Fans pick 67 books like The Snow Queen

H.G. Wells delivers an astonishing tale of space invaders from Mars, with breathtaking scenes of monstrously huge three-legged walking machines terrorizing the populace of London and its surrounds. For sheer imagery, few science fiction stories before or since have come close to its gripping, real-world feel.

The story is told by an unnamed protagonist who goes on an odyssey in ravaged London as towering alien war machines chase, kill, or capture fleeing citizens in chaotic scenes of panic and fear. That fear sent chills along my spine on rereading this classic recently.

Notable were touching humanistic scenes with Dr. Ogilvy, an astronomer who leads an ill-fated attempt at truce-making, and a defeated soldier whose counterattack with artillery failed horribly.

Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.

Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.

This science fiction novel, written by Daniel Abraham and Ty Franck under the pen name James S. A. Corey, was the beginning of the Expanse series (now totaling 9 novels and additional stories). It is one of the best space science fiction novels of the 21st century and became the basis for one of my favorite TV/streaming series, The Expanse.

The books dive deep into the political, social, and cultural complexities of sending humans to live on the Moon, Mars, and the asteroid belt, and it’s a nuanced reflection of our current ideas and ambitions when it comes to spaceflight. I am particularly drawn to the depiction of humans who, after multiple generations off Earth, consider their primary identity to be Martian.

I love that this book was the result of a dare! In 1816, eighteen-year-old Mary Shelley and three friends held a contest to see who could write the scariest story. Mary’s story—like her monster—has since taken on a life of its own and today permeates all forms of storytelling.

I find it amusing that my favorite version of the monster is the one Mel Brooks gave us in Young Frankenstein. I wonder what Mary Shelley would think if she knew how much her acceptance of a dare would change storytelling forever.

I like to revisit the original story from time to time to savor the gothic drama and flowery writing. If I’m reading it on a dark and stormy night, all the better.

No one explores the idea of A.I. better than Isaac Asimov, so when robotics experts Powell and Donovan build an advanced robot called QT-1 or “Cutie” for short, “be careful what you wish for,” comes to mind. Cutie isn’t so bad, except he seems to doubt everything he’s told after he’s created, including the fact that humans built him. When Powell asks Cutie why he doesn’t believe it, Cutie claims it’s intuition. When Powell tries to explain to Cutie about the stars, planets, and space, Cutie disagrees with him and decides to “reason” out things on his own. Unfortunately, this robot is so far advanced, it has the ability to form opinions and ideas, that don’t necessarily equate to logic—a primary lesson about intelligence which is learned early on in the story.

I love this book because although it seems at a casual glance to be written in the mold of 50s and 60s science fiction, with earthmen fighting bug-eyed aliens, it’s, in fact, a profound exploration of the morality of war, of chances, lost and motives misunderstood and of the ruthless use of children as combatants.

The training regimen of the children is gripping, as is the climactic space battle, but it’s the ending of the novel that gives the story its deep spiritual resonance.

Lessa is an amazing heroine who rises from scullery maid to ruler of a full Weyr of dragons, thanks to a persistent dragon rider who recognizes her hidden talents.

I admired her as much in either position, whether she was subtly using her powers to tear down her oppressor from the kitchen corner or flying high on her dragon, protecting those under her care from certain death. No matter what privilege or honors come to her, she remains humble and thereby gathers the admiration and love of all who know her.

Long before Captain Kirk and Starfleet, Smith’s Galactic Patrol served to protect the galaxy from the evil designs of those who would do us harm. First serialised in Astounding magazine in 1937 and then published in book form in 1950, Galactic Patrol is the great-great granddaddy of galaxy-spanning space opera, both military and otherwise. Make allowances for when it was written (woke, it ain’t), and it is difficult to think of a modern space opera theme that Smith didn’t play around with beforehand.

As a big sci-fi fan, I often loved exploring the idea of what would happen if the human race ever met aliens. In Galax-Arena, three children are kidnapped and forced to perform death-defying circus stunts in order to entertain their captors. Not only does the story contain some riveting descriptions of acrobatic feats and tricks, the story explores fascinating concepts of slavery, trust, and what it means to be a child in comparison to an adult. 

If it’s hard to make readers side with spiders, what about plants?

The planet on which an unlucky group of humans are stranded in Semiosis is indeed home to sentient plants that see humans as just another resource. But this isn’t some Day of The Triffids monster tale. The plants can’t move anything like humans can, which, in the hands of a lesser author, might make for quite a static, boring story.

Burke demonstrates her boundless imagination by taking the reader into the "mind" of the plant, seeing the world, its threats, and resources in a completely different and plant-like way and bringing a sense of urgency as the survival of plant and humans alike become bound together.

It’s a fascinating read, and the follow-up, Interference, is just as good.