Here are 100 books that Literally Show Me a Healthy Person fans have personally recommended if you like
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Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Abbott Awaits follows the spectacularly ordinary life of a father with a two-year-old; husband to an insomniac, pregnant wife; and university teacher. Bachelder evokes beauty in the mundane, dazzling splendor in domestic tedium, and in the middle of cleaning up his daughter’s vomited-up raspberries, a revelation that gets to the heart of Abbot’s heart-crushing yet devastatingly funny tour of his wildly imaginative inner life: “The following propositions are both true: A) Abbott would not, given the opportunity, change one significant element of his life, but B) Abbot cannot stand his life.”
A quiet tour de force, Chris Bachelder's Abbott Awaits transforms the ordinary into the extraordinary, startlingly depicting the intense and poignant challenges of a vulnerable, imaginative father as he lives his everyday American existence.
In Abbott we see a modern-day Sisyphus: he is the exhausted father of a lively two-year old, the ruminative husband of a pregnant insomniac, and the confused owner of a terrified dog. Confronted by a flooded basement, a broken refrigerator, a urine-soaked carpet, and a literal snake in the woodpile, Abbott endures the beauty and hopelessness of each moment, often while contemplating evolutionary history, altruism, or…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.
Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
In the pages of The Interrogative Mood, Powell pulls off a seemingly impossible feat: he writes an entire novel structured as a series of questions (no answers!), all asked by the same unnamed and never described narrator. The questions range from “In your view, do children smell good?” to “Could you lie down and a take a rest on the sidewalk?” to “Are your emotions pure?” The questions force the reader to do some serious—and often deeply funny—introspection, mostly about hypothetical situations; and as they accumulate, so too does the psyche—the character, to use the word loosely—from which this riveting, rapid-fire interrogation originates.
“If Duchamp or maybe Magritte wrote a novel (and maybe they did. Did they?) it might look something like this remarkable little book of Padgett Powell’s.”
—Richard Ford
The Interrogative Mood is a wildly inventive, jazzy meditation on life and language by the novelist that Ian Frazier hails as “one of the best writers in America, and one of the funniest, too.” A novel composed entirely of questions, it is perhaps the most audacious literary high-wire act since Nicholson Baker’s The Mezzanine or David Foster Wallace’s stories;a playful and profound book that, as Jonathan Safran Foer says, “will sear the…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Alice, Corvus, and Annabel, children without mothers, traverse air-conditioned buildings and desert landscapes, strewn with symbols and signs of mortality—from the preservation of those teetering on the brink of death at a nursing home to a wildlife museum full of taxidermies; and these teenagers are orbited by agitated, confused adults who seem wholly unaware of the strangeness—and messages—defining their lives. Joy Williams is a master at dark humor in literary fiction, and The Quick and the Dead is one of her finest achievements.
PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert.
Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults.
I have been writing fiction since an early age, and I naturally create central female characters that I hope are warm, funny, and in some way flawed. Modules of my university degree dealt with psychology and sociology, and I automatically studied other people to inspire elements of my character. Lee Child is quoted as saying readers remember characters more than the plot, so when compiling my list, I recalled five female leads that have made me laugh, cringe, and relate to in equal measure. I hope you enjoy them as much as I do!
Louisa Clark is a lively heroine in the most somber, complicated circumstances, which elevates this book from a normal rom-com to something tender and profound. JoJo Moyes has done a fantastic job combining humor and sadness in this tale of love and hope.
The book deals with the perplexing debate around assisted suicide through the characters, and as a reader accustomed to upbeat endings, I couldn’t see how this would end well. And I’m glad it didn’t. Sometimes, we need a bittersweet blow to the stomach and a good old cry.
THE MAJOR FILM AND THE NEW YORK TIMES NO.1 BESTSELLING NOVEL THAT IS LOVED AROUND THE WORLD, ME BEFORE YOU . . .
Will needed Lou as much as she needed him, but will her love be enough to save his life?
Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun teashop and she knows she might not love her boyfriend Patrick.
What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps…
Morally gray heroes are my absolute favorite kind. Whether it’s Batman, Dean Winchester from Supernatural, or the heroes on this list—if he’s not dark and stormy, well, I’m not interested. There’s a depth to these characters that others often lack, and I find it so fascinating. Especiallywhen there’s romance involved. The books on this list are nearly all polar opposites, and yet... they each stretch our capacity to love to the very breaking point—and then make us catch our breath. How far into the darkness can he go, and still come back with a heart left to give to his heroine?
This book will grip you in its fist, and never let you go. I read this book nearly a decade ago, and it still stands out in my memory as a fierce example of love conquering all. A bad past, a bad beginning, and all the messed-up hurts a person can accumulate over the years? Liadan and Bran will wreck you in the best possible ways. The fact that it’s wrapped in mythological goodness and a healthy dose of magic? That only made me love it more. The entire series is worth a read, but this one is far and away my personal favorite.
Son of the Shadows is the sequel to Juliet Marillier's evocative first novel Daughter of the Forest.
It continues the saga of beautiful Sorcha, the courageous young woman who risked all to save her family from a wicked curse and whose love shattered generations of hate and bridged two cultures.
It is from her sacrifice that her brothers were brought home to Sevenwaters and her life has known much joy. But not all the brothers were able to escape the spell that transformed them into swans, and those who did were all more--and less--than they were before the change.
My background is in computer science, specifically artificial intelligence. As a student, I was most interested in how our knowledge of the human brain could inform AI and vice versa. As such, I read as much neuroscience and psychology as I could and spent a lot of time thinking about how our minds create reality out of our senses. I always appreciate a novel that explores the fluidity of reality.
On her 29th birthday, Kelly Holter walks through a door and into a life that barely resembles her own. And yet it is her own.
Is her reality wrong? Or are her memories wrong? Or are they both somehow correct? Part sci-fi, part thriller, all-consuming, The Other Me explores how the decisions we make influence the person we become, or don’t. The novel raises many fascinating questions and provides plenty of unexpected answers.
“Who hasn't wondered what alternate versions of their lives might look like?...As relatable as it is suspenseful cleverly exploring adulthood, identity, and shifting realities.” —Margarita Montimore, USA Today bestselling author of Oona Out of Order
An inventive page-turner about the choices we make and the ones made for us.
One minute Kelly’s a free-spirited artist in Chicago going to her best friend’s art show. The next, she opens a door and mysteriously emerges in her Michigan hometown. Suddenly her life is unrecognizable: She's got twelve years of the wrong memories in her head and she's married to Eric, a man…
I have always loved a good sassy sidekick, human or otherwise. I started my first book, DragonBond, at the age of fifteen, and throughout the various drafts between its inception and its completion, the dragon Axen’s sass game has always been fierce. Since then, I’ve published a total of thirteen books, seven of which are in the Endonshan Chronicles series. I have a Master’s degree in psychology which I use to create well-rounded characters with unique quirks and personalities. I hope you enjoy these picks and all the snark contained within!
DragonSpell follows a freed slave named Kale who delves into a world of magic, wizards, and dragons when she discovers a clutch of small dragon eggs. She’s sent to rescue a meech dragon egg stolen by the evil Wizard Risto and must find the reclusive Wizard Fenworth to do so. Along the way, some of the dragon eggs hatch into tiny dragons who have special abilities of their own. Their antics alone are enough to keep the pages turning, much less the dramatic adventure and delightful cast of characters accompanying her.
When Kale, a slave girl, finds a dragon egg, she is given the unexpected opportunity to become a servant to Paladin. But on her way to The Hall, where she was to be trained, Kale runs into danger. Rescued by a small band of Paladin’s servants, Kale is turned from her destination.
Feeling afraid and unprepared, Kale embarks on a perilous quest to find the meech dragon egg stolen by the foul Wizard Risto. But their journey is threatened when a key member of the party is captured, leaving the remaining…
I’m a Black woman who writes stories that will give readers an insight into areas of corporate and governmental politics, with a touch of reality, suspense, humor, and romance. Oh, let me add…a touch of fantasy. At times, I will mix the genres simply because that is where the story takes me. Writing is a passion; messaging is a responsibility (I aim to intrigue you!), and humor is my way of balancing the intense topic. I have a degree in Organizational Management, 30 years of working in state agencies, and a vivid imagination to share. I'm enjoying the second chapter of my life by doing what I love…writing stories that entice your mind.
It would be criminal not to recommend the follow-up toThe Parable of the Sower. The Parable of Talenttakes place years after the hard fraught ideal community is formed. You are going to want to know what happens in this perceived utopia. The unrest on the survival of Christian values is happening all around them. The effect uncovers elements that existed beneath the surface of the somewhat pleasant surroundings of the community. Therein lies the reality that a change is going to come.
The stunning sequel to Parable of the Sower, the NEW YORK TIMES-bestselling novel.
'In the ongoing contest over which dystopian classic is most applicable to our time... for sheer peculiar prescience, Butler's novel may be unmatched' NEW YORKER
'Octavia Butler was playing out our very real possibilities as humans. I think she can help each of us to do the same' GLORIA STEINEM
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In order for me to understand who I am, I must begin to understand who she was.
Asha was born into a broken world. There are many things she needs to know: how her country could…
I love books that take the reader to another country. Travel (even vicariously in a book) takes us out of our comfort zones and inspires us to open our minds to other cultures, ways of life and thought. These books constantly challenge us, not only to understand different surroundings, but also to understand unique people, to embrace adventures, glamour and romance and to share these new and meaningful thoughts and ideas with others.
A Theatre for Dreamers captures the halcyon days of the 60s artistic community on the Greek Island of Hydra. It focuses on the international bohemian set, including the authors Charmian Clift and George Johnston. Among the artists, poets and hangers-on are a Norwegian couple—Axel Jensen and Marianne Ihlen—and a young, charismatic Canadian by the name of Leonard Cohen. It is narrated by the likable ingenue Erica, a novitiate novelist in her late teens whose mother’s dying wish was for her daughter to go off on an adventure. Erica is like Nick Carraway, mainly on the periphery of events, observing and learning from the more experienced, glamorous people she has fallen in with. Interesting fact: author, Polly Samson, is married to David Gilmour of Pink Floyd.
'Delicious' Nigella Lawson 'Clever and beguiling' Guardian 'Sublime and immersive' Jojo Moyes
Erica is eighteen and ready for freedom. It's the summer of 1960 when she lands on the sun-baked Greek island of Hydra where she is swept up in a circle of bohemian poets, painters, musicians, writers and artists, living tangled lives. Life on their island paradise is heady, dream-like, a string of seemingly endless summer days. But nothing can last forever.
'A surefire summer hit ... At once a blissful piece of escapism and a powerful meditation on art and sexuality' Observer 'Heady armchair…
