Historian Dr. Helen Fry has written numerous books on the Second World War with particular reference to the 10,000 Germans who fought for Britain, and also British intelligence, espionage and WWII. She is the author of the bestselling book The Walls have Ears: The Greatest Intelligence Operation of WWII which was one of the Daily Mail’s top 8 Books of the Year for War. She has written over 25 books – including The London Cage about London’s secret WWII Interrogation Centre. Her latest book is MI9: The British Secret Service for Escape & Evasion in WWII – the first history of MI9 for 40 years. Helen has appeared in numerous TV documentaries, including David Jason’s Secret Service, Spying on Hitler’s Army, and Home Front Heroes on BBC1. Helen is an ambassador for the Museum of Military Intelligence, and President of the Friends of the National Archives.
Saturday was the codename given to Airey Neave when he worked for MI9, the branch of military intelligence for escape and evasion in World War Two. Neave has achieved legendary status as the first British man to successfully escape from Colditz Castle, Leipzig in Germany in 1942, and make it back to England. This fortress – nicknamed ‘the camp for naughty boys’ by British officer POWs – was believed by the Germans to be impenetrable and from which no prisoner could ever escape. Neave’s success vastly raised the morale of airmen and soldiers going into action because they knew it was possible to escape from such camps. Neave was perfectly placed to write this first history of MI9, placing on record the establishment and running of the major escape lines as well the bravery of thousands of women and men of Nazi-occupied countries who aided MI9 and saved over 35,000…
I am the co-author and CEO of The Wonder Weeks. I advise various global players in the field of babies and I'm a sought-after speaker at fairs and in daily exchange with mothers and fathers.
With all this knowledge I know the needs of parents and their children like no other, with my books and apps I stand for power to the parents!
As a Dutch co-author, I highly recommend the books of Miffy, the very known rabbit in the Netherlands and worldwide, who shares his experiences in colourful, child friendly and short books. This copy is about celebrating birthdays. I love the good colorful illustrations and the imagination of Miffy. For children, this is the perfect combination, as a child loves birthdays, presents and especially from grandparents.
Hip hip hooray! It's Miffy's birthday and her friends have all bought her lovely presents. Grandpa and Grandma Bunny give her a very special present.
Award-winning UK poet, Tony Mitton, has worked closely with Dick Bruna's Dutch publisher to create new translations for the classic Miffy stories that are true to the books' original voice, and yet have a contemporary feel to the language that makes them appealing to the modern young audience. The translations beautifully convey the warmth and friendliness of the original Dutch whilst maintaining a style that is inimitably Miffy.
When my kids were toddlers, there was a Burger King in the neighborhood with an indoor playground. It was glorious. A random guy walked up to me while we were there. “How do you do it, you know, the whole Dad thing” he asked. "Well… you don’t necessarily need to do a whole lot. Mostly just show up. Stick around." Never mentioned that by this time, I’d written and/or illustrated at least a couple dozen children’s books. I asked my nine-year-old daughter how she’d describe me as a Dad. “Most people think you’re creative, but I think you’re pretty average.” That’s good enough for me.
I read this book a few years ago. Some of its essays really stuck with me. This is a popular science book, largely having to do with the limitations of popular science. I like to read anything that challenges my assumptions. Spending so much time in Dad mode, your brain can really atrophy.
My Dad was always interested in science. He never finished high school. In the pre-internet days, he subscribed to science magazines. He read instruction manuals cover to cover. I think he would’ve really enjoyed this book.
There is so much we don’t know. We tend to misinterpret what we do. Too often, we have good ideas and abandon them. This book serves as a reminder that creativity requires diligence and reflection alongside imagination.
At its core, I think these essays speak with indomitable optimism. Things could be better. My kids will grow up to be much more…
Over 150 of the world's leading scientists and thinkers offer their choice of the ideas, strategies and arguments that will help all of us understand our world, and its future, better. This title includes contributions from: Richard Dawkins, Stephen Pinker, Daniel Dennett, Clay Shirky, Daniel Goleman, Sam Harris, Lee Smolin, Matt Ridley, Mark Henderson, David Rowan, Sir Martin Rees, Craig Venter, Brian Eno, Jaron Lanier and David Brooks ...among others. With his organisation Edge.org, the literary agent and all-purpose intellectual impresario John Brockman has brought together the most influential thinkers of our age. Every year he sets them a question,…
In a flooded city on the brink of collapse, the arcology provides a high-tech haven – for those who can afford it. Here, safe in her pampered confinement, Eva longs for escape. But each day she is made to play The Game, a mysterious virtual environment that seems more designed to monitor and test than to entertain.
Outside, life is a different story, where unregulated tech spawns nightmares to rival those of fairtytale and folklore – ghosts and monsters, the no-longer-human and the never-should-have-been. Here, Squirrel is a memory thief, eking out a fraught existence in service to the criminal…
Tidelands is an ongoing sci-fi and fantasy serial. Set some years in the future, it is a dystopian blend of cyberpunk, first contact, Lovecraftian horror and dark humour.
In a flooded city on the brink of collapse, the arcology provides a high-tech haven – for those who can afford it. Here, safe in her pampered confinement, Eva longs for escape. But each day she is made to play The Game, a mysterious virtual environment that seems more designed to monitor and test than to entertain.
Outside, life is a different story, where unregulated tech spawns nightmares to rival those of…
Dogs make great supporting characters, adding drama or humor or pathos, and revealing so much about the humans in the story. I discovered this in writing my first novel: The narrator’s dog keeps her grounded when things go wrong and makes it possible for her to keep going through difficult times. For the reader, he provides levity and depth without turning it into a book about a dog. I had a great model – I used my own dog Boris, even appropriating his name. I think of the fictional Boris as real-life Boris’s best self.
I loved everything about this book, from the story arc to Alison McGhee's turn of phrase and use of language.
Her descriptions of people and scenes range from hilarious to tear-inducing, with a side of quirky.
The best thing, though, is the story itself, Clara going back to the place she was never going back to, and dealing not only with her mother's dementia but with the things that made her leave town in the first place.
In this story, the dog is named Dog and he died before the story begins. The blue ceramic urn with his ashes is one of the very few things her mother kept for her – a talisman.
Soul-searching, gripping, and so very well written, this is one of my favorite books of this century.
“[A] poignant meditation on the relationship between a mother and daughter” from the New York Times bestselling author of Shadow Baby (Publishers Weekly).
When Clara Winter left her rural Adirondack town for college, she never looked back. Her mother, Tamar, a fiercely independent but loving woman who raised Clara on her own, all but pushed her out the door, forcing Clara to build a new life for herself, far from her roots, far from her high school boyfriend, far from the life she had always known. Now more than a decade has passed, and Clara, a successful writer, has been…
I am a French writer of Spanish origin. My two grandfathers shared history with Spain’s darkest hours. My maternal grandfather was born in Barcelona and he was a teenager at the time of the war; just like Salvayre’s parents, he had to flee Spain as the bombs were hitting his city. My paternal grandfather, who was in his twenties at the time of the civil war, decided to fight for the “International Brigades” to defend Spain’s freedom. It is to honour their memory and one of the millions of men and women who suffered from those almost four decades of dictatorship that I wrote Blood Song, a historical thriller, the third installment in the Roy and Castell series.
The Sleeping Voice is the most poignant novel about women in the Spanish civil war you will get to read. Those voices are the ones of the women who fought throughout the dictatorship not to be forgotten as the silent soldiers they were. Those voices tell us that the real heroes are very often anonymous. You won’t be able to part with Hortensia, Elvira and Tomasa, the heroines: I can guarantee that they will all stay with you. I actually chose a quote from that book to open Blood Song: it isabout a mother wondering how the sea looks like as her boys are laying in it.
Dulce Chacon's book has had an immense success in Spain, no doubt because the novelist speaks with a just and powerful voice, and because she has allowed women - the most anonymous, the most suppressed, the most silenced - to speak out" Le Monde
It is 1939. In the Ventas prison in Madrid a group of women have been incarcerated. Their crime is to have supported or fought on the Republican side in Spain's cruel and devastating Civil War. Chief among them are Hortensia, who fought with the militia and is pregnant by her husband Felipe - a man still…
I have been fascinated by the American Civil War since I was 8 years old. I have been a serious student of the subject since my college years, where I majored in American History. I have played and designed boardgames concerning battles of the war, including a number of games on battles in the Western Theater, I have been a living historian and reenactor, and now, an author-published by both academic and popular presses. The battle of Chickamauga became a serious interest as early as 1979.
Thomas L. Connelly’s seminal final volume of his history of the Confederate Army of Tennessee, first published in 1971, remains one of the best works of Civil War history, not just of the Western Theater. Connelly’s writing helped to shift the historical focus from the Eastern Theater, where Robert E. Lee and the Army of Northern Virginia dominated the conversation for more than a century. While the west was not totally neglected, it was clearly an afterthought.
Connelly’s work focused on the long, unfortunate history of the Confederate Army of Tennessee, a command which rarely tasted victory, and was saddled with a host of incompetent leadership from the top down. The long-running dysfunction between army commander Braxton Bragg and senior corps commander Leonidas Polk created chaos on and off the battlefield, eventually leading to Bragg’s replacement and (for a time) Polk’s banishment. Connelly examined and explained this and other command…
Winner of the Fletcher Pratt Award and the Jefferson Davis Award A companion volume to Army of the Heartland
Near the end of 1862 the Army of Tennessee began a long and frustrating struggle against overwhelming obstacles and ultimate defeat. Federal strength was growing, and after the Confederate surrender at Vicksburg, the total Union effort became concentrated against the Army of Tennessee. In the face of these external military problems, the army was also plagued with internal conflict, continuing command discord, and political intrigue.
In Autumn of Glory, the final volume of Thomas Lawrence Connelly's definitive history of one of…
I wanted to visit Alaska since high school. It took me a couple of decades to make good on the urge, but I have made numerous trips. Alaska has everything I have always loved about Colorado, but in superlatives. From a historical standpoint, Alaska means mountains, mining, and railroads, exactly what I have written about in the lower forty-eight. Outdoors, there has never been any place that makes me happier than climbing mountains or rafting rivers. Spend two weeks in the Brooks Range with just one buddy without seeing another human and one comes to understand the land—and appreciate stories from people who do, too!
Alaska’s politics have always been a blood sport, in part because participants are usually down-to-earth, no-nonsense Alaskans bound and determined to do what they think is right no matter the consequences—even if it costs them an election.
A former Marine pilot with the famed “Black Sheep” squadron, Jay Hammond came north as a bush pilot and at statehood in 1959 was elected to the Alaska House of Representatives. His self-deprecating accounts of the political battles of the next quarter of a century, including the Permanent Fund, are sure to bring more than a chuckle. I once looked out an aircraft window to see a small plane upside down on a dirt runway at Hamond’s homestead some miles from Port Alsworth. Inquiring, I was told, “Oh, don't worry, Jay’s fine; he just bounced on a bad landing.”
I was born in colonial Hong Kong, and my teenage rebellion was anti-colonialism. So I went on a journey to rediscover ‘mother China’ by reading and visiting the Mainland. What I saw and learned first-hand contradicted what I had read of China, primarily Communist Party propaganda. The realization that colonial Hong Kong treated its people so much better than in socialist China made me think, and started my interest in researching the history of Hong Kong. A Modern History of Hong Kong: 1841-1997 is the result, and based on years of research into the evolution of Hong Kong’s people, its British colonial rulers, as well as China’s policies towards Hong Kong.
This is a short and very personal account by a young journalist born and brought up in Hong Kong. As her parents are academics who had also played activist roles in Hong Kong, Hana got to know some of Hong Kong’s democracy activists and fighters from a very young age. She writes with passion about why the young people of Hong Kong fight for democracy in Chinese Hong Kong, where the prospect of success was very dim, if not non-existent. If you are interested in how Hong Kong’s young people think about democracy, this is a good starting point.
Journalist Hana Meihan Davis comes from a long line of democracy activists in Hong Kong. Today, they are either in exile or facing arrest.
Hong Kong, once a bastion of liberty and free speech, is now under the control of a repressive Chinese regime determined to silence dissent. In this searing, deeply personal memoir, Davis takes readers into the heart of her city that has come under siege -- and tells the astounding stories of the brave individuals who are resisting tyranny in a life-or-death struggle for freedom.
ABOUT THE AUTHOR
Hana Meihan Davis is a journalist and aspiring architect…
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlancenovel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
I have used this book many times in courses on the history of monsters and on monster movies. Carrol is a philosopher, and the book is written with exacting clarity. It is primarily about the genre of horror, but as Carrol writes, “monsters are central to horror.” Therefore, the author sets out both to define the generally indefinable category of “monster” and to analyze how we respond to them when they appear in fictional narratives. If you’ve ever wondered why a werewolf is a monster but Chewbacca isn’t, this is the book to read!
Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us want…
Music has always spoken to my innermost being, and coming of age in the late 1960s, I’ve been drawn to the quest for justice and equality in politics. In my undergraduate studies at Berkeley, the late political theorist Michael Rogin, who interpreted Moby Dick as a parable of 19th Century race relations, taught me that my two interests could be combined. As a professor of Political Science I’ve written books and articles that explore music’s ability to express ideas about politics, race, and ethnicity in sometimes unappreciated ways.
In this utterly unique book, Small contends that music does not consist of “works” but is rather an activity called “musicking” that enacts relationships – between sounds but also among the participants, including the audience. Through musicking we learn about ourselves in relationship to others, and that relationship can be one of submission (sitting quietly listening to an orchestra) or equality (jazz musicians improvising in response to each other while the audience shouts encouragement). In Small’s view, African American music enacts democratic relationships, in which all participate as equals, and individuality is enhanced rather than hindered by group solidarity.
In clear and elegant prose, Music of the Common Tongue, first published in 1987, argues that by any reasonable reckoning of the function of music in human life the African American tradition, that which stems from the collision between African and European ways of doing music which occurred in the Americas and the Caribbean during and after slavery, is the major western music of the twentieth century. In showing why this is so, the author presents not only an account of African American music from its origins but also a more general consideration of the nature of the music act…