Here are 100 books that Wilder Girls fans have personally recommended if you like
Wilder Girls.
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I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
This book leans a bit more toward the literary fiction category than do most books I read these days, but it’s among my top five because of two elements it develops, and poignantly so: 1) the constant threat of death for not only the narrator but also others he knows, and 2) a love story.
And the love story, much as it got to me emotionally, never once struck me as sappy. Instead, it was very realistic. Very human. Very no-b.s. As a result, altogether, this novel offers terrific storytelling.
THE ROAD - but with hope. Hig, bereaved and traumatised after global disaster, has three things to live for - his dog Jasper, his aggressive but helpful neighbour, and his Cessna aeroplane. He's just about surviving, so long as he only takes his beloved plane for short journeys, and saves his remaining fuel. But, just once, he picks up a message from another pilot, and eventually the temptation to find out who else is still alive becomes irresistible. So he takes his plane over the horizon, knowing that he won't have enough fuel to get back. What follows is scarier…
I’ve written over 30 novels, mostly fantasy, until meeting a prepper years ago in a tavern with a cold beer and a quiet table. He explained that EVERYTHING depends on farmers and trucks carrying food to us. My last six or eight novels dwell on that one theme, no matter if the cause is volcanoes erupting, social breakdown, or an upcoming war. When the food is scarce…well, that’s the background for books I enjoy.
This 1962 novel was the first I read of this genre, and it stuck with me. While somewhat dated (a lot), it held my attention again a few years ago. Not many can hold up for so many years, and what it relates still resonates today.
In this profound ecological fable, a mysterious plague has destroyed the vast majority of the human race. Isherwood Williams, one of the few survivors, returns from a wilderness field trip to discover that civilization has vanished during his absence.
Eventually he returns to San Francisco and encounters a female survivor who becomes his wife. Around them and their children a small community develops, living like their pioneer ancestors, but rebuilding civilization is beyond their resources, and gradually they return to a simpler way of life.
A poignant novel about finding a new normal after the upheaval of a global crisis.
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
This book is dystopian and is really about the downfall of capitalism, but it starts in an office.
Candace Chen has her job and not much else. She goes to work and has little personal life outside of it. She barely even notices when a plague sweeps New York, and everyone leaves, and society crumbles. Her work keeps her busy, and she does it until the money she’s promised shows up in her bank account.
What caught my attention is how well the author communicates the idea that humans become completely adaptable to untenable systems at work, and we keep doing our jobs under nearly any circumstance. Even a plague.
This examination of the conditioning we get to put work first no matter what else is happening is a painful eye-opener. Better boundaries next time, I guess.
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.
"A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." ―Michael Schaub, NPR.org
“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle
NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review…
I write women in dystopia. I live in the North West of the UK and I also write psychological thrillers and women’s fiction – I am currently writing my 9th book. I love books set in the near future and in alternate dystopian worlds – I recently discussed this with my brother and we settled on ‘mind-bending’ as our go-to for this genre. I have a PhD in narrative and storytelling and my mission as a writer was to write fiction about issues that affect women, and what better way than to place them in hypothetical but possible situations to explore that reality?
I read The End of Men recently during the pandemic. Without giving the plot away, this book is about a pandemic written before the actual pandemic. The thing I love about this book is the deep feelings it invoked. It is written from many viewpoints and I really cared about the characters – if a book can resonate so deeply that it makes you wonder how your life would be in the same circumstances, the author has succeeded. The women in the book face an almost unimaginable struggle and I rooted for them all the way.
GLASGOW, 2025. Dr Amanda Maclean is called to treat a young man with a mild fever. Within three hours he dies. The mysterious illness sweeps through the…
I am and have always been fascinated with supernatural creatures, particularly if they have horns and dwell in the dark swamps of wooded hinterlands. I spent a greater part of my childhood in the African bush. A formative experience was the day an isangoma(witchdoctor) cast knuckle bones at me in a particularly energetic frenzy. Rather than being scared, I was fascinated by the power these little bones had to command spirits and creatures I had only seen in my nightmares. An obsession was born.
When I went into this book, I sensed that Amelinda would pull zero punches. I was so right it was glorious. Skye isfed up. Fed up of being responsible for her insufferable little sister, Dierdre. Fed up with the stories, with the games, with their endless childhood fantasies. Moving halfway across the country seems like the perfect chance to start over. Finally, in this new, isolated neighbourhood, Skye is managing to fit in. Not Dierdre, though. No, Dierdre seems to be slipping more and more into a world of her own. And then one day: Dierdre vanishes. When a creature unlike anything Skye has ever seen comes scratching at her door claiming to know who took Dierdre, Skye is going to have to suspend her disbelief and re-enter a childhood of warped imagination.
A bone-chilling read about creating monsters, sisterhood turned toxic, and secrets that won't stay buried, perfect for fans of The Night She Disappeared, Wilder Girls, and The Blair Witch Project. Sixteen-year-old Skye is done playing the knight in shining armor for her insufferable younger sister, Deirdre. And moving across the country seems like the perfect chance to start over as someone different. In their isolated new neighborhood, Skye manages to fit in, but Deirdre withdraws from everyone, becoming fixated on the swampy woods behind their house and building monstrous sculptures out of sticks and bones. Then Deirdre disappears. And when…
I’ve loved stories with a horror/thriller focus ever since I can remember. Yes, I was that creepy kid who read all of Goosebumps, as well as checked out a copy of Draculafrom the library at the tender age of eleven, much to the chagrin of the elderly librarian. My own books are multi-genre, but tend to include a thriller or horror element—it’s such fun to write a page-turner that ends with a bang. I truly hope you enjoy these picks as much as I did. They are some of my very favorites!
Swipe Right for Murder is a thriller with LGBT themes that will gobble up every moment you can spare for reading. Set in 2019, the book nonetheless has a raucous, cyberpunk feel. Main character Aidan, through the use of a Grindr-style hook-up app on his senior Spring Break, stumbles into an unfortunate series of events that lead him into close contact with a domestic terrorist organization bent on killing homophobes.Swipe Right for Murder is a page-turner if there ever was one, and it’s fucking funny. Seriously, there are some legit laugh-out-loud moments in this book—generally a tough order for a written medium. If you’re looking for a smart thriller that is turned up to eleven at all points, then this book is an absolute must-read.
An epic case of mistaken identity puts a teen looking for a hookup on the run from both the FBI and a murderous cult in this compulsively readable thriller.
Finding himself alone in a posh New York City hotel room for the night, Aidan does what any red-blooded seventeen-year-old would do--tries to hook up with someone new. But that lapse in judgement leads him to a room with a dead guy and a mysterious flash drive...two things that spark an epic case of mistaken identity that puts Aidan on the run--from the authorities, his friends, his family, the people who…
I was in fifth grade when I brought home my first paranormal thriller from the library. It was love at first read. Since then, I’ve broadened my reading horizons to many fiction genres, but fast-paced stories grounded in our world with a dash of magic continue to be my favorite. The same can be said of my viewing habits—give me shows like Severance or Black Mirror, and I’ll be glued to the screen all day long. It probably doesn’t surprise anyone that it is my favorite entertainment genre and writing genre. Many of the books on this list have served as inspiration—I hope you love them too!
Jack the Ripper? Check. Girl who sees dead people? Check. Boarding school? Check, check, check. I feel like Bill Hadar’s SNL character Stefon when I say that this book has everything, but I can’t help it.
As someone who loves books with ghosts, murder, and page-turning thrills, this book does indeed have everything.
Thrilling ghost-hunting teen mystery as modern-day London is plagued by a sudden outbreak of brutal murders that mimic the horrific crimes of Jack the Ripper.
"A gorgeously written, chilling, atmospheric thriller. The streets of London have never been so sinister or so romantic." Cassandra Clare, author of THE MORTAL INSTRUMENTS
Sixteen-year-old American girl Rory has just arrived at boarding school in London when a Jack the Ripper copycat-killer begins terrorising the city. All the hallmarks of his infamous murders are frighteningly present, but there are few clues to the killer's identity.
"Rippermania" grabs hold of modern-day London, and the police…
I grew up in a small town full of ghosts. They broke plates in a doctor’s office-turned-restaurant, feuded in a house built by twins, emerged from cornfields to stand in our headlights, and turned headstones blue in a cemetery where tombstones protruded from the ground like jagged teeth. The stories that surrounded me while I was a teen still bleed into my writing. And as reader, I gravitate toward books that are atmospheric, rich in moments of magic or the unreal, and riddled with stories of the past and long-forgotten.
As one of four sisters, I appreciate a good sister story because there’s always something going on under the surface. House of Hollow is no different. There’s the complicated dynamic of the three sisters—the model and fashion designer, the grunge musician, and the loner high school student—revealed when the eldest goes missing and the two younger sisters search for her. And then there’s the twist of something otherworldly—the fact that the girls disappeared for a month as children, reappearing with black eyes, white hair, mysterious scars, and the ability to entrance others with their scent and touch. I couldn’t stop turning the pages.
'A gorgeous, grisly modern fairy tale.' - THE GUARDIAN
'Dark and delicious. House of Hollow hums with malice and mystery. I devoured it whole.' - KIRAN MILLWOOD HARGRAVE
** SHORTLISTED FOR THE YA BOOK PRIZE 2022 **
The Hollow sisters - Vivi, Grey and Iris - are as seductively glamorous as they are mysterious. They have black eyes and hair as white as milk. The Hollow sisters don't have friends - they don't need them. They move through the corridors like sharks, the other little fish parting around them, whispering behind their backs.
I first fell into fantasy through the pages of Narnia. I loved the fantastic, the possibility, the idea that there was so much more than just what was accepted by all the “normal” people. I was always an oddity in school, and I felt far more at home in the books that swept me away, as if there, even amidst the danger, I could be myself. The books on my list are books that built me up and challenged me to be true to live for what is right and noble.
I enjoyed this series because it was a well-written, fast-paced, interesting, clean story that I was happy to share with my children (especially my daughters). Each of the four books follows the perspective of one of the four main characters, and all of these girls are strong, loyal, and have a clear sense of right and wrong. They are not ashamed to be “good,” which is a refreshing find in dystopian futures!
In a terrifying future world, four girls must depend on each other if they want to survive.Louisa is nervous about being sent away to a boarding school -- but she’s excited, too. And she has her best friend, Maddie, to keep her company. The girls have to pretend to be twin sisters, which Louisa thinks just adds to the adventure!Country Manor School isn’t all excitement, though. Louisa isn’t sure how she feels about her new roommates: athletic but snobby Rosie and everything’s-a-conspiracy Evelyn. Even Maddie seems different away from home, quiet and worried all the time. Still, Louisa loves CMS…
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This compelling graphic novel adaptation captures Butler’s Afrofuturist science fiction in its dark-toned palette and relentless movements in and across panels, with pages crammed with characters traveling within and outside of an urban enclave surrounded by gangs and criminals. The red of apocalypse and the California desert saturate pages, signaling current and immanent violence and danger and a landscape in environmental crisis. Through it all, Lauren reflects on how a new vision is required to liberate the oppressed without reproducing the conditions that brought it about. Amidst the bleak and violent scenes, we read excerpts from her Earthseed journaling of an unfolding religion where God is Change.
A futuristic world portrays the ongoing struggles of Black Americans for equity, racial justice, and economic and cultural futures. Its spirituals and Black culture form a new platform for Lauren’s exodus to a new land, a journey fraught with danger and difficult decisions,…
The graphic-novel adaptation of Octavia E. Butler's groundbreaking dystopian novel, Parable of the Sower, the follow-up to Kindred, a #1 New York Times bestseller
In this graphic-novel adaptation of Octavia E. Butler's Parable of the Sower by Damian Duffy and John Jennings, the award-winning team behind Kindred: A Graphic Novel Adaptation,
the author portrays a searing vision of America's future. In the year
2024, the country is marred by unattended environmental and economic
crises that lead to social chaos. Lauren Olamina, a preacher's daughter
living in Los Angeles, is protected from danger by the walls of her
gated community. However,…
