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Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Abbott Awaits follows the spectacularly ordinary life of a father with a two-year-old; husband to an insomniac, pregnant wife; and university teacher. Bachelder evokes beauty in the mundane, dazzling splendor in domestic tedium, and in the middle of cleaning up his daughter’s vomited-up raspberries, a revelation that gets to the heart of Abbot’s heart-crushing yet devastatingly funny tour of his wildly imaginative inner life: “The following propositions are both true: A) Abbott would not, given the opportunity, change one significant element of his life, but B) Abbot cannot stand his life.”
A quiet tour de force, Chris Bachelder's Abbott Awaits transforms the ordinary into the extraordinary, startlingly depicting the intense and poignant challenges of a vulnerable, imaginative father as he lives his everyday American existence.
In Abbott we see a modern-day Sisyphus: he is the exhausted father of a lively two-year old, the ruminative husband of a pregnant insomniac, and the confused owner of a terrified dog. Confronted by a flooded basement, a broken refrigerator, a urine-soaked carpet, and a literal snake in the woodpile, Abbott endures the beauty and hopelessness of each moment, often while contemplating evolutionary history, altruism, or…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Darcie Wilder’s Literally Show Me a Healthy Person is a novel in short fragments perfect for the social media era, narrated by a woman unflinching and at times brutal—and brutally hilarious—in her honesty, reflecting on the death of her mother and chronicling sexual escapades, deep in her sadness yet lively within the freedom and energy of her early 20s. This novel is slim but packs a ferocious punch; it will make you laugh—out of surprise, relief, identification—and it will make you cry for the very same reasons.
Darcie Wilder's literally show me a healthy person is a careful confession soaking in saltwater, a size B control top jet black pantyhose dragged over a skinned knee and slipped into unlaced doc martens. Blurring the lines of the written word, literally show me a healthy person is a portrait of a young girl, or woman, or something; grappling with the immediate and seemingly endless urge to document and describe herself and the world around her. Dealing with the aftermath of her mother's death, her father's neglect, and the chaotic unspoken expectations around her, this novel is a beating heart…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
In the pages of The Interrogative Mood, Powell pulls off a seemingly impossible feat: he writes an entire novel structured as a series of questions (no answers!), all asked by the same unnamed and never described narrator. The questions range from “In your view, do children smell good?” to “Could you lie down and a take a rest on the sidewalk?” to “Are your emotions pure?” The questions force the reader to do some serious—and often deeply funny—introspection, mostly about hypothetical situations; and as they accumulate, so too does the psyche—the character, to use the word loosely—from which this riveting, rapid-fire interrogation originates.
“If Duchamp or maybe Magritte wrote a novel (and maybe they did. Did they?) it might look something like this remarkable little book of Padgett Powell’s.”
—Richard Ford
The Interrogative Mood is a wildly inventive, jazzy meditation on life and language by the novelist that Ian Frazier hails as “one of the best writers in America, and one of the funniest, too.” A novel composed entirely of questions, it is perhaps the most audacious literary high-wire act since Nicholson Baker’s The Mezzanine or David Foster Wallace’s stories;a playful and profound book that, as Jonathan Safran Foer says, “will sear the…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Alice, Corvus, and Annabel, children without mothers, traverse air-conditioned buildings and desert landscapes, strewn with symbols and signs of mortality—from the preservation of those teetering on the brink of death at a nursing home to a wildlife museum full of taxidermies; and these teenagers are orbited by agitated, confused adults who seem wholly unaware of the strangeness—and messages—defining their lives. Joy Williams is a master at dark humor in literary fiction, and The Quick and the Dead is one of her finest achievements.
PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert.
Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults.
I’m most drawn to stories of overcoming. My own childhood was about exactly that-overcoming a multi-generational inheritance of family separation and orphaned children. When I wrote my first book about that story, A Chance in the World, an unanticipated magic unfolded: I began to receive stories of strangers from all across the world who wrote to tell me their own story of overcoming. Each and every day I hear from someone and the steady stream of those stories of overcoming affirms something I have to come to learn: we all have a story and none of us look like that story.
Even a casual glance at today’s headlines will show how race continues to be a perplexing issue in our society. And it shouldn’t be. But we need examples of how to navigate the complexities of race and McBride’s powerful memoir shows us how.
His deep love – and appreciation – for his mother and coming to terms with her story while still standing in his own truth as a Black man is instructive and inspiring…and a reminder that there is nothing greater than love.
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'A triumph' - New York Times Book Review
'A startling, tender-hearted tribute to a woman for whom the expression tough love might have been invented' - The Times
'As lively as a novel, a well-written, thoughtful contribution to the literature on race' - Washington Post
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MORE THAN TWO YEARS ON THE NEW YORK TIMES BESTSELLER LIST
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From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction, came this modern classic that Oprah.com calls one of the best memoirs of a generation and that…
EM Forster said, "Only Connect." That has inspired my life and work. The Oxford Times published my Oxtopian castaway series, and those life stories were turned into three books. The castaways, with links to Oxford, were from five continents. One of those castaways was Kenyan-born Nancy Mudenyo Hunt. Nancy founded the Nasio Trust, which has transformed the lives of hundreds of disadvantaged young people in West Kenya and Oxfordshire. With friends, I’m currently fundraising to build the first community library in West Kenya. Nancy asked if we could write a book together, and we did. We wrote a novel inspired by her life.
Barack Obama’s father was part of the story of Kenya’s road to freedom, and yet his son, Barrack, hardly knew him. His father met Barack’s mother while on a scholarship to the USA but abandoned her and his son when he returned to Kenya in 1964 and became a senior economist in the Kenyan Ministry of Finance.
We researched his life when writing our book. My co-author, Nancy Mudenyo Hunt, is also of Luo ancestry. Her father attended Obama’s funeral. This memoir is a testimony to the struggle of children of mixed heritage to decide on their identity. I find it sad that the young Obama is identified by the father who left him and not by his mother who cherished him.
#1 NEW YORK TIMES BESTSELLER • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS
In this iconic memoir of his early days, Barack Obama “guides us straight to the intersection of the most serious questions of identity, class, and race” (The Washington Post Book World).
“Quite extraordinary.”—Toni Morrison
In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more…
I go by the title AmericanStudier in my public scholarship and take that name very seriously. I believe nothing is more important for our future than better remembering our past and that pushing the nation toward its most inspiring ideals requires grappling with our hardest and most painful histories. On my AmericanStudies blog, in my Saturday Evening Post Considering History column, and in all my other scholarly, public, and social media content, I am committed to sharing our histories and stories, figures and works, voices, and writing in all forms and for all audiences. I hope you’ll join me in this work by reading and sharing these great books!
My favorite American novel is at once the most righteously angry and the most beautifully optimistic book I’ve ever read.
Historical fiction urgently responding to the present, an intimate family saga that creates an entire community—Chesnutt’s masterpiece is a book I’ve taught almost every year of my career, and I find something new in it each time I read it.
No book reminds me more potently of the worst of our history, and no book inspires me to fight for our best more passionately.
Based on a historically accurate account of the Wilmington, North Carolina, "race riot" of 1898, African-American author Charles W. Chesnutt's innovative novel is a passionate portrait of the betrayal of black culture in America.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning…
I've been book-besotted my entire life. I've read, studied, taught, reviewed, and written books. I went to “gradual” school, as John Irving calls it, earning a PhD in literature before gradually realizing that what I really loved was writing. For me, books contain the intellectual challenge of puzzles, the fun of entertainment, the ability to fill souls. They have changed my life, and the best compliments I have received are from readers who say my books have changed theirs. I read widely and indiscriminately (as this list shows) because I believe that good books are found in all genres. But a book about books? What a glorious meta-adventure.
Magical doors that appear out of nowhere, a fantastical book that may not be fiction, some truly sketchy villains, a quest, and an intrepid heroine.
The author had me at fantastical book, but what I love about this novel is the world and character building, that feeling of opening the cover and being somewhere that has nothing to do with ordinary life.
And yet, there is mystery. And romance. A lost father. A daring daughter. You’ll want to race through it, but slow down at the same time, just to savor the ride.
"A gorgeous, aching love letter to stories, storytellers, and the doors they lead us through...absolutely enchanting."—Christina Henry, bestselling author of Alice and Lost Boys
LOS ANGELES TIMES BESTSELLER! Finalist for the 2020 Hugo, Nebula, Locus, and World Fantasy Awards.
In the early 1900s, a young woman embarks on a fantastical journey of self-discovery after finding a mysterious book in this captivating and lyrical debut.
In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely…
I grew up feeling invisible in media, and absent in history. My Iranian history was hidden from me by a culture that believed shielding young people from trauma was the right thing to do, and my queer history was hidden from me by a homophobic time. I’m passionate about the power of seeing yourself represented in storytelling and in history, and have devoted much of my life to telling queer stories, and queer historical stories. As a parent, as a queer Iranian storyteller, as a passionate believer in art as a tool for empathy, these are books I think will both entertain readers and inspire them to love their fellow humans a little more.
My novel received a Stonewall Honor, which was one of the great thrills of my life. But the winner of the Stonewall Award that year was The Black Flamingo by Dean Atta, and let me tell you, this is the book you want to lose to, the book you want to laugh to and cry to and cling to.
I’ve read it multiple times. Written in brilliant poetic verse, it’s a celebration of Blackness and queerness and all the complex emotions that make us human. I love it and cherish it, and you will too.
'Atta's bold verse novel calls to its readers to find their own blazing, performative inner truth' - Guardian
WINNER OF THE STONEWALL BOOK AWARD
A boy comes to terms with his identity as a mixed-race gay teen - then at university he finds his wings as a drag artist, The Black Flamingo. A bold story about the power of embracing your uniqueness. Sometimes, we need to take charge, to stand up wearing pink feathers - to show ourselves to the world in bold colour.
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Another example of early African American fiction, The Garies and their Friends is the second novel published by a Black American. Following the lives of an interracial couple moving from Savannah to Philadelphia, their middle-class Black friends, and the racism they face, The Garies is one of the first texts to examine free Black life in depth. Writing an anti-racist novel, Webb criticizes the legal structures and extra-legal white supremacist violence that prohibit Black safety and success in the ‘free’ North.
In this novel set in antebellum America, the Garies -- a white southerner, his mulatto slave-turned-wife, and their two children-have moved to Philadelphia from Georgia. Originally published in London in 1857, and never before available in paperback, The Gages and Their Friends was the second novel published by an African American and the first to chronicle the experience of free blacks in the pre-Civil War northeast. The novel anticipates themes that were to become important in later African American fiction, including miscegenation and "passing", and tells the story of the Garies and their friends, the Ellises, a "highly respectable and…
