Fans pick 100 books like Our Nig

This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.

Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?

Most editions of Wieland include Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.  

This 1834 novel written by a physician/writer from Philadelphia holds its own with anything Poe or Melville ever wrote in terms of weirdness, psychological complexity, and sheer literary panache. 

It tells the story of a singularly unambitious young man who accidentally kills himself and then discovers that he has the power to reanimate the corpses of others who have just died. And so our hero finds himself living the lives of a rich man with terrible gout, a playboy, a misguided Quaker philanthropist, and – most shockingly – a rebel slave. 

Through it all, Sheppard Lee still maintains a sense of his own identity, even as his spirit becomes something of a puppet for its new physical manifestations. Both philosophical and darkly comic, this recently rediscovered work should be a classic.

Another example of early African American fiction, The Garies and their Friends is the second novel published by a Black American. Following the lives of an interracial couple moving from Savannah to Philadelphia, their middle-class Black friends, and the racism they face, The Garies is one of the first texts to examine free Black life in depth. Writing an anti-racist novel, Webb criticizes the legal structures and extra-legal white supremacist violence that prohibit Black safety and success in the ‘free’ North.

Although Herman Melville is considered the most canonical US writer today, after the muddled reception of Moby-Dick (1851) his critical and commercial acclaim had waned. In response, he wrote the much-maligned Pierre, a sensational gothic novel about a young man discovering his half-sister and endeavoring to rescue her from poverty. Both sublime and ridiculous, this overly-wrought novel features spiritualism, incest, and diatribes against the literary marketplace, but most pressingly it probes the roles and responsibilities of young independent men in the mid-19th century. If you can find it, the 1995 Kraken edition features bold and brilliant illustrations by Maurice Sendak.

Amal’s story asks the question of how to fight for justice against seemingly impossible odds. In rural Pakistan, Amal faces responsibilities to her family that force her to leave school, seemingly crushing her dreams of becoming a teacher. After a run-in with the son of the village’s landlord, Amal finds herself forced into indentured servitude. Injustice upon injustice weigh against her, but through her intellect and ingenuity, she finds a way to escape her service and free her town by bringing the corrupt landlord to justice.

Given that this novel is set in Mississippi in the 1950s, I was intrigued by the teen-aged friendship at its center. When Cassie, who’s black, and Judith, who’s white, learn that they have the same father, they decide to join forces in claiming their share of the family inheritance. The result is a sometimes perilous and even other-worldly road trip from Mississippi to Virginia, during which the girls’ budding relationship is sorely tested. 

“Peoples,” the protagonist of Jackson’s coming of age novel is apt to announce, an African-Americanized riff on Shakespeare’s “Friends, Romans, countrymen” which Jackson’s narrator voices from the recesses of his Mississippi, Portland neighborhood. Everything about this book is centered by the protagonist’s remarkable voice, a voice that very much inspired me to write my book. This is to say nothing of the deeply tragic, crack-era intergenerational family drama that The Residue Years tells.

I love that our heroine Chloe had a backbone and was able to put our hero Eli in his place and not take his crap. I also like how their road trip adventure to bring Chloe to an important ballet audition starts off with Eli blackmailing her into bringing him, and his dog, along. Eli was another flawed male lead I loved, there were moments where he’s so close to being adorable and perfect, but then he’d be clueless and frustrate Chloe—and me! I really enjoyed that Chloe was ready to forge forward on her own and Eli had to whip himself into shape to earn her!! 

Evie Thomas and her family are forced to move away from her childhood home, leaving behind family and friends to protect her father from his fellow officers. Evie has to get used to a new name, life without her older sister, and most importantly, life with her father, whose deep depression has transformed him from a lively, protector to a sad man who sits by the window, gazing at nothing. Tackling depression using an African American protagonist, Woodson has written a moving coming of age novel that shines the light on what it means to live with someone suffering from mental illness. I felt a kinship with Woodson because both of our characters have fathers whose mental health deeply affects how they move about in the world. 

I so loved and continue to love this book because I love heroines who embody wisdom and pass it on to others. Isn’t this really the whole point of life? Any chunk of learning needs to be shared, especially by women for women who come after them.

As far as heroines are concerned, there are so many to choose from in this book. It begins with Lily, a girl, who decides to run away to find out about her mother; she has reason to leave her violent home with an abusive father. But then Lily has the opportunity to safeguard Rosaleen, her ‘stand-in’ black mother, who has made the serious mistake of standing up to legendary racist bullies. Lily is white but understands Rosaleen's peril in terms of danger. Lily is hardly fierce. This is when real courage becomes poignant…taking action in spite of immense fear. 

I feel that every… show more.