characters seemed rigid and selfish in ways that put me off initially. When I came back to the novel some years (decades?) later, I could better see and appreciate the complexity of building a life in racist America of the 1920s. The rigidity that had initially put me off seemed much more understandable as a defense mechanism in a society that was largely hostile to them as women of color.

Giving the book another go, I’ve come to admire the way Larsen uses her characters’ decisions (about whether to pass as white, have children, trust the men they’ve chosen to live with, etc.) to explore complicated ideas surrounding color and race. There are also some scathing indictments of whites, particularly white men that raise some pretty big questions about how race and gender work together, even in our own… show more.

This novel is an immersive read with heaps of empathy for all its characters but especially for the two sisters whose perspectives are at the center of the story: the twin who disappears to live a secret life, passing as white, and the twin left behind.

We don’t get the perspective of Stella, the vanished twin, until 14 years after her disappearance, 150 pages into the book. By then, I was fully absorbed in the grief and unanswered questions of the people she’d abandoned, eager to finally know where she’d been all this time and to understand her complex motivations and the emotional and mental toll of relinquishing—and hiding—her racial identity, her community, her sister, and her past. I picked this book up and didn’t put it down until it was done.

Oh my, oh my, oh my!!! What a celebration indeed!! Such gorgeous, lyrical language. And the illustrations—often connected to the seasons—are vibrant and alive. This story is a poem that encourages a child to celebrate the people they come from and the color they are. I love how the specific words, the soothing alliteration, and the connections with nature and family invite us to read further. And the descriptions of the color brown sing. Finally, as someone who spent a childhood hiking trails and connecting with the outdoors, one of my favorite spreads is where the father and daughter take a mountain hike. We do not see enough brown families spending time in nature in children’s books. What a joy to see this representation.