My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River,and my written work includesThe Occultists, Shadowdays, and the novella 8:59:29.I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.
The Sorcerer of the Wildeeps, Wilson’s debut work, is another wonder among wonders.
It feels like an epic fantasy, but instead of following more Viking-blonde heroes with their magical swords, we’re following hired mercenaries to escort a caravan through dangerous lands.
And instead of the usual fantasy worlds descended from the Western European Middle Ages, we’re in one influenced by re-colonial Africa.
There are magical jungles and magical tigers, and violence and death, and an LGBT love story between smart, dedicated men.
It’s a character study worthy of a literary novel, but the love of words, and the masterful inclusion of various dialects, particularly a kind of medieval hip-hop slang, makes this a truly fascinating read.
One of Wired's Twenty-Five All-Time Favorite Books
Critically acclaimed author Kai Ashante Wilson makes his commercial debut with this striking, wondrous tale of gods and mortals, magic and steel, and life and death that will reshape how you look at sword and sorcery.
Since leaving his homeland, the earthbound demigod Demane has been labeled a sorcerer. With his ancestors' artifacts in hand, the Sorcerer follows the Captain, a beautiful man with song for a voice and hair that drinks the sunlight.
The two of them are the descendants of the gods who abandoned the Earth for Heaven, and they will…
I love urban fantasy and all the associated genres, like paranormal and horror. I love the question of “what if” and exploring how things would work if certain rules of magic or the supernatural were real. I love the variety and scope of world building that can be done parallel to and within our world through urban fantasy. That “what if” question is at the center of my own writing, and especially when I read non-fiction on topics like parallel universes and aliens and demons, I get so much inspiration for stories and worlds and what might be happening just beyond our view.
This book is another that has a similar vibe to The Dresden Files and my books. This one had a really unique take that I liked, mixing in ghosts with the other supernatural creatures and elements. The main character has some fun, memorable quirks that I enjoyed, and the plot had some great twists that I didn’t see coming. The world is really broad, and there’s a lot more to uncover about how things work, so I liked that it didn’t tell everything in the first book, so it left me with the desire to read more.
Reagan Moon -- paranormal reporter, terminal underachiever, and staunch cynic of the human race. The only ghosts he really believes in are the ones in his own head. But his world is about to get an upgrade. When Moon is hired by a reclusive tycoon to investigate the events surrounding his girlfriend's tragic death, he learns of an impending apocalypse about to flatten Los Angeles. Seems that the Summu Nura, ancient gods from a parallel dimension, are looking for a new stomping ground. And Hollyweird is ground zero. What's worse, Reagan Moon is the only one who can stop them.…
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine,…
My love for both the Weird and the Wild West started somewhere in the 90s. I watched many movies and adored playing Deadlands (TTRPG) with my friends. I picked this theme because most Western-themed books and movies were very male-orientated, yet I always found myself drawn to the heroines in these stories. While I loved characters like Billy the Kid and Wild Bill Hickok, I could better relate to Calamity Jayne or Belle Starr. During our Role Play game nights, I often played female gunslingers. That’s how I ended up creating Coyote, who inspired me to write her story in a series of novels.
If you are up for a little journey into the Weird West, let Nettie Lonesome be your guide. She is anything but the traditional ‘Cowboy’ being a queer, biracial, young woman. This book is a different kind of coming-of-age story—a tougher one, which really takes the reader on a rollercoaster ride. For me, the biggest appeal of this book is the main character. Nettie is a special breed of Ranger who discovers there is more to this world than heaven and earth. There are monsters hiding in the shadows, and Nettie finds she has a particular talent for dealing with them. When it comes to queens of the Weird West, Nettie belongs to be among them. Even if she does prefer to dress as a man.
"Wake of Vultures is, quite simply, brilliant. A mind-bending mix of history, fantasy and folklore, it's a wild bronco of a read that'll leave you breathless for more."―Rachel Caine, New York Times bestselling author
Supernatural creatures create chaos across an unforgiving western landscape in the first book of a propulsive and cinematic fantasy adventure starring ever fearless Nettie Lonesome.
Nettie Lonesome dreams of a greater life than toiling as a slave in the sandy desert. But when a stranger attacks her, Nettie wins more than the fight.
Now she's got friends, a good horse, and a better gun. But if…
I’m of Indian ethnicity and Japanese nationality, so it felt natural to write a book that drew inspiration from both cultures without being adjacent to either one. Like me, my book is a mixed bag. It features an original mythology with a unique religion and mythical beasts that you’ve (hopefully) never seen before. It’s also pretty heavy on themes and tries to provide some context to questions that baffled me as a kid: Why do bad things happen to good people? Why do war and violence exist? I can’t say that I’ve answered those questions, but I hope I’ve provided a multifaceted perspective into the conversation around them.
I debated which of Cosmere’s many books to put here but settled on this one because it was my introduction to Sanderson. The main attraction of his books for me is always the unique and scientific hard magic systems and how they relate to every aspect of his stories, from characters to worldbuilding.
My favorite part was how the characters had to study the magic system and uncover its specific functions to “solve” the problem that was plaguing them. This is a pretty common narrative force behind many of Sanderson’s books, but I also enjoyed this one because of its religious and sociopolitical commentary. I found the high priest’s arc especially compelling, as he found his views on faith challenged by another character.
Arriving in the kingdom of Arelon to enter a marriage of state, princess Sarene discovers that her intended has died and that she is considered his widow, circumstances that render her a lone force against the imperial ambitions of a religious fanatic. A first novel. Reprint.
I’ve been writing since before I can remember and my stories always edge towards darkness. If darkness is a cliff-face, I stand precariously on the edge, taking my readers with me and maybe… eventually… giving them a little shove. Sorry, not sorry. As a writer of dark YA fantasy, it is both my duty and privilege to read as many dark fantasy stories as possible. My series, The Relic Trilogy, isn’t all sunshine and happiness. Whenever I see a review where the reader admits they ended up in a puddle of their own tears, I celebratebecause that is precisely what I’m here for folks.
I will unashamedly tell anyone I meet that I am obsessed with Peter Pan. I wished I’d written it myself and will one day write a retelling. Because, honestly, sometimes the retelling is better. When Peter is darker, when Neverland is madness… or more so than it already is.
Lost Boywas not what I expected. The ending got me hard and I’m completely obsessed with this book. I don’t even want to explain anymore. Just please read it.
Most of us are familiar with the original story thanks to the cartoon movie, but if you haven’t yet read the original book, I highly recommend that because it is a lot darker than you might think. I remember being blown away by it when I finally read it as an adult.
And then you can go on an obsessive read-a-thon of all retellings, starting with the magnificent Lost Boy.
There is one version of my story that everyone knows. And then there is the truth. Once I loved a boy called Peter Pan.
Peter brought me to his island because there were no rules and no grownups to make us mind. He brought boys from the Other Place to join in the fun, but Peter's idea of fun is sharper than a pirate's sword. He wants always to be that shining sun that we all revolve around. He'll do anything to be that sun. Peter promised we would all be young and happy forever.
I love historical fiction in all its forms, from the multi-volume family epics to the Dear America middle-grade books I grew up with. And I really, truly don’t understand why historical fiction has a reputation for being dry, dull, or worst of all, like homework. Sure, there are some novels written for history buffs only, but the vast majority aren’t, and neither is mine. When I wrote A Tip for the Hangman, my goal was to write historical fiction that reads like a page-turner, not a textbook. The books on this list all pull off that trick beautifully, and I hope you enjoy them as much as I do.
Mysterious victorian missionaries with dark secrets in the land of the fae.I truly do not know how to sell this book any better. I tend to recommend gothic literature for historical fiction newbies, since the emotional stakes are always so high and the plots often bend close to horror or fantasy, and this one is no different. The worldbuilding is spectacular, and it plays on the tropes of classic gothic novels in a way that’s knowing, clever, and never dry or stilted. No wonder Ng won the Hugo for best new author when she released this book—it deserves it.
Winner of the John W Campbell Award for Best New Writer, Jeannette Ng brings a stunningly different Victorian fantasy that mixes Crimson Peak with Jonathan Strange & Mr Norrell.
Victorian missionaries travel into the heart of the newly discovered lands of the Fae, in a stunningly different fantasy that mixes Crimson Peak with Jonathan Strange & Mr Norrell.
Catherine Helstone's brother, Laon, has disappeared in Arcadia, legendary land of the magical fae. Desperate for news of him, she makes the perilous journey, but once there, she finds herself alone and isolated in the sinister house of Gethsemane. At last there…
Burne’s been hiding out in the forest since deserting the King’s Guard. Each time he tries to return to the village, he begins to panic. And then one day, he encounters a handsome stranger picking flowers and hides behind a tree instead of talking.
In today’s world we have unprecedented access to knowledge and science. We are increasingly unsatisfied with seemingly impossible things that have no plausible explanation. Speculative fiction is known for asking one simple question “What If?” Science fiction leans toward scenarios that might be possible, whereas fantasy dwells in the world of the impossible. In early fantasy writing we would read about impossible things, and the author would wave it away with a simple “It’s just magic – don’t think about it.” Modern audiences want more. Hard fantasy (where magic systems have a logical and rules-based premise) dares not only to ask “what if” but also suggests “here’s how.”
Master of the Five Magics delivers exactly what the title suggests. Hardy creates not only one, but five distinct and well-thought-out systems of magic. Each discipline is different from the next in practice, application, and style. The mechanics of how each of the systems functions is logical, precise, and adheres to a well-planned set of rules. The reader explores the world of magics through immersive storytelling and the reader can enjoy the journey without the perception of having attended a university course on the subject material.
The trilogy is seen as ahead of its time and is often credited as having influenced later authors as they explored the subject of magic in fantasy in their own writings.
Vendora, the crafty queen under siege in a castle that had never fallen.
Alodar, the mere journeyman, learning the least of the five crafts of magic.
He had no right to aspire for her hand --- but aspire he did!
Wizards, sorcerers, dragons, castles, and more!
Alodar's quest takes him from one magical craft to another—each with its own distinct powers and pitfalls. Aided by a mysterious eye from deep within the earth, at a college for magicians, he discovers the secret lying behind the hypnotic flicker of common flame.
In 1998, I met H.P. Lovecraft's corpse-reanimating doctor, Herbert West. I found him intriguing, but HPL's story didn't tell me enough about what lay behind his bizarre interests. Why did his friend help and support him? To answer those questions, I wrote four genre-blending novels, of whichThe Friendship of Mortals is the first. Through West's librarian friend, Charles Milburn, I explore their friendship, the choices they make, and how they deal with the consequences of those choices. The setting is a college town in early 20th century New England, but with a supernatural twist.
At first, I thought this was a historical mystery similar to the Sherlock Holmes stories. Nineteenth-century city, maybe in Russia? But what about the weird Bone Forest and the house on stilts? The detective, Konrad Savast, carries out his investigations in distinctly unorthodox ways. Then there are his spirit-serpent helpers, Eetapi and Ootapi. Sherlock never had anything like them! And in addition to the four mysteries to be solved in this book, there's the question of Konrad's relationship with apothecary Irinanda Falenia. Will it ever develop into something more than friendship?
There's a realm. Wreathed in ice and snow, drowning in the dark, Assevan needs a different kind of hero.
There's a god. Merciless and cold, and quick to anger, the Lord of the Dead insists upon one thing only: vengeance for a murdered soul.
And there's a man. A ruthless killer, Konrad is detective, judge and executioner in one. Dauntless, relentless, monstrous, he stands alone against the dark.
Meet the Malykant. Justice will be served.
Four cases. Four killers. Four executions. Dark fantasy and murder mystery collide in this first collection of the…
I grew up on the coast of South Carolina, where many of the Golden Age pirates were welcomed as business associates and charming guests by some of the most influential people of the day. They are, to this day, considered local heroes. I read everything I could lay hands on about them, fiction and histories, and I knew my first book would have to be about the pirate I always pretended I could be, if I’d only been born two hundred years ago.
This one’s a little different – pirates sail the clouds instead of the ocean. In a world where Haiti won its freedom at a devastating cost, a young Black woman wants to earn a place on an airship, but can’t seem to find any way to prove her worth to the sky pirates she longs to join. Until she learns about a weapon called the Black God’s Drums, that someone plans to use to wipe New Orleans off the map. Add in the whispers of an orisha with its own agenda and a possible romantic attraction to the peg-legged Captain Ann-Marie, and you’ve got everything a pirate might want.
In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air - in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie's trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God's Drums.
But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.
This book (and its sequels) are about overcoming the odds; about learning to improve the skills and abilities you have, rather than dwelling on what you can't do. Conflict, plague, and scheming politicians are all featured along the way–but none of the characters are human!
Now a major Hollywood film starring Daniel Radcliffe: read it first, if you dare ...
Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with one hell of a hangover, a raging headache ... and a pair of horns growing from his temples.
Once, Ig lived the life of the blessed: born into privilege, the second son of a renowned American musician, and the younger brother of a rising late-night TV star, Ig had security and wealth and a place in his community. Ig had it all, and more - he had the…
